Re: Arrow / The Flash / Supergirl by Informant
Yeah, I think this version of Malcolm is just a businessman.
So are we sure that the CW doesn't have more Batman rights than we thought? Tommy Elliot (Hush) appeared on the show, and they name-dropped the Riddler. They've also said that Kate was worried that some of Batman's old villains would show up if they thought Batman was back - that might not happen because of the Batwoman reveal, but between what we've seen and what was teased in Elseworlds, I'm interested to see if they'll actually use Batman villains in this show.
I'm also curious how the world of Batwoman works in the comics. Does she fight Batman's rogues gallery as well as her own? Does Batman fight her rogues gallery? Because, like with all the Marvel heroes in New York, it's crazy to me to have separate worlds in the same city. They'd be crossing each other all the time.
Well, Batman has been cast for CRISIS. He will be played by Kevin Conroy, veteran Batman voice actor of the BATMAN animated series. But because Tom Welling and Tyler Hoechlin and Brandon Routh are each playing Superman and Routh is also playing Ray Palmer, it's unclear if Conroy's Batman is BATWOMAN's Batman. But even without that, the situation is peculiar to be sure.
There is really no reason why TV and film versions can't co-exist, but Warner Bros. seems to frown upon it. THE FLASH TV deal came together well before Zack Snyder wanted the Flash for his JUSTICE LEAGUE film and the subsequent spinoff and was grandfathered past the films getting first pick. However, ARROW introduced the Suicide Squad, introduced Deadshot, introduced Deathstroke, setting them up as semi-regular cast members -- and then WB ordered that these characters be removed as the Suicide Squad and Deadshot would be in SUICIDE SQUAD and Deathstroke was planned to be the central villain in a Ben Affleck-directed BATMAN film.
SUPERGIRL and BATWOMAN strike me as shows made by a TV wing that can't get Superman and Batman on TV. During Season 1 of SUPERGIRL, the show was barred from showing Superman's face on camera and in TVLine, the BATWOMAN showrunner has shared how BATWOMAN was not permitted to make Batman a regular cast member. https://tvline.com/2018/12/10/arrowvers … no-batman/
The situation seems to be that if a character is headlining a feature film, WB doesn't want a competing version of them to appear as a regular or semi-regular character in a TV show. However, on a case-by-case basis, they have permitted Batman, Superman, Lois Lane, Deadshot and Deathstroke to appear or return -- as guest-stars who won't appear so regularly that they seem like they're replacing Robert Pattinson or Henry Cavill in advance of the movie franchise. Bruce Wayne has appeared on TITANS, but he's a 58-year-old version of Bruce played by Iain Glen, clearly not competing with Pattinson. Tyler Hoechlin has to date only appeared in six episodes of SUPERGIRL.
Also, I consider Hush to be a D-list villain.
Hush is one of the lamest characters ever to appear in a BATMAN comic book, memorable only because he was drawn by superstar artist Jim Lee in a 12-issue BATMAN arc written by Jeph Loeb where Hush was supposedly masterminding attacks from all of Batman as he was attacked by Catwoman, Superman (both mind-controlled), Poison Ivy, the Joker, the League of Assassins, Clayface. The imagery of Hush as a trenchcoat clad man in bandages and two guns was a red herring to indicate he might be Two Face, but beyond that, Hush had no real character or rationale -- until he unmasked as Jason Todd. But the next issue immediately dismissed this, revealing that Todd was actually Clayface and Hush went unrevealed for awhile longer.
The half-explanation given for his motives at the end of his opening arc: Hush claimed to be Tommy Elliot, a childhood friend of Bruce's who became a brain surgeon. Hush says that as a boy, he caused a car accident to kill his parents, but Dr. Thomas Wayne saved Mrs. Elliot, enraging Tommy who wanted his inheritance -- and so, the money-seeking Tommy decided to become a hardworking brain surgeon (?) to get revenge on Bruce Wayne and Batman. The story arc was so inept that Hush is never unmasked to confirm or deny this story, and then the resolution has the Riddler taking full credit for Hush's plot, meaning Hush was a pointless poseur who wasn't responsible for anything at all.
Because the HUSH arc featured all of Batman's greatest villains drawn by a popular artist and because the Marvel Comics editor in chief enthusiastically promoted this 12 issue arc from his competitor (for some reason), HUSH was a sales smash but one of the most-mocked publications of the year. And there were sequels. A later arc by Judd Winick in BATMAN revealed that the Jason Todd that Batman fought had indeed been Jason (who switched places with Clayface later in the fight) -- although Jason was not Hush.
Another arc in GOTHAM KNIGHTS had Hush trouncing various Batman villains to consolidate the Gotham underworld and framing Alfred for murder and suggesting that he wasn't really Tommy Elliot after all -- only for it to be confirmed that he was actually Tommy. It was a clumsy mess.
However, for some strange reason, this misbegotten character struck a chord in DETECTIVE COMICS writer Paul Dini (showrunner of the BATMAN animated series). Dini brought Hush back in an arc called THE HEART OF HUSH where flashbacks reveal that Tommy as a boy was an obsessive, driven child who loathed his abusive mother and was psychotically jealous of Bruce Wayne's wealth and freedom as a rich orphan (which justifies why he went to med school after his failed murder attempt).
Dini also wrote Hush with something Hush never demonstrated in his previous arcs: Hush now had an innate understanding of Bruce Wayne and Batman in his new plan where he kidnaps Catwoman, puts her on comic book scifi life support machines and then rips out her heart. "It doesn't matter what socialite or reporter you're dating," Hush snarls at Batman. "There's only one woman who's ever held your heart and now I'm holding HERS!" Later, Hush incapacitates Batman and reveals that Hush has altered his face via plastic surgery: Hush now looks like Bruce Wayne and intends to assume the role of Bruce and Batman and become the very man he hates and of whom he's nursed a lifelong jealousy.
The fight goes into the Batcave where Hush remarks upon the bay of Batmobiles with, "Bruce! You magnificent bastard! A car for every mood swing!" Hush is defeated and Catwoman is restored, but when Batman is thought dead after FINAL CRISIS, Dini presented THE HOUSE OF HUSH: Hush attempts to assume Bruce Wayne's identity only for the Justice League to let him and then have him under constant guard, letting them control Bruce's ongoing legacy with Hush as their puppet. Hush escapes just as Bruce Wayne returns from the dead and Hush then reveals to the world that Bruce Wayne is Batman -- except Bruce has started Batman Incorporated, a global army of Batmans, and has already revealed that Batman has been many different people over the years and he was only ever one of them, rendering Hush's revelation meaningless.
I concede that Paul Dini has told some excellent Hush stories, but that is because Paul Dini is an A-list talent. Hush remains D-list. He has a deeply uninteresting visualization, a clumsy motivation from an inept writer that was ironed out later by a better one, and he's ultimately a reflection of Batman and Bruce Wayne rather than being a strong character in his own right. But I reserve the right to change my mind on that at any time.