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Ireactions, I would like to give you a statement that is both a profound compliment and a simultaneous criticism all at the same time ... you write like Moffat!

You definitely come up with some rather grand and clever concepts, ones that are easily enjoyable and ultimately memorable, however, it does feel like you tend to forget (or like you mentioned, directly ignore in favour of emotional sense) those stray story strands at the other end of the scale, and don't necessarily follow each development thread all the way through to their natural progressions or conclusions. There's nothing wrong with hyperbole or tv-style editing in measured doses - but just don't forget that a well constructed story and solid rules are just as important as the emotional side of character development and fan service.

You've certainly got a talent though, and this is just from the outlines you've spinned - I haven't even had a chance to actually read your work yet. I freelance as a proofreader and trust me, you're definitely headed in the right direction. Just don't forget those dangly threads.

I could really see this concept working as a kickstarter movie or even an audio drama with the original cast.

Oh wow. I completely misread the 'altered timeline where sliding's discovery is delayed to the present' the '2015 and 1999 Quinns' and put down the not remembering Wade's kiss and the rant at Arturo as something that happened because of their doubles passing through. I thought that you were proposing a concept about the group's doubles, but if we're talking about this reboot being the actual originals with just their minds wiped ... then I am really confused here!

Apart from what pilight mentions, there's a whole host of questions that are immediately thrown up, ones that old fans will demand to know from the onset of this reboot. How in the world is Quinn alive and well? What happened when Rembrandt stepped through the final slide? How did they all get their memories wiped? How was sliding purged from the multiverse? Where's Colin? How is the Professor and Wade with the group? What happened to the Maggs? Where are the other Sliders? Etc... Etc...

Having their memories wiped doesn't negate the need for these questions to be answered.

If these are the originals, you'll eventually (sooner rather than later due to fans) will have to provide answers. If they aren't, then what's the point of the journals? I don't think you could make it completely subtle that we're not supposed to know ... because these are the original actors here. And just like I mentioned about the other concept and sweeping 5 seasons under the carpet - this does the exact same thing. I just ... I honestly just don't get it. It feels very confusing.

The only thing I see it serving a purpose for is to allow the original actors one more slide ... but the audience (both old and new fans) aren't going to get that feeling because these aren't the originals. Time has passed. People have changed. It's going to be weird to see them try to recapture their younger selves or get people to shift to a new older dynamic - especially if we're ignoring 5 seasons worth of continuity and development.

I just ... I just don't get it. Honestly, you're really going to have to explain this one again to me in simpler terms, as now that I think about it, it's even more confusing than most season 6's I've read.

To be fair, a 'tidier, cleaner, better' approach would be a day-zero reboot with a fresh cast and no tangled ties to the past...

BUT having just said that, I do like the concepts mentioned above, as it handles the obvious aging of the original cast, which is in itself an inherent problem. It is, by far, the best outline I've heard to almost reset the entire show with the original cast. However, I can't help but feel some nagging niggles concerning it though. For better or worse, I feel that wiping out 5 seasons as 'their doubles adventures' is ... kinda dangerous. It reminds me of that information I read somewhere about how one episode was going to feature doubles of our Sliders, but the audience won't realise this until the end of the episode. It sets up a feeling of unease that, at any time, the audience might not even know who they are really watching. The audience is automatically on the backfoot and feel like personal investment in these characters are skewed, because at any times, it could be doubles or character-switch outs.

It's not really a logically thing, it's a feeling, but feelings are what gives births to massive fandoms and reactions, and this one could be quite dangerous to implement. Again, I'm not sweeping these concepts under the carpet, because as I mentioned earlier, it is the best damn structure I've heard to reboot the show with the originals ... but it does come with a cost.

Personally, I think it's a cracking idea that fans could play with, but if we're then taking the step up to discussing commercial aspects of a modern day reboot, then the actor's ages and ties (no matter how subtle or hidden) to the old show is baggage that would hold any network back. It would need to be a complete reboot with a fresh group of actors as our fab foursome from day one. I would love to see more modern storytelling tools of a more tightly woven character development arcs for each of the characters over the course of their journey, and for that friendship angle to not immediately be there from the start - but to slowly grow.

https://www.youtube.com/watch?v=ChXdX-i4ESs

I thought this was pretty neat.

Freaking loved it. Yes, it was a major retread, yes it played heavily on nostalgia, and no, it didn't push many boundaries, but the magic was there, the characters were engaging and hilarious, and my heart sang again, unlike with the prequels. I couldn't have asked for anything more of the first installment in the future of this franchise.

I've waited a while to pin down my thoughts (and see if anyone else was going to chime in). I think, ultimately, it comes down to poor worldbuilding. Suspension of disbelief can be stretched, twisted, and warped any which way within a construct that has been created - but rules need to be set firmly in place before this can happen. I personally don't feel like Parallels succeeds in successfully presenting anything.

I usually find that most media can be deconstructed into a single core concept, the most engaging of which are the concepts which can resonate with me on a core fundamental (usually emotional) level, regardless of the actual construct of the story that can spiral out from this. For example Sliders  - four friends just trying to find their way home - is such a concept. Being lost sliding from one alternate dimension to another is a really cool tool used to facilitate this, just like with Quantum Leap and time travel, but that core concept of 'finding home' is the resonating factor here.

But this is right where my issues with Parallels begins.

We start with a familiar concept, but by the end of the very pilot, the worldbuilding involved around this has utterly distorted it, much like Season 4 of Sliders did. It is no longer about being lost, since they can now control their destination. It is no longer about finding home, since that was just the Earth they were born on and their parents are actually from the Core world. We could argue that it is still about the journey and that sense of adventure whilst trying to track down a family member, but do you not see the issue here? Within a single pilot the core concept has been allowed to take such a sudden, and ultimately jarring, turn, several times over.

You could argue why is this wrong? Why can't a core concept shift and change over time? Well we could easily argue until the cows come home about all the problems and perils of changing a show's core concept halfway through its run, but within its own pilot? Ultimately, the real question is, has the pilot built a strong enough foundation of its world building to either facilitate or ignore such a change?

My personal answer is a resounding no.

We hear of this Core world, with incredible technology beyond what we can imagine, which can punch a hole through to every known dimension in order to place a mysterious building within each world, serving as the gateway for our travellers. Yet, a hacker from a nuked Earth hacked into this building that has such advanced technology (with another world's advanced technology that he wasn't even knowledgeable with) in less than 36 hours? A number which, as I've mentioned before, so far has absolutely no meaning whatsoever and is immediately rendered obsolete by the end of the pilot.

We are told of trauma of this young man's life as he fled the family home after the tragic death of his mum due to a fault of his own, leading him to a life of fights before he found an outlet as a boxer. Yet, he doesn't bat an eye, doesn't show any emotion or impact at all when his deadbeat Dad tells him that she is alive? That the years of guilt, years of anger and sorrow that he or his sister felt, was meaningless? ... Nothing? No emotional at all? This fiery tempered boxing youth?

We see a world more advanced than ours with advanced tech, flashing billboards, and bio-prints which are used as everything from opening doors to paying for goods and services. Yet, we are to believe that a high ranking lawyer's laptop is encrypted with a simple password?

We see a world that has been nuked (by their Dad, or a double, who knows as it wasn't explained) and become a wasteland. Yet, some guy has not only replicated a suitcase nuke, but he has created his own gun that can adapt to ANY ammunition that he can scavenge?

What available worldbuilding or characterisation leads us to believe any of this? Do you not see my problem here?

So, if the worldbuilding is so fragile to start off with, I would argue that shifting its concept (or revealing its true concept from here on out) was a huge mistake. I don't get it. I don't buy into it. I'm not emotionally involved in the story, or the concept, or the characters, or the world building. So what else is there left for me?

Well that was a fun romp! Gateways, devices, doubles, a killer tracking you down through the multiverse... That was a heck of lot more rewarding than Parallels, that's for sure. Will definitely keep watching.

Gonna give this a watch over the weekend.

Oh, without a doubt, that was definitely the jumping the shark moment. Yet again, a clear case of a show taking its fundamental core and injecting something into it that just clearly doesn't fit. It wouldn't surprise you to hear of executive meddling / pressure underneath it as well.

Black guy dies first.

In all seriousness, I applaud the effort and time that was placed into piecing Nonchalant Sliders together on a limited budget. I loved the use of the props, the actor who played Arturo stood out for me in the way he attempted to portray the mannerisms and articulation of the characters, doubles were filmed and handled exceptionally well, and the sliding effect was so cute I wanted to hug it! Loved it.

My main criticism stems from the fact that I have just watched the entire thing back-to-back and it's apparent that the overall running time could have been reduced - by a heck of a lot. If you remove the entire dream sequence, Quinn tinkering in the basement (which took up almost 3 - 4 parts), and trimmed some of the dialogue, then immediately both the flow and feel of the project drastically improves.

And it's hard not to nitpick this part, but I personally would have chosen a different story route for Rembrandt. If the actor wasn't available for anything other than his introduction, then it could have been written that he didn't end up in the vortex in this version, rather than the strange 'he's stuck somewhere' then, 'taken prisoner' angles. Though I adored the effort that the guys tried to put into that death scene, it felt a little hollow since they didn't even meet the guy, let alone know him!

But anyway, a nice job. They did good.

Neat idea. It would be great to have everything in one place - easy to find and watchable.

Fan trailer of Sliders if JJ Abrams was involved...

https://www.youtube.com/watch?v=6ly2S_Ppnms

An audio drama would be awesome, or even a very simple motion comic with audio.

Never watched the unaired 90s TP pilot. I thought the aired episode was quite awesome, but will have to give this a watch...

OMG, you haven't seen the rest of Sliders?   I do see some real gems and value in bits and pieces of the latter seasons, but 1 & 2 was where it was at for me personally before I felt that the main concept of the show just got eternally skewed.

Definitely agree that elements could be taken from both the 70 and 90s version in a new reboot. I haven't searched for TP fiction but that's sad to hear that there aren't that many. It's as annoying as the current conversation we're having about a lack of Sliders fan endeavours outside of fan fiction.

And lol! I didn't even get to the power jammers! Oh don't get me started on that (but you quite eloquently put up all the issues with that technology).

I absolutely adored the 90s incarnation of The Tomorrow People. Back in the day, I was just devouring any form of media that contained the concept of the next stage of human evolution - which is right around the time that I started seriously getting into X-Men - and is obviously why I (albeit initially) lapped up Heroes. Teleportation, Telekinesis and Telepathy; I just loved the idea of these kids discovering these powers and trying to protect the world, regardless of how cheesy it was - but it was a children's show and it was a product of its time. And gosh, forget Peter Petrelli, Adam is cool as hell, lol.

I later began researching the show and discovered that it was based off of the original 70s incarnation. Though I have watched several serials, I could not take to it for various reasons - the main one being that it was designed specifically to be a competitor to Doctor Who. But that was what put me off of it. There was too much technology and space travel and all kinds of shenanigans, whereas the 90s version (don't get me wrong here - we've got alien pods, an egyptian deity, and a megalomaniac cereal mogul on the loose) but it felt more broadly grounded and I felt an attachment to the situation and the characters.

My dislike of the latest incarnation is well documented so I'll try and keep it brief. It made everything that I loved about The Tomorrow People and made it extremely bland and dull.

Everything from the poor acting, to the generic Jumper teleportation and telekinesis effects, to the soap opera 'whose bed is she going to sleep in now' love triangles, to the complete unlikability of the characters or what they were even striving for. And I hated how every TP was basically evil. Every single new one every week was evil. One of the things I loved about the 90s version was that everyone had their own unique spin on their powers. Adam was a fantastic teleporter because he has been doing it the longest. Megabyte could access computers. Ami had visions and once accessed some serious telekinetic ability when she was under control. But all the characters in TP, aside from the main who could stop time, had nothing that made them stand apart. And the whole chosen one / promised land story was just so boring.

I just didn't like it. I really wanted to because of my past love of the show, but like my issues with Parallels, they took the basic concept of the show but forgot to include the heart, the characterisations, basic plot development, and ultimately, believability and association. I felt no affinity for these characters, the story or their situation. None, at all. I do blame the CW for a lot of influence on what had the potential to be an awesome show. It could have turned out completely different on a different network, but that's the cards dealt I guess.

I attempted to piece together an audio drama reboot production of The Tomorrow People, but stopped when the CW reboot news came about. Now it's kinda killed a lot of my love for the show.

That's a shame.

Not to latch onto the topic, but are there are fan vids, movies or comics out there at all? (Something that isn't a flat out comedy).

No, these elements weren't acceptable to me because they didn't make any sense within the worldbuilding that was being presented. You can't throw in this incredible technology to puncture a bridge between every single known dimension, and put a building in every single one that someone can then use to somehow travel through, slap a random arbitrary number countdown on it, have a bomb maker suddenly be able to hack into it - within what like half a day was it after finally going into the building? - throw the estranged sibling's Dad in it who supposedly used to travel along it - oh and he or an alternate bombed the hackers world by the way - have a mum that was dead but somehow now isn't - go find her! And oh, they are both actually from the Core worlds, and oh, that hacker now has created a bridge so you can choose your destination?!! ... It's just a string of random nonsense. Something more akin to the movie of the week Sliders phase of season 3. There was no solid basis or foundation for the show, except - anything can happen. And yes, that's 3 Pollys!

It's obvious you liked it, that's fine.  But I just didn't like it. And this is coming from someone who is a massive science fiction fan.

I have to agree that it always irked me that the group never brought at least one backpack with some serious supplies, since they never knew what they could be sliding into. You can't be prepared for every world, but some basics just in case would have been nice. Clothing I didn't mind too much, but yeah, the suits and such should have gone, lol.

I happened to catch the premiere when it aired on BBC Two ... and was instantly hooked. Since then, Sliders held a special place in my heart - and still does.

Oh wow. That would have been a massive 'f - you' and had the potential to get the show back on track. A shame, though I kinda feel like the damage had been done. I wonder if it could have taken off?

It definitely looks like I will be in the minority here, but as much as I love the original cast (and, make no mistake, I LOVE the original cast), any continuation would just end up being far too convoluted and explanation heavy, ultimately alienating any potential new target audience which it would need to survive. Looking at the attempt of Heroes Reborn it has just shown that it is clearly being dragged down by the past (as well as some pretty poor writing) when instead, it could have been a more proper soft reboot - allowing both the new characters and the story to breathe without the weight of 4 seasons crushing down on it.

If the show were to revive (and even more importantly, survive once it has been revived) I feel like it would need to be a hard reboot, starting completely afresh with new actors playing the original characters. If they can get that chemistry right, then everything else will fall into place. It's not impossible to do so again, not matter how much I love the originals.