Wow.

I don't know if SLIDERS: THE FINAL SLIDES was really meant to be an animated series. It was just a speculative essay on how "Slide Effects" could have been the start to an animated series.

I have mixed feelings about the first shot of Quinn waking up in his bedroom. It doesn't resemble the actual bedroom in the SLIDERS pilot, but given how cluttered and random all those elements were, I don't think anyone could have recreated it in Lego -- although a poster of the Milky Way might have been sufficient, although the photo of San Francisco is quite nice. Not sure about the truck; I think something sports related might have been a better decoration, but again -- it's Lego.

The shot of Quinn looking in the mirror to see Mallory, I really like. I like how it's a bathroom mirror instead of a mirror in Quinn's bedroom; Quinn in the Pilot definitely dressed like he didn't examine his own reflection often. It captures the stark shock of Quinn seeing the wrong face in the mirror except it's the face he'd expect to see, a sign of how troubled his identity became by Season 5.

I also like this shot of Rembrandt and Quinn in what looks like the Lamplighter instead of a steak house. And, to be frank, I don't think using some fictitious steakhouse for Rembrandt and Quinn's reunion in "Slide Effects" was a very good choice in retrospect. It was just an indoor, quiet setting where Quinn could sit across from Rembrandt, but this shot makes me wonder if Rembrandt would really have gone out to dinner after his performance or if he would have found somewhere quiet for a drink. At the time in 2011, I was not good at thinking about these things; I knew how the actors talked, but I didn't always have the greatest grasp of what their characters would do. I would go out for a steak after a big night. Rembrandt would get a beer. This is an improvement.

In terms of the separation point: because I didn't expect to write any SLIDERS stories after "Slide Effects," I decided that everything after Season 2 was a Kromagg simulation. This way, Arturo wouldn't be dying from a fatal disease ("The Guardian") and Logan St. Clair wouldn't be after them ("Double Cross"). But Torme wanted the separation point to be "The Guardian," the last episode he wrote. I think "Murder Most Foul" is a decent choice if you're doing sequels to "Slide Effects."

The scene of Quinn, Wade, Rembrandt and Arturo in the Professor's lecture hall is quite sweet. I missed my friends so much and Cory and Tom on REWATCH PODCAST really highlighted this scene as something that they longed to have been filmed with the actors, and I see that it was also chosen here to render.

There's a very interesting rendering here of The Cave with the Kromagg lording over Quinn in a psychic landscape. In my writing, I tend to rip off the climax of Brian Michael Bendis' SPIDER-WOMAN series where the villain will find the worst possible thing to say to the lead character or to the reader. The worst possible thing I could think of at the time for Quinn was for the Kromagg to bring up Quinn's out of character behaviour in "Mother and Child," and the most hopeful thing I wanted to hear then was an explanation -- although I didn't plot out that explanation in the outline and let it come to me naturally when writing the dialogue, which was that Quinn subconsciously knew he was in a simulation and no longer believed in the scenario. What is that Kromagg figurine? The Kroamgg looks sadistic and cruel and Quinn looks like he's in agony. It's good work.

The blue sky and Lego clouds and the green grass is quite vivid and powerful. I also like how there is a ladder escorting the sliders out of the cave, although I would gently note that in the script, Wade and Rembrandt left the cave first and Wade had the timer, whereas in this rendering, Wade is exiting the cave last and Quinn is holding the timer -- but I suppose if you're doing a final shot for your rendering, you want Quinn Mallory to be standing at the front and holding the timer. I don't love the Season 4 vortex. But I'm sure it's the easiest one to cut out of a frame and composite into a photo of Lego. Anyway, that doesn't really matter; "Slide Effects" is yours now and Brick Lady is doing some nice stuff and I can't wait to see what you put on our screens next.

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THREE JOKERS isn't getting very good reviews. People find it conventional, predictable and weak. I think it's really good; I think it understands Batman in the way that Zack Snyder so fundamentally does not, in the way that Frank Miller completely fails to grasp. And I think it uses its three 48-page issues beautifully. Spoilers follow...











Geoff Johns has had some setbacks in recent years. His progress from 90s Warner Bros. intern to DC Comics freelancer to DC Entertainment President hit the brick wall that was the failure of JUSTICE LEAGUE. Now Johns is a freelancer again, running individual DC projects like STARGIRL and writing WONDER WOMAN 1984 and consulting on some shows but no longer leading the DC characters. He wrote DOOMSDAY CLOCK in which Superman confronted WATCHMEN's Dr. Manhattan who had turned the DC Universe from optimistic and hopeful to being darker than a Zack Snyder movie -- a story in which Superman redeemed Dr. Manhattan and saved both their worlds.

Standing Apart
DOOMSDAY CLOCK was originally the big event for 2017, but as Johns' falling star had it standing alone without any tie-ins and without particularly influencing the other DC monthlies until after it was done. Now Johns releases BATMAN: THREE JOKERS, another DC Comics publication that is outside the main line of comics and a special prestige product. A standout project, but one that stands apart DC rather than one that is leading it.

Inside Baseball
Like every Johns comic, THREE JOKERS has a strong and meaningful grasp of the heart of DC superheroes. Also like most Johns comics, you need to have some familiarity with other comics written by other people to appreciate it. In this case, BATMAN: THREE JOKERS draws on THE KILLING JOKE (in which the Joker shot and crippled Barbara Gordon and ended her career as Batgirl). THE KILLING JOKE also posited that the Joker was a failed standup comedian who went mad after his pregnant wife died in a home accident. The story also draws on A DEATH IN THE FAMILY (in which the Joker smashed the skull of the Jason Todd incarnation of Robin with a crowbar, then blew him up and left Batman to find the boy's corpse). And UNDER THE RED HOOD in which Batman discovers that due to an alternate universe Superboy pounding on the walls of reality, time was altered to resurrect Jason inside his coffin. And that Jason has now returned to Gotham City to finish Batman's war on crime with lethal force. And on the FLASHPOINT/NEW 52 cosmic event in which Jason's resurrection was altered to Talia Al Ghul wanting to help Bruce Wayne (whom she loves) by resurrecting Jason in a Lazarus Pit only for Jason's brain damage to leave him feral and unstable for years. And the NEW 52 BATGIRL where Barbara regains her mobility and resumes her role as Batgirl. And DEATH OF THE FAMILY in which Batman and Jason (now the Red Hood) come to an uneasy truce where Jason agrees to stop actively assassinating villains unless in the heat of combat. And BATMAN: ETERNAL where Batgirl and Jason develop a flirtation that leads to Batgirl almost kissing him until Jason stops her, saying he knows she just misses Dick Grayson and won't take advantage of her. And that JUSTICE LEAGUE storyline where Batman asked a New Gods computer: "What's the Joker's real name?" and the computer replied: "There are three."

True Identity
With THREE JOKERS, Batman, Batgirl and the Red Hood begin investigating how the Joker staged three violent murders that took place at exactly the same time. They soon find themselves confronting three Jokers: the Criminal, a master planner who is the original version of the Joker. Then there's the Clown, the Joker who is focused on sight gags and pranks, the version from the 60s. And then there's the Comedian, the version of the Joker who has become a grotesque serial killer, further obscuring the mystery that the Bat-Family now wants answered: who is the Joker? Where did he come from? What's his real name?

The Joker Army
And worse -- Batman, Batgirl and the Red Hood discover that all of the Joker's victims have been dosed with the same toxin that first drove the Joker insane and then mutilated to mimic the Joker's hair and frozen smile; the three Jokers are attempting to create new Jokers with one prime candidate being Jason Todd himself. And this is not the first time: it's revealed that the Joker, since the beginning, has periodically sought to duplicate himself by exposing some mentally deranged criminal to his toxin. He has succeeded on two occasions: this is why the Joker has had so many shifts in appearance, demeanor and personality over the years, and at this point, none of the three Jokers can even remember which of them (if any) are the original.

The First Candidate
The Jokers torment the Red Hood by reminding Jason of something that has never been revealed: that when the Joker was beating Jason's head in with a crowbar, Jason begged for his life and even pleaded for the Joker to let him become his henchman and betray Batman if he'd be spared. Jason loses control and shoots one of the Jokers through the head and kills him. Batgirl is horrified and even more aghast when Batman says he intends to allow Jason to get away with murder; he has been all along -- because imprisoning Jason would only ever expose the Bat Family in court. The Jokers express glee at having created the Red Hood who might as well be working for the Joker with all the agony he causes Batman.

The Favourite
The Jokers remind Batman that even if he stops one of them, they'll constantly create more of themselves and then reveal they have ultimately chosen someone to be a new Joker -- Joe Chill, the man who murdered Bruce Wayne's parents who has been dying of cancer in prison until the Jokers broke him out. The Jokers are irritated that Batman's greatest torment is not the Joker or any member of his rogues gallery but instead a convicted criminal who has only ever commited one crime of notoriety. Their plan: they'll expose Joe Chill to the Joker toxin that will restore his health and give him the Joker-madness matched with his status as the cause of Batman's greatest trauma. The Joker will always create chaos; even in death, he'll simply have a successor.

Remorse
The Jokers interview a captive Joe Chill and records it, torturing Chill into confessing why he killed Thomas and Martha Wayne. Chill says he saw the Waynes walking down the alley, wealthy and happy, and he blamed them, feeling that their money and joy could only have come by making someone else poor and miserable. He whipped out a gun and fired, only seeing the boy he'd orphaned after he'd gunned down the parents. In jail, he learned that his victims had been generous philanthropists who'd done more to alleviate poverty than anyone in Gotham and Chill became ashamed. He wrote Bruce Wayne letter upon letter of apology but could never send them, and he grovelled before God for forgiveness only to learn he was terminally ill, a fate he decided he deserved. The Joker taunts Batman, saying Joe Chill will be a Joker who is everything Batman fears, embodying both madness and trauma that will override any order Batman tries to build or offer while condemning the source of Batman's grief to eternal insanity.

Forgiveness
But Batman saves Joe Chill being dropped into a vat of Joker toxin. A terrified Chill thanks Batman for saving him, and Batman accepts the gratitude of his parents' killer. One of the Jokers tries to blow them up, but is shot through the head by the now last surviving Joker -- the Comedian serial killer. This last Joker reveals: he knew it would turn out this way. He let the Criminal and the Clown run their plan and fail, knowing it would end with Batman forgiving the man who killed his parents, healed of his trauma -- and now the Joker will be Batman's greatest terror instead of a sick old man in jail. Chaos to Batman's order.

The Secret
Bruce puts the last Joker in Arkham Asylum and then tends to Joe Chill. He reads all of Chill's letters of apology and accepts them and holds Chill's hand as he dies of cancer and buries him peacefully. Alfred and Bruce begin cleaning up the Three Jokers files in the Batcave and Alfred wonders if they will ever know who the Joker really is.

Bruce Wayne:
Not to sound like people think I do, Alfred, but I'm Batman.

I knew the Joker's name one week after we first met.

Bruce tells Alfred: the Joker, before his transformation, had a pregnant wife. A woman he abused horribly. A woman who feared him. She faked her death and went into hiding with her son. She now lives far from Gotham City with her boy. Ever since Batman first encountered the Joker, Bruce has been hiding the Joker's true identity, obscuring the trail from the clown to his wife and child.

Bruce regularly checks in on the mother and boy to ensure that they are provided for and protected. Bruce has known the Joker's secret all along and kept it safe because ultimately, Batman is not a creature of order or rule or law. Batman is a character who can find it in himself to forgive his parents' murderer, a warrior who ensures that his greatest villain's true identity will always be hidden, a hero who uses his power to spare others from suffering and bring them to redemption and peace. To Geoff Johns, Batman is a superhero defined by his mercy.

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In 2016, Batman in the pages of JUSTICE LEAGUE (written by Geoff Johns) encountered a New Gods machine, the Mobius Chair. It contained all knowledge in all existence. To test it, Batman asked the Chair a question that no one could possibly answer: "What is the Joker's real name?"

The Chair's reply haunted Batman. "No!" he exclaimed. "That's not possible!" Months later, in the pages of DC REBIRTH,  he confided Hal Jordan. "'There are three,'" Bruce told him. He didn't know what the Chair meant by that. And four years later, Geoff Johns released BATMAN: THREE JOKERS in which Batman, the Red Hood (Jason Todd) and Batgirl (Barbara Gordon) team up to finally track down the truth.

I just finished reading all three issues and... it really says something quite beautiful about what Batman is and it truly speaks to the heart of what this character is all about and what superheroes should be for us all.

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The last time Republicans tried to suppress the vote in Wisconsin, they ultimately suppressed their own voters.

**

Regardless of my preferences, voting is a vital and personal freedom and each person's choice in the act of voting should never be criticized as that suggests their vote should be taken away from them. Criticism is best reserved for the candidates and the individual voter's conduct after they cast their vote without remarking upon the vote itself. Candidates must earn their votes and if Joe Biden does not earn Temporal Flux's willingness to waive Biden's 44 years in government, then this must be respected as Temporal Flux's choice. I told Transmodiar the same thing.

ME: "Votes have to be earned. It's okay. You can write in Andrew Yang's name on your ballot. This is America, god damn it."

TRANSMODIAR: "Hahah! You scamp. You don't even live in America."

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People are Googling "Can I change my vote" because Trump encouraged people to do so and there was some effort to take some interest.

The cake is almost baked. It's no longer a question of whether or not Biden has enough votes to beat Trump. The real question is whether or not Trump's voter suppression efforts will lead to low enough margins of victory that Trump can contest the results. The Supreme Court, even without Amy Coney Barrett, will not allow mail-in ballots arriving after the election to be counted. They're going for Pennsylvania next. Brett Kavanaugh has signalled that he wants to have as many mail-in ballots thrown out as possible.

Slider_Quinn21 argues that any Democrat knows all this; that's why they either voted in person or deposited their ballot in a ballot box or mailed it in ASAP. But the reality is that Biden won't just win on Democrats; he needs independents, he needs Republicans who are appalled by Trump; he needs people seniors who might struggle to find a witness for the signature; he needs people who might not be able to mail their ballots as soon as they wish to; he needs undecideds -- and if the election results are close and contested, Amy Coney Barrett will rule in Trump's favour along with four conservative judges. She stood with Trump after her confirmation; she attended a superspreader event; she wants power. She doesn't care if people get sick for her to get power. And she won't want Biden in the White House because he is open to packing and rebalancing the court and therefore eroding her power.

Temporal Flux (an independent, as far as I can tell) is right to tell us Democrats to worry; I just don't think TF's looking in the right direction. Trump could still win. But... this is America. America's faced armadas bringing about its darkest hours time and time again under savage ultimatums from those wielding their false claims of deadly secrets wrapped in a crazed narcotica of counterfeit patriotism to feed their own hunger for blood and splendor. But for two centuries, America has always come through.

The world has predicted America's demise ever since George Washington was criticized for being a mediocre surveyor with a bad set of wooden teeth. And so far, every single person that's bet against America has lost money, because you always come back. And you can come back from Donald Trump. Temporal Flux has said Trump's successor could be worse; Transmodiar says America wouldn't be improved by removing Trump from office; they're smart guys, but sometimes, they're just wrong.

Donald Trump is incapable of using the presidency as anything but a platform for attention from crowds and rallies. He has no judgement other than his desperate need to be complimented by his intelligence without doing anything to earn it. He has no openness to the expertise of experts, no moral compass and absolutely no sense of responsibility for the over 300 million lives he is sworn to protect. And the results of this man's term in office have been catastrophic: 200,000 Americans dead. Transmodiar stuck in his house working from home. Temporal Flux could have died. Your standing in the world reduced to a punchline. This president must be removed from office. You can do that. Slider_Quinn21 has already done his part.

Trump could win. I bet Temporal Flux that if Trump won, I would write SLIDERS REBORN Part 7 which Transmodiar would inevitably have to read. I have prepared a plot just in case I have to script it and I've dug out my Season 3 DVD set in case I need to rewatch the Neil Dickson episodes to capture the actor's mannerisms. Is it likely? No. It's not likely. It also wasn't likely that someone would write a sequel to "Slide Effects," but that's happening.

Cez wrote:

Then in 2011 I’ve read great fan-fic "Slide Effects" by Ibrahim Ng/ireactions, the admin of this forum smile I loved this story so much, so I decided that if I ever made my season 6, I would use this fan-fic as a pilot. Ibrahim once wrote: «The "Slide Effects" script is yours: feel free to adapt and sequelize it».  So I did! smile

Well, this is very exciting, although please note I am merely the assistant administrator to the owner of this forum, Temporal Flux. Also, please be reminded that "Slide Effects" was a story by Tracy Torme. And The most up-to-date version of "Slide Effects" is a Google Doc: https://docs.google.com/document/d/11KF … sp=sharing

I'm really happy that you're using "Slide Effects" as you see it. I never actually expected anyone to write any sequels. Even I didn't write any sequels; my subsequent SLIDERS story, SLIDERS REBORN at https://docs.google.com/document/d/19GS … t?tab=t.0, does not take "Slide Effects" into account. I wrote "Slide Effects" for Nigel Mitchell, possibly SLIDERS' greatest writer. He wrote numerous Quinn, Wade, Rembrandt and Arturo fanfics but told me that he became deeply demoralized with Season 4. He didn't like the new situation, he wanted to keep writing for the original quartet, and he felt like "Genesis" made all of his writing "out of date," as he put it. And I wrote "Slide Effects" to reposition his stories so that now, instead of happening before the events of Seasons 3 - 5, all of Nigel's stories now happen *after* Season 5. (I link to most of his tales here: http://sliders.tv/bboard/viewtopic.php?pid=7548#p7548)

I actually like to think that all fanfics ever written featuring Quinn, Wade, Rembrandt and Arturo take place after the events of "Slide Effects," even though all those fanfics were published before a single word of "Slide Effects" were ever typed. But I'm happy that there will now be more.

I don't know how well it will fit for a Season 6 to focus on Maggie, Colin, Diana and Mallory's issues after "Slide Effects" repositioned the originals front and center and (politely?) set aside the subsequent cast members. But I confess, despite having repeatedly tried to write those other characters out, my writing inevitably declares that Maggie, Colin, Diana and Mallory are all sliders; it's just that Quinn, Wade, Rembrandt and Arturo are the Sliders. I look forward to reading your stories and hope you'll do everything and anything you want.

**

TRANSMODIAR: "Did you ever write anything before SLIDERS? Anything when you were in college?"

ME: "Yeah! I wrote numerous outlines and versions of a novella where Quinn is confronted by a cosmic entity called The Avatar who offers to rewind time and restore the original sliders if Quinn will retrieve six magical components that have been scattered across the multiverse."

Transmodiar silently contemplates running away from his house, faking his death, fleeing the country and abandoning his wife and children to avoid having to hear any more of this story. (I'm assuming. I'm not a mind reader.)

ME: "Ultimately, I realized that the best solution was to have the original sliders restored as soon as possible and that the whole story of how they came back to life is never going to be as interesting as having them already alive."

Transmodiar silently thanks God that he has been spared. (I'm guessing. I don't know his brain.)

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I revisit SMALLVILLE, but in my head, to be honest. I don't actually rewatch it. I think of Clark's amazing supersaves in Seasons 8 - 10, especially him saving Lois from a crashing train and saving Chloe from a Checkmate fired gunshot to the head in almost still frames of slow motion superspeed. I think of how Tom Welling, who started as one of the worst actors to ever appear on television, came to embody Clark Kent's decency and humility and gentleness so well by subsuming the role into his own personality which turned out to be a perfect match.

On Planet Ireactions, SMALLVILLE opened its first season with Tom Welling, Kristen Bell, Sam Jones III, Kristin Kreuk and Michael Rosenbaum playing characters in Smallville University as opposed to Smallville High.

In my head, Kristen Bell didn't play Chloe; she played Lois Lane but was otherwise exactly the same as Chloe. Also, in my world, the Kryptonite freaks, having Kryptonite inside their bodies, often injured and nearly killed Clark and were increasingly powerful with each episode.

And on Planet Ireactions, Lex is heroic and friendly but a bit ruthless and with a troubled past. In Season 5, everyone has graduated from university and Lex starts LexCorp. In the Season 5 finale, Lex is forced to bankrupt LexCorp to help Clark and friends save the world from aliens.

All of Lex's friends are grateful, but his now out of work employees and investors and most of Metropolis despise him and when Lex tries to explain to the world at large that aliens would have destroyed the world, he's mocked and dismissed as a crazy person, causing Lex to become resentful and bitter and this leads to him becoming evil in the middle of Season 6 and Clark is forced to accept that his best friend is now his worst enemy by Season 7. Lex goes further ballistic when he realizes that Clark could have outed himself as an alien to restore Clark's good name but ultimately declined to do so to protect Jonathan and Martha.

Also on Planet Ireactions, the most exciting setpieces of every week are Clark's supersaves, any time a character close to the main cast's age dies should be alarming and unusual and the show should really focus on it -- and the Lana/Clark romance is over by the middle of Season 2 and in Season 3, Clark admits to himself that he's in love with Lois but is terrified to date her because he'll never be able to hide The Secret from her.

And Planet Ireactions' SMALLVILLE definitely has Kyle Gallner as Bart Allen join the regular cast in Season 3. I have no real affinity for Bart, but I know Slider_Quinn21 likes him a lot so yes. And we also have those weird starfish aliens pester the cast for a season because that will make Temporal Flux happy. I want to think of something that would make Transmodiar happy, but the only thing that comes to mind is to stop typing now.

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And now for Tech Talk, with Quinn Mallory:

The charging port in my Samsung S7 phone has been a bit loose, but rather than fixing it, I started looking online for a wireless charging stand. But I decided to check in at the local dollar store where they were selling $3 wireless charging pads and I decided to go with that even if it would take over three hours to recharge from 0 - 100. It charges while I sleep, so it doesn't need to be fast.

**

My iPad battery has been less than awesome lately for watching Netflix in bed or while doing otherwise-tedious data entry at my desktop workstation. But rather than replace the battery, I decided to get a couple 10 feet iPad charging cables, also from the dollar store, so that the tablet can just stay plugged it when being used in places where it's at maximum brightness for hours.

**

My Samsung Chromebook 3 came with an awful TN monitor that was grainy and washed and distorted at even the slightest angle. I ordered a higher contrast IPS screen and it looks the same no matter what angle at which you view the monitor. Except the first one I got had white spots across any black backgrounds. I reported it and their customer service had me package up the screen and send it back to them in exchange for a new one. Which also had white spots across any black background. I reported it and their customer service had me package up the screen and send it back to them in exchange for a new one. Which had blue puddles across any white background. I reported it and their customer service had me package up the screen and send it back to them in exchange for a new one. Which had gray puddles across the lower half of the screen. I reported it and their customer service had me package up the screen and send it back to them in exchange for a new one. Which had white spots across any black colours. I reported it and their customer service had me package up the screen and send it back to them in exchange for a new one. Which was finally okay oh my God I thought I was going to spend the rest of my life exchanging this screen.

**

My mother informed me that she missed being able to play DVDs on her TV because even though she has a home theatre PC running Windows 10 on her television with a wireless mouse and remote for streaming services, she has a small collection of discs. I gave her my external DVD drive for her PC and then started looking for a replacement. There were a lot of cheap external DVD drives on the market for the occasional occasion when I need to burn or open a disc -- but I decided to get myself an external blu-ray drive that can also write data to blank blu-rays so that I would never, ever, ever have to upgrade my optical drive again.

**

RAM is going on sale. My 'gaming' laptop originally came with 4GB of RAM (dear God) and a spinning hard disk (which made it a bit hopeless for gaming even if I really bought it for photo and video editing). I opened it up and upgraded the internals to 8GB of RAM and a small 128GB NVMe solid state drive (while leaving the spinning drive in for storage). I'm wondering about buying another 8GB of RAM to boost the computer to 16GB for a slightly smoother Adobe Creative Suite experience, but I'm also remembering how intricate and annoying it was to open up the laptop to get the new drive and memory in and how if I'm going to go through that again, I might as well bring the RAM up to 32GB and never have to open up the laptop again.

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I don't know what to say about Guggenheim. LEGENDS has mostly been run by Chris Fedak, Sarah Schechter, Phil Klemmer and Keto Shimizu. Certainly, Guggenheim has been present throughout ARROW, but during Seasons 1 - 2, he was working closely with noted sexual harasser Andrew Kreisberg. Season 1 was a CW attempt at a Christopher Nolan movie; Season 2 went more into SMALLVILLE-esque larger than life superheroics on a street crime level. It's hard to say which one was Guggenheim's style.

With Season 3, Guggenheim was paired with a new producer, Wendy Mericle and the series began stretching from street crime to assassin death cults and magical resurrections and Iron Man style battle armour that were an odd fit. Guggenheim and Mericle were also showrunners for the Season 4 dive into fantasy with magical totems and telekinetic villains at which point Stephen Amell declared that if he had to fight a magical villain for another season, he was out. One would think that perhaps Guggenheim had lost his way without the steadying hand of noted sexual harasser Andrew Kreisberg who, in Season 3, had been devoting more his attention to running THE FLASH and sexually harassing the writing staff of THE FLASH.

Stephen Amell wrote:

I put my heart and soul into every day of work and every episode, but at the same time there is a lull in any relationship where you need to have a ‘come to Jesus’ moment, so to speak. That happened for me in the latter half of Season 4, where I feel like there were just a few things that got lost in the shuffle, so we needed to really refocus in season 5.

The original vision of ARROW has been augmented and changed to support and accept and help introduce various other shows, and that is a wonderful amazing opportunity. Now that that’s done, we have to do what we do well.

There are things that LEGENDS and FLASH and SUPERGIRL can do based on the sort of more fantastical nature of their shows. But there are things that we can do that none of them can.

We are a street-level crime fighting show. We’re at our best when we’re focused on those things.

I do really believe that this season is sort of a throw-down-the-gauntlet year for us, where we’re either going to do what we do and do it well or it’s the last year. If we find that magic formula -- which is not magic -- it’s just hard work and playing to your strengths -- then the show could go on for a really long time.

With Amell's support, Season 5 - 6, Guggenheim and Mericle shepherded two of ARROW's finest seasons which returned to the Season 2 style of heightened street crime stories while re-establishing the Oliver and Felicity romance as a partnership of equals rather than the peculiar Harlequin it had become. Guggenheim left as showrunner after this, with Season 7 run by Beth Schwartz who did an excellent job of maintaining the street crime adventures of Seasons 5 - 6. Guggenheim returned for Season 8 and with Schwartz, produced a human-perspective prologue to the cosmic events of CRISIS.

It's hard for me to say what Guggenheim's style is as when left to largely his own devices, he steered ARROW into a fantasy direction for two years, but he and Mericle also steered ARROW back to its roots for the two years after that. I will say that it takes humility and vision to shift a show in one direction but then decide to reverse course, although I'm sure it helps if the star of the show is demanding that reversal.

I'm sure Temporal Flux would have a much more coherent take on Mr. Guggenheim.

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On Twitter, SUPERNATURAL creator Eric Kripke wrote:

Eric Kripke wrote:

Okay, look. If you're in a midwest state (I'm proudly from Toledo, Ohio) and a fan of SUPERNATURAL, know this: I created Sam & Dean, so I know that they'd vote for Joe Biden. For whatever that's worth. To be fair, Dean paused a second, cause Trump banged a porn star and y'know, life goals, but Sam brought him to his senses. Then they went for pie.

After some fan response, Kripe followed up with:

Eric Kripke wrote:

A rewrite based on your notes (I missed you guys!) Dean didn't care that Trump banged a pornstar, cause Trump treated her like shit, like he treats everyone & everything. Plus Dean slept with his fave pornstar. But he still loves Casa Erotica: Cabana Nights.

Mischa Collins pointed out:

Mischa Collins wrote:

Hey, Eric, I know you haven’t worked on the show for a while, but technically, Sam and Dean have been fugitives or legally dead since Season 3. Either way, if they vote, it'd be fraud. (But they fight for the forces of good, so Joe Biden would be on their side.)

https://bleedingcool.com/tv/supernatura … one-thing/

Somewhere out there, a certain alt-right Men's Rights Activist Trumpist SUPERNATURAL fan is wailing and shrieking and crying.

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Haha!

**

The watchability of the debate was actually quite disturbing. Trump affected a lower volume, his voice lower and calmer and marked only by his aggrieved whininess -- even as he was describing his wife and son being infected by a deadly virus, insisting that a virus that's killed over 200,000 people and will hit 400,000 by the end of the year is almost over, that a vaccine that isn't two weeks away is two weeks away (he's running out of two week periods) -- Trump is sociopathically, inhumanly disengaged from all the death, the lost jobs, the crushed lives, the people who've lost friends, family, children, grandparents -- and he's more interested in phony conspiracies and complaining about his bruised ego than his dying people.

You know, I have some time for Transmodiar saying that the first four years of this was a vital civics lesson because it was. Government doesn't run itself. Freedoms not defended are freedoms lost. Elected officials who don't operate within rules and norms effectively destroy those rules and norms. Checks and balances don't exist if they're not enforced.

But the idea that the first four years were not sufficiently educational and another four years would be even better -- that is as dumb as than that stupid SLIDERS REBORN script where Quinn meets Mallory. You can't do the same thing again and expect different results.

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There's a scene in Season 10's "Ambush" that I really like where Lois finds her sister, Lucy, kissing Clark. Lois' reaction is to drag Lucy away and tell her to go crush some ice. Lois doesn't doubt for a moment that Clark is faithful to her and Clark says Lucy surprised him. But then they have an argument anyway.

CLARK: "You know what's a bigger surprise? Is that you couldn't stand up to your dad. Unless you actually agree with his vigilante registration act?"

LOIS: "Clark, I am just trying to get through this 'holiday' without a fight.

CLARK: "Lois you either agree with him or you don't."

LOIS: "I don't. But this means something to the General so please do not make me choose sides."

CLARK: "I thought you were somebody who stood up for what she believed in. And then when it comes to your father, you do the same thing that he does; you make your choices based on fear."

LOIS: "Hey just because you don't have a -- "

Lois stops talking.

CLARK: " ... a what, Lois? What were you going to say? A father?"

LOIS: " ... okay. What I am trying to say is that you haven't had to deal with a family for a really long time. All you have to answer to is yourself. Clark, if you want be with me, you're going to have to deal with my family too. I hope you can respect that."

I thought it was a really well-written episode in a well-written relationship that really showed how Lois and Clark were both devoted to each other but still had the capacity to oppose each other in various conflicts.

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I totally forgot DOOM PATROL, SWAMP THING, STARGIRL and HARLEY QUINN existed. I've been too distracted by the Marvel Unlimited comic book app and work. Thank you for the reminder.

I liked LOWER DECKS a lot. It was funny, daring, bizarre and it really dispensed with the idea that everyone in the 24th century has to talk like Data.

Haven't gotten to DISCO yet, but I'm looking forward to it.

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The Trump campaign is down to about 60 million against Biden having around 177 million. Trump has repeatedly taken campaign funds for his own use, as have his employees, leaving the campaign itself starved of funds and resources. That's why his TV ad buys have been so scarce. Trump has pondered writing his own campaign tens of millions, but his tax returns indicate he is extremely cash poor and I wouldn't be surprised if he had to borrow the $8,000 that he donated to his own campaign.

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Transmodiar's view is that Trump is a wakeup call. I gave it a chance. Quinn Mallory gave it a chance.

Quinn Mallory wrote:

Our civilization's been designed to extract resources for the benefit of a few at the expense of the rest, and that's the case whether the figurehead for that system's a career politician or a reality show star.

This country's pretended for too long that racism's in the past -- or that crumbling infrastructure and rampant poverty can be ignored -- or that politicians can call themselves Democrats when they only serve corporations.

Administrations come and go. One status quo's been replaced with another, the only difference being the previous one paid lip service to civil liberties and environmental issues while the new one won't pretend to try. But our work here continues.

I think it worked to a degree. The pandemic has also revealed the massive social and economical inequalities in our society. And I think that is as much of a wakeup as there is to be found with this tactic and it's time to find another strategy.

But if Transmodiar wants to vote for Andrew Yang (who is not running), that is entirely up to him. It's his vote. No one should ever be cajoled or coerced into voting against what they feel to be right. This is America we're talking about here. Votes are earned and Transmodiar can decide whether or not Joe Biden earned his vote.

**

I hope you're right about Coney Barrett -- but the truth is that four of the current eight judges voted to throw out any mail-in ballots received a minute after the election day deadline. The stalemate meant that the previous ruling -- a three day extension on the deadline -- was upheld.

When Coney Barrett is confirmed, the four conservative-voting judges will have five among their number to overturn the previous ruling.

In addition, Coney Barrett has proven to be driven not by jurisprudence but by power. Any prospective Supreme Court judge with the vaguest sense of right and wrong would have refused to participate in a superspreader event at the White House. But she went along with it because she wants that seat; she wants power; and the fact that people would get sick and die in the process was fine by her which means she'll be in favour of voting to throw out any ballots for Joe Biden by any technicalities possible to maintain her power on the Court -- a power that would be diminished if Biden were to win the White House and the Democrats were to win the Senate and potentially pack the court with left-leaning judges to remove the five to four advantage.

Now, maybe she'll prove me wrong the way Joe Biden and John Roberts have regularly proven me wrong. Roberts, despite his conservative leanings, has regularly voted with liberal judges to maintain the supposed impartiality of the Supreme Court. Perhaps Coney Barrett will be of a similar mindset. But I'm personally not counting on it; Trump already has four judges who will rule in favour of nearly anything he wants and he's about to have five.

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They weren't. Russian hackers have been feeding Rudy Giuliani intel; they hacked Hunter Biden's phone and took screenshots. Giuliani's story is that all this 'damaging' material was left on three laptops that Hunter Biden supposedly left with a computer repair service and that he never retrieved his hardware or paid for the repairs and the repairman delivered the drives to the FBI and sent a copy to Giuliani. The repairman first claims he didn't know who Hunter Biden was, but when asked why he didn't just wipe the laptops and resell them but instead contacted the FBI, he then claimed that Biden identified himself. When asked how he was connected to Giuliani, the repairman refused to explain. When asked why he felt compelled to contact the FBI, he said they had contacted him.

It's a feint to obscure that Russian hackers sent the material to Giuliani who contrived this air tight cover story and thought texts of Joe Biden comforting his son would somehow destroy the Biden candidacy for reasons of something or other. Because people habitually take screenshots of their smartphone text messages to store them on their laptops. I don't think Giuliani understands how texting works.

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The Trump campaign received hacked texts between Joe Biden and his son, Hunter, who struggled for many years with addiction. The Trump campaign released them through the New York Post, trying to embarrass Biden and damage his candidacy with what I suppose they thought were embarrassing family revelations as Biden was reaching out to Hunter while Hunter was in rehab.

Joe Biden wrote:

Good morning my beautiful son. I miss you and love you. Dad.

Hunter responds referring to a column by Maureen Dowd in The New York Times describing his life unflatteringly. And and how his ex-girlfriend, Hallie, sent him an angry message.

Hunter Biden wrote:

Oh... good morning ... from fucking rehab.

Don you see what just happened. Your team just made me the uncontrollable tax cheat lphilanderer sex and drug addict that you tried so hard to fix but couldn't yt

They just totally wrote my life away

And if you try and say otherwise ill have a hard time understating hownyou rationalize this shit.

for fucks sake, hallie for the first time I. 17 days talks to me to say im an embarrassment
To MY family

You think she doesn't feel comfortabl;e saying that knowing there is no price to pay

No one pays any price
Well dad the truth is as you and hallie point out -- i am a fucked up addict that can't be truseted
Trusted relied upon nor defended
if you dont run i'll never have a chance at redemption

Biden responds:

Joe Biden wrote:

I'll run but I need you.

H is wrong.

Only focus is recovery
Nothing else
Your girls are so smart truly amazing very focused
When you can and feel like it call

Hunter responds:

Hunter Biden wrote:

Ok

Joe Biden later writes:

Joe Biden wrote:

Please let me know where you are
Can I come see you
need to talk about 2020 announcement and what you think
I love you
Dad

Wow. What a scandal! Joe Biden's son was detoxing, in rehab, being humiliated in the press, being verbally assailed by his ex and Biden wrote to his son with words of encouragement and love and patience. And the Trump campaign got these hacked texts and decided to leak them thinking it would somehow reflect poorly on Joe Biden.

There is something fundamentally wrong with Donald Trump and the people with whom he surrounds himself. They view these messages as damaging. They see Hunter's addiction and Biden's response to it as weakness. They consider these exposures harmful. They see these communications as father and son as something that would somehow harm their reputations. They find fault with Biden's unwavering support of his wayward son; they think it laughable that Biden would embrace a self-confessed liability to Biden's political career; they see Biden's love and compassion for his offspring as a failure to be identified and shamed. Trump and his ilk are a twisted catastrophe of failed humanity.

In addition, the leaked emails supposedly have messages claiming that Hunter set up a meeting between Biden and a Ukrainian energy company executive, a firm that also hired Hunter in an attempt to exert influence over Biden to prevent investigations into their corruption. The Biden campaign denies there was any such meeting. Could they be lying? Sure! But history's pretty clear that Biden demanded the firing of a lackadaisically corrupt state prosecutor, Viktor Shokin, and the prosecutor general of Ukraine subsequently conducted 15 investigations into Burisma for conspiracy and tax evasion, so claiming Burisma had any influence over Joe Biden is nonsensical.

Great October surprise there, Mr. President. You revealed that Joe Biden is a great father.

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Transmodiar wrote:

Under the second term of a Trump presidency, the United States could very well implode. A Trump presidency could also be the wakeup call the Democratic Party needs to understand that the country rejects its policies and compromise candidates, and that it offers nothing to the overall health of the country as a whole.

[...]

I refuse to vote for the lesser of two evils. If that means Rome burns, so be it. As you mentioned further up in this thread, my station in life hasn't been impacted by Trump and his mind-boggling policies/actions. I still have a job, I still have a home. But I would gladly give up some of that safety if it meant this nation moved toward something that ensured basic freedoms for people. For a nation that gave one iota of a shit for the vast majority of people that are not comfortable.

Did Trump's first term move America towards ensuring basic freedoms or caring for people who are not comfortable? Has this been a winning strategy?

I don't mean that as a rebuke of you, of course. And I'm not going to tell you who to vote for. Ultimately, whether I agree with you or not, I appreciate the fact that your views are yours and not merely parroted from your cult leader and that you don't have a leader.

In my view, if the Trump presidency was to be a wakeup, his first term has awakened anyone it's going to.

Speaking for myself and not as an instruction to anyone else -- I've voted for the Canadian versions of Andrew Yang when possible, but at times, I've had to vote for the opponent I'd prefer to have rather than the person who represented my values. If you disagree with this, then I respect it.

Transmodiar wrote:

The federal government is not designed to care. It is designed to insulate the wealthy from everyone else.

I would agree with this.

Transmodiar wrote:
  • Democrats love the righteous indignation. It makes them money. It also makes them feel better about themselves because they can't point to Trump's failures and say, "hey, that's not us!" Except when it is, like when they prop up bad bills, or give up Scalia's seat on the Supreme Court because they figured RBG's replacement would come under a Clinton administration, or when people like Biden ram shitty legislation through Congress for decades and just ignore it ever happened during an election cycle.

  • The parties benefit from the chaos. This isn't the goddamn "West Wing" - the parties aren't staffed up with noble political warriors who will do what's right when the time comes. They're filled with self-serving assholes who love it when the masses focus on stupid partisan issues.

I think if the Democrats aren't running on righteous indignation and handwringing, they might as well not be running. The purpose of a political party is to acquire political power. Without outrage at Republicans, Democrats can't acquire money. Without money, they can't acquire power. Without power, progressives will progress nowhere. But I understand that you find the entire contest beneath contempt and that you will vote with your conscience and I wouldn't have you do otherwise.

**

Trump's narcissism is such that he loathes Anthony Fauci for being liked and trusted where he is not and Trump simply cannot stop himself from voicing that outrage that he isn't getting the attention he craves. That's why he holds his rallies and doesn't care if his supporters get sick before they ever vote.

**

Trump could use Amy Coney Barrett in the Supreme Court to steal Pennsylvania.
https://www.vox.com/2020/10/19/21524177 … ey-barrett

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Politico notes that a Trump victory is still possible. Voter suppression could work. Swing state polls could be off and results could be close enough to be contestable. It's possible for Trump to win much in the same way it's possible NBCUniversal will order Season 6 of SLIDERS -- in that such an occurrence is not likely but would not violate the laws of space and time and the restrictions of the natural world or the binds of gravity and energy.

https://www.politico.com/news/2020/10/1 … ion-430013

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Last year, with my niece:

IB: "I think it is unbelievable, Lauren, that you would turn your back on your faith, your belief system, your theological studies and the bedrock of your foundational philosophies in favour of some empty diversions in amusement and ornamentation. You will be excommunicated for this."

LAUREN: "Pffft. I'm sure I will."

Lauren's mother enters the room.

HEATHER: "What's going on here? Who's getting excommunicated?"

LAUREN: "Ib says I'm turning my back on my religion because I decided to go to Disneyland instead of a SUPERNATURAL convention."

HEATHER: "Sorry I asked."

IB: "Hey, Lauren, which one is Sam and which one is Dean again? This is the show where they fight ghosts in New York City and their headquarters are an old fire station, right?"

**

Last night:

IB: "I'm sorry we didn't get to see Eileen, I know you like her."

LAUREN: "Well, it was a bottle episode. All in the bunker."

IB: "I wonder what it means that Dean came home from his date at night instead of the morning. I mean, Sam came home from his date before the morning. Does that mean it went badly?"

LAUREN: "I don't know. I can't tell."

IB: "Sorry I got Sam and Dean confused. I'd like to tell you that I do it just to annoy you, but no, I get them mixed up. I hope this slight against your religion doesn't incite a holy war or anything."

LAUREN: "You misspoke. I misspeak too."

IB: "I know who they are, I just get mixed up sometimes because Jared Padalecki played a character named Dean on GILMORE GIRLS."

LAUREN: "I believe you!"

IB: "You know, I feel insulted that Mrs. Butters waxed the Impala but we never got to see it. Oh, and Dean looked so sad when Mrs. B gave him a grilled cheese sandwich and then said he had to kill Jack. Jensen played that moment so beautifully."

LAUREN: "Haha, yeah. It's the story of Dean's life."

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Years ago, Temporal Flux wrote an outline for a SLIDERS story. He wrote a story where Quinn becomes his own timer; the technology is implanted into his body, he can see the countdown in his brain, he emits the vortex from his eyes, he is eventually ripped apart by the interdimensional energies of sliding. I loved it and the painful irony where Quinn, a young man fascinated by machines, becoming the very machine he created and dying in the aftermath. https://web.archive.org/web/20010415171 … /ps5s.html

It didn't get a great response in the SLIDERS community which I found odd. I especially find it odd now: one of my favourite IRON MAN stories that I've been re-reading on Marvel Unlimited: "Extremis," a 2005 storyline in which Tony Stark is experiencing guilt over his past as a former weapons designer whose creations have maimed and killed innocent people all over the world. Stark faces a white supremacist militia leader named Mallen.

Mallen has ingested a designer virus called Extremis which re-engineers the human body's capacity to repair itself, heightening the Mallen's ability to regenerate from any injury, raising his reflexes, strength, speed and resilience to the point where a barehanded Mallen is faster and stronger than Stark in the Iron Man suit. Mallen beats Stark so badly that Stark is dying from internal injuries -- until he ingests a modified version of the Extremis virus himself, an altered build that puts the Iron Man suit inside Stark's own body.

The Extremis-enhanced Stark no longer wears the Iron Man suit to increase his strength and speed; he is the Iron Man suit itself, able to perceive, generate and respond to electrical signals and transmissions of any kind by thought alone to control nearly any kind of technology within his visual range. He can combine his new response time with the speed of the Iron Man suit. He can reconfigure the suit itself at will for any situation. He is Iron Man inside and out. He is the next stage of human evolution.

"Extremis" is one of the most popular and renowned IRON MAN stories ever written -- although it's helped by how Iron Man wasn't exactly inhabiting any kind of comics renaissance until "Extremis." Iron Man suffered from being written as a generic superhero with technology-based superpowers, but writers struggled with making Tony Stark as something other than Bruce Wayne with a mustache. "Extremis" started unambiguously playing his weapons designer past as shameful and something for which Stark would forever seek redemption and every subsequent writer stuck with this characterization and continued exploring the ramifications and applications of Stark with Extremis.

TF has occasionally shared his philosophy of good SLIDERS stories: he says it's not about looking at the past and asking what might have gone differently. It's about looking at the future and asking where we might be going next and what could have happened to have turned tomorrow into today.

When TF first outlined this story, we were living in a world of newspapers in street distribution boxes, phone booths on the street and the internet was an alternative to mailing letters. The next stage -- which we are at now -- is to have technology on our faces, in our ears, on our wrists and in our pockets. TF looked past that and imagined technology inside us. He saw the future.

I recently saw an interesting failure: Season 8 of CASTLE.

ireactions wrote:

CASTLE was a taut, capable, well-paced, focused series about the belligerent sexual tension between Fillion and Katic and novelist Richard Castle had some actual (if delusional) insight and flashes of brilliance to offer murder mysteries.

Transmodiar wrote:

HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA

ireactions wrote:

I've only seen the first season of CASTLE. I'm going to assume from Transmodiar's reaction that CASTLE suffers from behind the scenes issues that causes the show to lose its clear, focused sense of purpose which is to have Nathan Fillion and Stana Katic onscreen arguing and the murder mysteries being incidental if not irrelevant. They could be restaurant chefs.

Transmodiar wrote:

I didn't make it to the end. But you don't have to watch past season one to know the show doesn't give two squirts about timing, pacing, or focus. It hopes you like Nathan Fillion or Stana Katic; everything else is incidental.

If you keep watching, just skip over every scene with Castle's daughter or mother. With the exception of the contractually obligated A-story episode they get each season, they add literally nothing to the series. Nada. Bupkus. ZERO.

And if you make it past the episode where the sidekicks get caught in a burning building, I'll buy you a soda. smile

Transmodiar wrote:

"Castle" failed (for many, many seasons?) because it very rarely hinged on its own premise. The conceit was a Patterson-esque crime novelist worms his way into working with real detectives as inspiration for a new protagonist. To do so, he has to juggle his life as a father, son, celebrity, and love interest for his new partner. The murder-of-the-week stuff should inform those relationships.

For the first season or two, it hewed closely to those tropes. But Castle's daughter was too evolved a character to be a 15-year-old girl; it was impossible to suspend disbelief. It's also the continuation of an exasperating trend in media to make dads just insufferable with their ignorance; I get that its comic to watch the kid parent the parent at times, but Castle himself dotes all over his daughter. He's not an absentee by any stretch (I think the mom left early on? Been a while.).

Then you throw in the weird subplots with the precinct captain, the bro-tastic adventures of the two junior detectives on the squad, and other nonsense and it just becomes hyperbolic. It's even worse when the show's tone veers off course and tries to do edgy, dark topics like the serial killer and who killed Stana Katic's mom. You see the same thing in the recent "iZombie," which went FAR up its own ass in the last couple of seasons. Just keep it light-hearted, let the leads have will-they, won't-they? chemistry, and keep in mind that the whole reason Castle is there is to grind out storylines for his books. That's what they were trying to accomplish. And they dropped the ball, and it got agonizing.

Amazon Prime had Seasons 1 - 7 of CASTLE and I watched them and it was a very fine show. Nathan Fillion (Castle) and Stana Katic (Detective Kate Beckett) had a hilariously antagonistic relationship of Castle acting like reality was one of his absurd fantasy novels and Beckett dragging him back into reality and Castle having off the wall theories that often haphazardly led to the truth.

The constant arguments between Castle and Beckett were a delight and even after they began dating and later got married, they continued to argue relentlessly as two lifelong companions whose respect and fondness for each other were generally conveyed through challenging each other in every single story and just about every single scene, their arguments ultimately revealed as not antagonism but flirtation and opposing perspectives matched with a deeply loving energy and joy in each other.

Castle's daughter could only ever exist in fiction, but Molly Quinn and the writing infuse her with tremendous charm. Castle's comic relief sidekicks are fun; Esposito's instinctive impulsivity and Ryan's measured thoughtfulness are a wonderful contrast to Castle's self-indulgent character. The mythology for Beckett's backstory is effective at showing why she is a loner; Castle's serial killer nemesis is brilliantly deranged. Why does Transmodiar call CASTLE a failure? I'd say that sometimes, a piece of art is simply not made FOR us.

I love superheroes. I am not going to watch THE BOYS; I have no interest in a nihilistic series that claims all superheroics are a lie to obscure depravity and sadism. THE BOYS is not what I want out of superheroes just as CASTLE is not what Transmodiar wanted out of a murder procedural about a novelist. That doesn't make THE BOYS or CASTLE failures; that just means they are not suited to our tastes -- except the eighth season of the show actually is a failure and I'm surprised and disappointed to be saying that after so much of me defending it.

Season 8 (it made it to Prime) is in a difficult behind the scenes situation. The show hinged on Nathan Fillion and Stana Katic in arguing with each other in nearly every scene of every episode. However, the cast contracts were over with Season 7, the Season 7 finale was scripted as a series finale -- but then ABC wanted an eighth season. Fillion and Katic negotiated and their signing for an eighth season was contingent on a specific stipulation; Fillion and Katic didn't want to work together anymore and would only sign if they only had to film together for two out of every seven shooting days.

This effectively meant that CASTLE, a show about Castle and Beckett arguing from start to finish every week, would now only be able to show Castle and Beckett in the same shot for two to three scenes an episode.

The situation is bizarre and no clear explanation has ever been provided. Fillion and Katic had apparently built a severe hatred for each other over seven years on CASTLE. Neither have come forward. The onscreen result for Season 8 is that the show must, in every single episode, contrive some means for why Castle and Beckett (who are married and work together to solve murders) are never around each other for more than two scenes a week. Three if we're lucky.

Season 8 opens with Beckett having to fake the end of her marriage with Castle to ward off assassins. Season 8 has Castle working in his own detective agency away from Beckett's cases. Season 8 has Beckett promoted to captain and made to stay at the precinct while Castle is in the field. Season 8 has Castle and Beckett argue over the phone or through video chat. One episode has Castle and Beckett kidnapped but the kidnapper helpfully puts them in separate rooms. One episode has Castle and Beckett trapped on a cruise ship and immediately split up. One episode simply doesn't feature Beckett, no explanation given.

The frustrating thing about Season 8 is that the writing remains consistent with previous seasons: hilarious jokes, bizarre murder mysteries, terrific ongoing character arcs with Castle trying to run a detective agency with his daughter and a new platonic partner. The scenes where Castle and Beckett are actually in the same room together sparkle, the writers struggle to assure the viewer that Castle and Beckett ultimately go home at night to each other even if we don't see much of it anymore -- but the show is unable to provide the element that propelled it through seven years: Castle and Beckett arguing over their relationship and their cases from teaser to credits.

The energy of the show suffers: while Fillion and Katic are capable of carrying a scene without each other, the eager anticipation of Castle's tangents clashing with Beckett's practicality is gone. The push and pull of their mutual but oppositional detective work is gone. The heat between them as they explore mysteries and each other is gone with their brief scenes in each episode feeling more like a token obligation than a fiery and passionate partnership. The writers try to compensate by using the comedy sidekicks and Castle's new associate as comedy foils and the results are adequate but frustrating.

At this point, one has to wonder what the point is of doing CASTLE with Nathan Fillion and Stana Katic if they can't be in the same scene more than twice a week. If CASTLE can't offer what made it successful, then CASTLE is a failure. It doesn't feel like a failure in the moment; each scene and each episode resounds with wit and enthusiasm. But the number of episodes devoid of a strong Castle and Beckett story accumulate until the end of the year at which point it becomes clear there won't be one.

ABC and the studio elected to look into renewing CASTLE for a ninth season but allowed their contract with Stana Katic to expire so she wouldn't be in a ninth year. The fans rioted. The original showrunner (who had left in Season 7) disavowed any version of CASTLE without Beckett. The incumbent showrunners, wondering if they would even make it to the ninth season, filmed a cliffhanger where Castle and Beckett are shot.

Their plan was that the ninth season would have Beckett fake her death, end her marriage and join a group of superspies who would be perpetually offscreen while Castle worked in his detective agency as a newly single man. But with the bad publicity, ABC decided to cancel and the creators filmed a tag scene where after the cliffhanger came a scene set years in the future where Castle and Kate were having breakfast with their children, having apparently recovered from their injuries off camera.

It was a jarring, disorienting transition and a disappointing end for a show that had already achieved a strong closing note with Season 7. It was an odd season where the talents of the writers were curtailed by whatever the hell was going on between Fillion and Katic that made CASTLE fail to offer its fans what the fans watched CASTLE to see.

It was an interesting failure.

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You know, there's another aspect to the election that is a bit underserved on this forum -- privilege. Since most of us have the time to chatter on an internet message board, it's likely that most of us have that kind of free time. In addition, most of us here are men, heterosexual, Caucasian or a model minority -- we are of genders and races unharmed by a Trump presidency, a presidency that has legitimized white supremacists, homophobia, transphobia, sexual harassers, and blatantly encouraged modern neo-Nazi militia movements.

When we declare that a Trump presidency doesn't matter to us or that a Trump presidency won't make America worse than it already is or that a Trump presidency wouldn't be any worse than a Biden presidency or that removing Trump from office wouldn't improve America, we are (unintentionally) declaring that it's fine for the presidential platform to overtly, blatantly and repeatedly boost and embolden hate groups that are paramilitarized against women, people of colour, homosexuals, transgenders -- and anyone who isn't a straight-white man.

I agree that we need to spend more time thinking about how voter participation in primaries is an indicator of enthusiasm in the electorate and that it's an important factor to bear in mind. And that we need to always consider how the Democrats' focus and victories in recent years have been in terms of fundraising rather than policy or political power. I would like to add this other area of consideration -- how the power of the US Presidency affects people who are not in positions of privilege due to their race and gender. And it’s to be considered. I wouldn't make it the only factor to weigh in the state of the world.

Also, a lot of us are prone to issuing predictions and expectations that don't come true because none of us have precognitive abilities. Some of us declared that a Trump presidency was not a big deal and that the presidency was not a powerful position hemmed in by checks and balances, some of us said Trump wasn't really a racist or a white supremacist and that government was too efficient to fail even with an ineffectual president. My personal predictions were that Biden was senile, incapable of mounting an effective campaign, devoid of the progressivism to inspire voters, helpless against Trump's charisma, prone to bizarre outbursts, devoid of any actual policies or ideas for how to face climate change, police corruption, racism, recession, pandemics -- and I have been proven wrong repeatedly.

At various moments, I have felt that because Democrats aren't running on my preferred terms, they don't care about winning; that because the election isn't operating on my parameters, it is a waste of time. But ultimately, that's just me feeling spiteful and the reality is, my imagined 'model' was, like the Primary Model and the 13 Keys Prediction, based on too few factors and not sufficiently open to new data.

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On Transmodiar's Thoughts:
That's an interesting perspective and it has much validity. Fundraising is vital to the Democratic National Convention and the Democratic Party. But I'm not sure why it wouldn't be. Without money, the party has no resources to acquire political power.

Joe Biden is not the progressive white knight many people wanted. But the Bernie Sanders, Elizabeth Warrens and Andrew Yangs of the world never draw the turnout needed to win them the White House. Bernie got 9 million votes in the primaries, Warren got 2.8 million and Andrew Yang got 160,231. Andrew Yang is a genius. But with 160,231 votes, Andrew Yang does not have enough voters to lead a majoritarian party.

With 160,231 votes, Andrew Yang is leading an ideological cult of strong talking points that is utterly devoid of political power and also without any money to fund their wishes. Without power and without money, the Democratic Party cannot do anything for anybody. Joe Biden, despite his uninspiring bromides, is someone that progessives, centrists and non-Trumpist conservatives can (to my astonishment) apparently tolerate. So be it.

This is not the first time you have declared that the presidency doesn't matter and that the race doesn't matter and issued your expectations of the future. Now, I don't expect you to be able to defend or uphold an opinion given four years ago nor would I find fault with you for not being precognitive.

But your worldview — which should not be discounted — has proven ill-matched to the moment. Your expectations of President Trump's America have proven wrong across the board. The United States under Trump has been unable to manage any kind of crisis whatsoever. Government has not been unable to run itself. A crazy reality show star who spent most of his life living in a blue state was not less crazy when running into the White House from enthusiasm fostered in red states and did not tone down his catastrophic, random, egotistical savagery. A demented bully did not stop himself from actively trying to kill people up to and including his own voters to satisfy his need for crowds and attention. And a desperate, terrified sham of a world leader who is running scared from 500 million in debt to foreign powers and tax evasion charges was not a "master showman" who could "run rings around Joe Biden."

A worldview should not be dismissed just because the opinion doesn't lead to psychic ability. It doesn't make your concerns unworthy of concern. I admire that you see through what you call static and observe the cycles of money and power. But I don't think what you're dismissing as static is as irrelevant as you claim given the obvious and immediate results the US Presidency and this moron in that role has had on everyone's day to day lives. Your suspicion for Democrat candidates and Democrats pursuing money is something we should all take part in every day. We should all follow the money. But I don't think we should see it as the only story.

I am sorry that Andrew Yang only got 160,231 votes. Andrew Yang is sorry he only got 160,231 votes. But he's not disengaging and dismissing the world with contempt and disdain. He is doing his part.

On the Primary Model and Campaign Finance:
You know, I think we should all be very interested in (a) how money is a factor in these campaigns and (b) how primaries reflect the ground level enthusiasm of the electorate. I don't think we should be evaluating the world or even just the election on ONLY fundraising or ONLY primary participation. I definitely don't think we should be trusting mathematical models based on these factors. But we also shouldn't pretend they are not highly relevant to the state of our planet.

On Trump's Town Hall:
Just watched Trump's entire town hall. God, what a lunatic. A pathetic, whining child incensed that a female reporter would ask him follow up questions and ask him to deny that the Democratic Party is a Satanist conspiracy. A fool saying that people shouldn't  wear masks because his personal manservants seem uncomfortable in them. A liar insisting that ballot fraud exists because it threatens his status. Completely unsuited to public service of any kind. He couldn't / wouldn't even specify if he were tested for COVID-19 before the first debate with Biden.

His contempt and indifference to the town hall participants asking him questions was palpable as he boasted that everything he did was "tremendous." It's clear he sees his job as sitting in his bedroom tweeting about all the work he isn't actually doing. That the presidency is an ivory tower of luxury he doesn't want to leave. This person couldn't run a cash register at a gas station. I think it might be time to end debates and just have reporters hammer at candidates relentlessly.

In terms of viewers: Trump's town hall got 13.5 million viewers. Biden got 14.1 million. If we need to pick a winner, it was Biden (by 4.25 per cent).

Anyway. From Biden's town hall:

Biden On Packing the Supreme Court

Joe Biden wrote:

I have not been a fan of pack -- court packing, because I think it just generates what will happen every -- whoever wins, it just keeps moving in a way that is inconsistent with what is going to be manageable... Well, I'm not a fan. I would then say, it depends on how this turns out, not how he wins, but how it's handled, how it's handled. But there's a number of things that are going to be coming up, and there's going to be a lot of discussion about other alternatives as well. I'm open to considering what happens from that point on.

Biden On What He Does if He Loses:

Joe Biden wrote:

Well, it could say that I'm a lousy candidate, and I didn't do a good job. But I think -- I hope...  that it doesn't say that we are as racially, ethnically, and religiously at odds with one another as it appears the President wants us to be. Usually, you know, the President, in my view, with all due respect, it's been divide and conquer, the way he does better if he splits us and where there's division.

I will go back to being a professor at the University of Pennsylvania and making the case that I have been -- made and at the Biden Institute at the University of Delaware, focusing on -- on these same issues relating to what constitutes decency and honor in this country.

If I get elected, you know, I'm going to be -- I'm running as a proud Democrat, but I'm going to be an American president. I'm going to take care of those that voted against me as well as those who voted for me, for real. That's what presidents do. We've got to heal this nation, because we have the greatest opportunity of any country in the world to own the 21st century. And we can't do it divided.

Biden gave an empathetic, polished, gaffe-free performance. Full transcript here: https://www.msn.com/en-us/news/politics … r-BB1a4RLG

Joe Biden wrote:

In politics, grudges don't work. They're not -- they make no sense. I really mean it. I have never-- and the second point I'd make is, everybody talks about "Yeah, Joe, when you were a senator and a chairman of Foreign Relations or chairman of the Judiciary, you got a lot of things done. You were able to cross the aisle. Well, the days have changed, and when you were vice president you got a lot done. But it can't happen any more."

It can. We've got to change the nature of the way we deal with one another. You don't question other men and women's motives. You can question their judgment, but not their motive.

Well, we badly need an infrastructure bill. Well, what happens? I stand up and I say, "You know, we need an infrastructure bill, Senator. But I'll tell you what, you're in the pocket of the cement industry. But let's see what we can do." We can't get anywhere, and nothing happens. Nothing happens. I learned that lesson a long time ago. I've never even -- when it's obvious on its face what the motive is. Stick to the subject. And listen to the other guy. Listen.

And with Trump out of the way, the vindictiveness of a president going after Republicans who don't do exactly what he says gets -- gets taken away. There's going to be -- I promise you-- between four and eight Republican senators who are willing -- they're going to be willing to move on things where they're bipartisan consensus.

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I have to say -- while I do not subscribe to the Primary Model or the idea of silent Trump supporters, this has been absolutely fascinating because in looking up more on electoral modelling, I read a lot of informative articles. I can't pretend to understand all of it, but it was so interesting.

**

After the 2016 election, an economics professor built an election prediction model based on the Election Day weather in Bozeman, Broken Bow, Burlington, Caribou, Cody, Dover, Elkins, Fargo, and Pocatello that accurately 'predicted' every election between 1980 to 2016. As Professor Gary Smith explains: any 10 results can always be mathematically predicted perfectly by a model with nine imperfectly correlated explanatory values. That's not magic or prediction; that's a mathematician knowing the answers in advance.

Smith also notes that the Primary Model has actually been retrofitted repeatedly: prior to 1952, it used all presidential primaries. From there to 2004, it used only New Hampshire. After that, it added back South Carolina. The Primary Model can't be said to be infallible in its method if its method keeps changing. When a model is revised, Smith explains, it's because it predicted the past more accurately than it did the future.

There's another limited data model from Alan Lichtman whose 13 Keys Prediction predicted a Trump victory in 2016 and a Trump defeat in 2020 based on 13 true/false questions that has 'accurately' predicted eight elections. Professor Smith points out that Lichtman's model is utter BS as well because several of its true/false questions are largely vague to the point where the response could be subjectively true or false (Was there major policy change? Is the challenger charismatic?) and the 13 questions have been repeatedly revised, meaning it's another model that has had to be rewritten to fit the results and is hardly predicting them in advance.

Professor Gary Smith wrote:

If you wander through a garden making random choices every time you come to a fork in the road, your final destination will seem almost magical. What are the chances that you would come to this very spot? Yet you had to end up somewhere. If a model that correctly predicted your path had been specified before you started your walk, that would have been amazing. However, identifying your path after you finished your walk is distinctly not amazing. https://mindmatters.ai/2020/07/election … d-useless/

Professor Arturo, I think, would look at Norpoth and Lichtman and declare that both the Primary Model and the 13 Keys Prediction are stories from the same genre; they are fairy tales cloaked in the guise of mathematics, both operating on the magic of statistics; the magic is that you can make statistics mean whatever you decide they mean. Quinn would point out that no one ever failed to solve a mathematical mystery when they started with an answer and then created the question. Wade would say the future isn't written in our models, but in our choices and actions and we can't try to skip to end of the book. Rembrandt would say he doesn't understand anything we just said, but we gotta get our butts out there and vote and we also need to bring along all our friends.

One of my favourite comic books -- and one of my favourite interesting failures -- is SPIDER-WOMAN by writer Brian Michael Bendis and artist Alex Maleev. Spider-Woman, real name Jessica Drew, is an interesting failure of a character in general. She wasn't created because Marvel Comics and Stan Lee had a great idea for the character; they just wanted to seize the Spider-Woman copyright before someone else got to it. Writers Stan Lee, Archie Goodwin, Marv Wolfman and artist Marie Severin are all brilliant and yet nobody had a coherent idea of who the hell this character was supposed to be and it shows. The SPIDER-WOMAN comic provides three contradictory origins: she's initially a spider who evolves into a human but then later writers declared she was a human who had the memories of a spider implanted into her and then later writers said she was a genetically engineered soldier with accelerated aging. Jessica Drew's backstory is more convoluted than Quinn Mallory's.

Jessica Drew's big claim to fame is in terms of her absence. The JESSICA JONES Netflix series is based on Brian Michael Bendis' comic, ALIAS, also featuring private detective Jessica Jones. Originally, ALIAS was to feature Jessica Drew, retired as Spider-Woman and having changed careers. Bendis eventually decided to create an original character as Spider-Woman's continuity was an unfathomable mess. But he still had a fondness for SPIDER-WOMAN and would later explain the in-depth reason for that: he really liked Jessica Drew's hair.

Bendis featured Spider-Woman in his AVENGERS comics only to shockingly reveal about three years that Spider-Woman had been an impostor in his entire run, replaced by an alien shapeshifter as part of their Secret Invasion plot to take over Earth. The real Spider-Woman returned after the invasion was prevented, and Bendis later wrote two SPIDER-WOMAN serieses: a short series called ORIGIN which provided a new version of her origin that picked and chose from the contradictory versions before, and a new SPIDER-WOMAN title that for convoluted reasons shipped nine months late, lasted seven issues and was then promptly cancelled for low sales and the creators being unable to continue.

The reasons why are fascinating: despite the real Spider-Woman returning as of December 2008, her comic following up on her return didn't come out until September 2009. The reason: Marvel chose the SPIDER-WOMAN comic to be a motion comic feature with voiceover and limited, comic book panelesque animation. This meant that the creators had to write the comic and draw it with the intention that all the dialogue be performed by an actress and fit within the animation.

In addition, the motion comic format required that artist Alex Maleev draw the same pages and often the same panels and faces repeated The print version of the comic saw Maleev repeatedly reusing slightly altered versions of the same drawings of Spider-Woman to make up the pages, a necessity of animation that looked oddly lazy in print. The schedule saw Maleev utterly burnt out after seven issues, unable to spend any more time and energy drawing the same pages 12 times each.

Due to the nine month wait between Spider-Woman's return in SECRET INVASION and her own series, sales were poor and made even worse because Marvel had released the motion comic and cannibalized their own sales. What should have been a blockbuster hit for the character was a small success on iTunes (for $10 USD for all five episodes) and a sales misfire in print. The motion comic itself didn't even really have much motion; despite Alex Maleev's strain and stress and tedium, the panels were static with certain cutouts moving slightly. It was visually uninspiring on a computer screen; it was suspiciously repetitive in print with entire pages consisting of a single drawing of Spider-Woman at different magnifications or with minor changes.

And yet... when I'm reading the SPIDER-WOMAN comic by Bendis and Maleev, I find myself so caught up in the story that I simply accept all the reused panels. The story is compelling: Jessica Drew, perenially a D-list superhero made noteworthy only because Spider-Man is an A-list character, is struggling with the aftermath of SECRET INVASION. Her alien impostor was the Skrull queen, the leader of the invasion. Every person who sees Spider-Woman sees the Skrull who stole her life. In addition, Spider-Woman is in agony over knowing that the Skrull queen took Jessica from being someone who was losing control of her powers and unable to function as a superhero to becoming a valuable agent of SHIELD, an Avenger chosen by Captain America and a hero who was respected by both the Pro and Anti-Registration sides of the CIVIL WAR conflict. Jessica's impostor was better at being Jessica and Spider-Woman than the genuine article.

Recruited to work for SWORD, the branch of SHIELD that deals with alien threats, Spider-Woman hunts down the last remnants of the Skrull factions that brought about the Secret Invasion, wanting to know: why did they choose her life to steal? Why did the Skrull leader take her identity? Despite Spider-Man, Ms. Marvel (Carol Danvers), Wolverine, Luke Cage, Captain America and all her friends in the Avengers offering her aid, Jessica avoids them; they were friends with the Skrull and not with her. In the seven and final issue of SPIDER-WOMAN, Jessica fianlly confronts one of the central planners of the alien invasion, Koru Kaviti. He beats her senseless and tells her:

You came here to blame me for all your woes. You blame me for your life's journey. Do you want to know why our queen chose your form? Do you want to know why she knew she could replace you?

The reason we knew you could be switched for one of us is that of all the people in the world, we discovered that NO ONE on this ENTIRE PLANET cares enough about you to notice you at all.

And of all the things that went wrong with our invasion, that was the one thing we were ABSOLUTELY right about.

But before he can finish her off, an Avengers jet flies into the scene and the Avengers descend to Spider-Woman's aid, with Carol Danvers quipping in a surprisingly Brie Larson-esque way, "Well, it looks like you were wrong about everything then."

The story really works. The format did not work. The release date did not work. The art, despite Maleev's beautiful use of shadow and line weight and composition, seems to have fallen flat with the readers. But there is something really neat about Bendis taking Jessica Drew's D-list status and having her work through it and there's a really interesting choice where, even though Spider-Woman does take the Skrull down, the moment is not her victory but in her friends proving that they actually do like her and showing up for her and assuring her that her impostor only capitalized upon what Jessica had the potential to be all along. And I shamelessly rip off Bendis' SPIDER-WOMAN climax in pretty much everything I've ever written.

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In the primaries, 18 million people voted for Trump, 454 thousand voted for Bill Weld. 35.7 million people voted in the Democratic primaries, 19 million of those votes for Biden, 9.6 million for Sanders, 2.8 million for Warren -- and I don't think it should be surprising that 18 million Trump supporters wanted to try to keep their unstable cult leader in place to curtail any effort from Republicans to replace him.

And it's true that Helmut Norpoth's Primary Model predicts Trump's 2020 victory and has only been 'wrong' twice since 1912, but Norpoth only started his model in 1996, so he has only ever used it in six actual elections predictively; his accuracy rate merely indicates that (a) he found a model that averaged out the results from 1912 to 1996 and (b) he was right five out of six times at predicting binary scenarios where his prediction had a 50-50 chance of being correct anyway. It's either a Democrat or Republican victory. Norpoth claims he's been predicting elections since 1912 (when he started 84 years later), so his model is inflated by 500 per cent. His model is closed to new information. And his model for predicting history may be superb, but for the future, he may as well be flipping a coin. His model isn't going to warp the laws of probability and reality.

Reality is that Trump's surprise victory in 2016 came after he'd closed the polling distance between him and Clinton to 2.7 points. That he was only a 3.3 per cent polling error from being ahead. That America disliked Hillary Clinton more than it disliked Donald Trump -- a distance Trump has since closed with his bullying persona and non-existent pandemic response and actively trying to get his own voters sick. Reality is that Trump is now in Clinton's situation; he's ahead in Republican strongholds like Texas, Iowa and Maine by a mere 3.1, 1.2 and 0.4 points respectively, a lead that's within the margin of error, tied with Biden in Georgia (!!) and Biden's leads in safe Democratic states is 183 Electoral College votes, 29 in likely Democratic states and 78 in lean Democratic states for a total of 290. Trump could win all 85 toss-up states and still be short of 270. Trump is losing.

At least, I think he is. Look, I'm not a pollster. I'm not even an American. I could be wrong.

And if I'm wrong, I will fly out to visit Temporal Flux when it's possible and buy him dinner at the Olive Garden. In addition, I will write a seventh installment of SLIDERS REBORN for EarthPrime.com. A script entitled "Redemption." Featuring Rembrandt confronting Colonel Rickman. A story which Transmodiar will be obligated to review, edit, comment on just when Transmodiar thought he was finally free of having to ever deal with SLIDERS REBORN again, possibly the most obnoxious and irritating creative project upon which he has ever been forced to labour (and he quit six times and kept coming back and lost two years of his life on it).

If Trump wins, Transmodiar will be forced to endure, at minimum, another four weeks of agonized exasperation over SLIDERS REBORN. He barely survived it in 2015 - 2016! He might end up in a mental ward this time!

And Temporal Flux will get all the pasta he can eat at Olive Garden after we've all been vaccinated.

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While I can't pretend to have a wide or comprehensive grasp of the full range of human behaviour, declaring that Trump supporters lined up for 10 hours means that all people in America who line up for 10 hours must be Trump supporters is... isn't that like saying that cars are in garages, so anyone standing in a garage is therefore a car? And why would it be a surprise that most voters you've seen personally are Trump supporters? Don't you live in a Republican state?

As for predictions, I don't see much merit in PrimaryModel.com, a model that declares Trump has a 91 per cent change of winning the presidency while also declaring, "This forecast is unconditional and final; hence not subject to any updating. It was first posted on March 2, 2020 on Twitter." Any model predicting the results of a November 2020 election and declares itself "unconditional" and "final" in March 2020 is suspicious, to put it mildly.

If we're going to take any model for predictions, it should be a model that is open to being updated based on new information based on something more current than projections finalized eight months before the election with some accounting for the pandemic, mail-in ballots, high turnout, voter suppression, electoral fraud, voter registration laws, ballot receipt laws. A model like https://projects.fivethirtyeight.com/20 … -forecast/ which is perpetually ranking the quality of its data, cautioning that its metric could be off due to the pandemic, suspicious of convention bounces and other expectations that may not apply and open to being reworked with Biden at one point having a 67 in 100 chance of winning. And Five Thirty Eight also pointed out in 2016 that Trump was only a normal polling error behind Hillary and might actually be ahead. https://fivethirtyeight.com/features/tr … d-clinton/

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Slider_Quinn21 wrote:

Voted!  Very nice to finally get to do that!

God bless you, Rob.

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pilight wrote:

You don't think election fraud is real?  Here's an example going on right now in California:

https://www.nytimes.com/2020/10/12/us/p … boxes.html

That’s election fraud. That isn’t voter fraud and isn’t fabricating fake votes.

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Slider_Quinn21 wrote:

Yeah I mistyped I guess.  I don't think he'd kidnap a governor or intimidate voters.  But I could definitely see him not social distancing and not wearing a mask at a rally.

I think we're probably worse off, conversation-wise, without someone from the other side (we're all at least left-leaning I think), but I think too far in the other direction is a bit toxic.

The issue isn’t left wing vs right wing. It’s about critical thinking versus cult thinking. Informant is incapable of questioning Donald Trump even when Trump is actively trying to kill him and embraces proven frauds and liars so long as they reassure him in his Republican identity. He is too invested in his cult. If he were still here, he would post falsehoods. He’d say the pandemic is a hoax. That masks don’t protect people. That superspreaders aren’t real. That people aren’t getting sick and dying. That he can deliberately get infected to become immune. That voter fraud is massively proven and people should vote twice. Even Twitter won’t tolerate that level of life threatening deceit from Trump anymore.

Transmodiar and Temporal Flux don’t identify as Democrats. They don't support Joe Biden. But they are capable of criticizing both conservative and progressive positions. Transmodiar called Biden a senile bully and Obama’s presidency a ****show and described Trump as an inept idiot. Temporal Flux called Obama’s message of hope and change “bunk” and also renounced the Republican Party after it chose Trump to represent them while still warning that imbuing all political power with Democrats is simply cult behaviour under another a blue flag instead of a red hat.

While I may disagree a little or a lot, they are exercising critical thinking. They are not closed books to new data. They amend their ideologies to match new information. They don't amend information to match their ideologies.

They might not agree with you or me, but they wouldn’t lie to us or encourage us to believe untruths that could get us or others sick or arrested for voter fraud.

Critical thinkers welcome new information and questioning. Cultists repeat and rephrase what they’ve been told by a narrow set of sources chosen by ideology rather than veracity. I may be supporting Joe Biden in this election, but after he wins, I will be as critical of him as I am of Donald Trump and if he tells me not to wear a mask during a pandemic, I'll turn against him.

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Well -- it's true that I *wonder* if that's the case. It's not necessarily the case. I was recently telling a bunch of people things that Informant has said in my last two posts about writing murder mysteries and being interested in how process and techniques used by other writers in the Writers Room thread. http://sliders.tv/bboard/viewtopic.php?pid=10509#p10509 I then declared that I would have to say something mocking about Informant if I were going to compliment him as a writer.

On contempt:

I'm starting to observe that one of the worst things a writer can do to themselves is be contemptuous of other writers. It's not a an issue of decorum or conduct. It's more that writers who disdain the talents of other creators are impeding their own gifts and opportunities for growth.

The Most Hated Men in SLIDERS: It's not hard to find people in SLIDERS fandom who will declare that David Peckinpah, Bill Dial and Keith Damron were talentless. However, this simply isn't true. It takes talent to write and sell teleplays that are filmed and aired. Transmodiar once remarked to me that David Peckinpah was a good storyteller and demonstrated great skill in telling his stories; they just weren't the stories that SLIDERS fans wanted to see. I've come around to that and I see Dial and Damron the same way.

Visual Storytelling and Exposition: "Murder Most Foul," "Dinoslide" and "Genesis" show Peckinpah to be a highly capable TV screenwriter with an excellent grasp of immediate visual storytelling, quickly expositing a high tech Victorian theme park, a colony under threat by dinosaurs and an Earth under invasion within a few minutes of screentime. It's unfortunate that Peckinpah also used his writing skills to create violent sexual fantasies about former employees and add absurd backstories to his lead characters.

Subtly in Real Time: Bill Dial is considered the worst part of Season 5, rewriting the majority of the scripts to have characters standing around repeating the same information until the page count is met. But Dial's filibustering is effective in "Prophets and Loss" and "Asylum," both of which feature gradual, slow, character-driven conversations where characters find themselves slowly entrapped as a pleasant conversation shifts into an interrogation or a confrontation. Dial had a gift for unforced, subtle, seemingly naturalistic pacing and conversation, but he misused it in a lazy fashion to pad out scripts for SLIDERS' final season.

Confessional Writing: Keith Damron is one of the most hated SLIDERS writers, but isn't his Year Five Journal a compelling read as an exercise in devastating self-owns and unintended revelations of creative self-sabotage?

Contempt: There is an alarming tendency that I sometimes notice in amateur and apprentice writers: they are caustic towards other people's work in a shockingly insulting manner, attacking not just the product, but the intelligence of other creators. They dismiss the effort, craft, purpose and ability behind the work as well as the work itself. It's one thing to do this if you're simply a consumer of fiction. You're a customer, you wanted SLIDERS stories, you paid for cable to get SLIDERS stories and you did not get what you paid for.

Creators Can't Only Be Viewers: If you are or intend to be a creator, however, this attitude towards other people's work will not serve you. I'm not saying that if you want to be a writer, you have to think highly of David Peckinpah sending Wade to a rape camp or Bill Dial's stalling filler in his Season 5 scripts or Keith Damron's clumsy portrayal of addiction and computers in "Virtual Slide." But a writer needs to at least observe that Peckinpah was good at devising visual information and exposition; that Dial was capable in using dialogue to subtly raise a sense of threat; and that Damron wrote some highly revealing internet diary entries.

Taste Vs. Talent: Whether or not you liked the final product is a matter of personal taste. However, I have sometimes run into would-be writers who take the view that any project not written to their obsessions, their concerns, their worldview and their preferred approach to storytelling is a failure. That any such project is worthless, produced without any ability, interest, care or investment from the creators behind it.

Self-Limiting: For a writer, contempt for the talents of other writers is a deeply self-limiting attitude. No single writer is going to be skilled in every area of writing. A writer with an ear for hilarious dialogue may lack the ability to write physical conflict. A writer with a talent for crafting lively and memorable characters may struggle with science or politics. A writer with a firm grasp of espionage and conveying action and danger may have a limited sense of location and setting.

Be Interested: All writers have limits. The best way for a writer to work through them is to be interested not just in writing their own stories, but also in how other people write their stories. Writers should appreciate their colleagues' techniques. A writer does not need to enjoy the end result; but a writer should seek to know other people's methods and be open to being informed by them. A writer should be able to look at someone else's writing and observe the skillset put into it even if the skill were misused and the product wasn't to their liking.

Contempt for Craft: When writers are contemptuous of other creators, such writers are disdaining not only their colleagues but the craft of writing itself. A writer who dislikes a book, movie or show but then declares that the creators have no talents worth knowing or learning -- this is a writer who believes that they and they alone possess the ability to produce good work. They are declaring that their skillset is complete and whole. That they have no need for additions, revisions or expansions. That they are closed to any perspectives, techniques or abilities outside their own. That they have no interest in how other writers write their stories. And that contempt for writing itself will be palpable in their own work.

Know How Others Work: Good writers respect the talents of other creators even if they don't care for the final product. Good writers are interested in how other writers work -- not to imitate, not to mimic, but to be open, to be engaged in the disciplines of storytelling, and to see what methods they might adopt or modify to tailor to their own projects.

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On turkeys:

My favourite actress, last year, gave me a bit of a crash course in Turkeyology, explaining to me that cooking a turkey requires a bit more thought and preparation than a chicken.

Turkeys are MASSIVE. These are 20 pound birds. And, being poultry, they are extremely difficult to prepare safely and edibly. A twenty pound bird will not cook evenly in an oven. But poultry must be fully cooked or the bacterial load is toxic to the point of severe illness if not deadly. However, the low fat content of a turkey means that cooking all the flesh thoroughly will result in a dry, overdone, tasteless, unpleasant result with all the moisture content roasted out of the bird.

In addition, turkey is easily contaminated; it has a lot of surface area for bacterial growth that quickly spread to the entire body. And a frozen turkey must be defrosted while still remaining well-below room temperature to prevent bacterial growth; the huge volume and the need to keep it refrigerated even when it's no longer frozen solid means it takes a huge amount of fridge space.

Roast chickens have given home cooking enthusiasts the severe misimpression that roasting a bird is simply a matter of defrosting it in a microwave, throwing it into an oven and coming back an hour or two later to slice and serve it. That does not work for a turkey. While the principles of cooking a turkey are similar to a chicken, a turkey requires a greater degree of preparation and continual attention to ensure a good outcome. The best way to produce a tasty turkey is to determine when dinner is to be served and then work out the steps in reverse order.

A 20 pound turkey will take about four days to defrost inside a fridge and won't fit into a microwave. In addition, a frozen turkey will have dried out significantly from its time on ice and roasting will further remove all the moisture that makes it enjoyable.

A defrosted turkey needs to be submerged for a day in a solution of salt water to break down the proteins and soften the meat, while staying refrigerated during the entire time. This requires some preparation of the necessary space and containers to hold and soak the bird.

Afterwards, the turkey then needs to be dried for another day while still keeping it inside the fridge to prevent bacterial contagion. The salt water must dry off to ensure crisp skin. And then, the turkey must be cooked within the next 1 - 2 days, so scheduling is paramount.

Prior to roasting, the oven must be preheated so that you can season the bird with a rub of butter, mixing powder, herbs and spices, stuff it with water-heavy vegetables and get it under heating elements before the bird warms to room temperature and risks poisoning you and your dining companions. A 20 pound bird roasting for 20 minutes per pound needs about six and a half hours to cook. But that's not the end of it. Even a brined turkey will turn out too dry if roasted without treatment.

A turkey in the oven must have fluid injected into the inner cavity every 20 minutes after the first hour of roasting. This will restore the moisture that's being cooked out of it by the oven. That fluid is best a combination of fat and poultry broth, kept just below boiling point to prevent solidification and ready to be distributed to the chicken in precisely the right state to be absorbed by the meat. And in the last third of the cooking time, the upper skin should be covered by foil to prevent drying and retain crispness while continuing to add fluid.

Turkey doesn't have to be the dry, tasteless cardboard it's infamous for being, but it requires considerable thought to preparation, scheduling and space to cook safely and serve effectively. It's not something you can throw in a microwave and toss in an oven. You have to start thawing the turkey a week in advance and line up all the subsequent steps. I know I've made murder mysteries a task to be taken very seriously, but that's fiction and an improperly stored or cooked turkey could actually kill you.

Anyway. I told my sisters that I would roast this year's Canadian Thanksgiving turkey, but they would have to handle EVERYTHING else. I will not be stopped except by salmonella. My meat thermometer is ready. May God protect those who dine on fowl, and may God protect our troops.

The Triviality of Murder: I enjoy a lot of procedurals: FRINGE, SUPERNATURAL, and even non-fantasy murder mystery procedurals like ELEMENTARY and CASTLE. Shows like ELEMENTARY and CASTLE, however, have had an odd and not always positive effect on the perception of the genre; they've trivialized the craft of creating murder mysteries.

Writing In Reverse: Inexperienced murder mystery writers have been misled into thinking that murder mysteries are written by coming up with a cast of characters, then a setting, then a mystery, then some clues, and then a method for committing a murder that matches everything they wrote before. This is a mistake; a murder mystery must be outlined in the reverse order with the murder created first before coming up with anything else.

The Audience is not the Author: This might not seem to be the case to viewers. CASTLE isn't about the murders as much as Castle and Beckett arguing. The murders are just to give the characters something to work on so that they're not standing around in a plotless vacuum trading quips or barbs.

The Sequentially Written Murder Mystery: As a result, many first time murder writers understandably think that there is no need to put thought or attention into creating a murder mystery. That one creates the character arcs and set pieces first and then throws in a murder as an instigating event.

The Result is Not The Process: That's what these first time writers see onscreen, after all. They see that TV procedurals don't devote much screentime to the reason for the murder, the method of the murder and the means of concealment. They see that these elements serve merely as inciting incidents and seem almost an afterthought. In the writing process, these writers then treat the reason, method and concealment as an afterthought as well, as the last thing to create.

Struggling for Revelations: This is a deeply counterproductive approach to writing murder mysteries. Writers who work this way concoct random clues in a fit of inspiration, but then struggle to create revelations that match the previous information and come up with strained convolutions to make their answers meet the the previous discoveries.

Circling: Most writers who work like this often get stuck, unable to explain how and why their murderer did it. They are pilots flying an underfueled plane with nowhere to land. TV gives the false impression that murder is merely a plot device that isn't important and can be created at the end of the writing process because the murder is explained at the end. This is an illusion.

Murder Mysteries Come in Two Parts: An effective murder mystery writer starts with outlining the murderer's story, working out how and why the killer did it and obscured their guilt, as well as all the groups and individuals in proximity to the murder whether physically or situationally.

Facts Before Theory: Our effective writer then produces a second story outline, the story of the detective solving the murder. In most mystery stories, it's the detective's story that is most present in the final product, but because it is plotted out after the murderer's story, any clues, suspects, victims, red herrings, false trails and genuine truths will be consistent with the solution -- because the writer has already drafted the murderer’s point of view.

Screentime May Not Correlate: Much of the preparatory work might not appear in the final draft. One of my favourite episodes of CASTLE, "Fool Me Once," opens with a victim being murdered live on webcam during a stream of his crowdfunded North Pole expedition which turns out to be staged in an apartment for the web stream. Questions abound: who was this man if not really a North Pole explorer? Who killed him? Why?

The episode doesn't actually devote too much attention to how the victim was a con man of multiple schemes, one of which was planning to marry an heiress and flee with her money. Or how he genuinely fell in love and no longer wanted to rob his heiress. Or how he wanted to finish his last scam and go straight. Or how his partner, furious at losing the con man giving up a payday, murdered the con man during a web stream so that witnesses would assume the body was in the North Pole.

Foreground: The episode is more about Castle's increasingly ridiculous theories about how this con man may have been a spy, about Castle's latest mystery novel and how it has racy scenes that irritate his associate, about various blind alleys and false leads from Castle's theories -- but these most visible aspects of the story are possible because the writers first worked out the plot of the murderer, the victim, the motive and the means -- creating a solid framework in which they scripted Castle's shenanigans.

Labour: A murder mystery can be a triviality within a story. But it is never trivial to construct a murder mystery. Even in a TV procedural where the murder mysteries will be the least important thing onscreen, creating a murder plot itself needs to be treated by the writers as the most detail-demanding and labour-intensive plot element to create.

Write the Murder First: Murder mystery writers need to start with creating the murder; then they have a clear set of parameters for their suspects, evidence and revelations existing within a chain of cause and effect.

When mystery writers create mysteries first and solutions second, the evidence is invariably random and the solutions are inevitably mismatched. Most writers don't even manage to find a solution and end up paralyzed, searching for answers that should have been written at the start.

It is pointless, stressful, self-destructive and self-immobilizing for a writer to conceive a mystery and then try to create a murder that matches the mystery. It is much easier to create a murder followed by the mystery that obscures it until the detective unravels it. Writing the mystery first is not a healthy or productive way to write a murder mystery.

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Every time I see an article about crazy people in Michigan trying to kidnap the governor, I wonder if Informant were among them.
https://www.politico.com/news/2020/10/0 … gan-427953

Every time I see an article about people catching COVID after they went to a Trump rally without a mask or social distancing, I wonder if Informant is one of them.
https://www.politico.com/news/2020/10/0 … ses-428425

Every time I read about poll watchers trying to intimidate voters, I wonder if Informant has enlisted among them.
https://www.politico.com/news/2020/10/0 … ing-427008

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Biden doesn't want to pack the Supreme Court, but he may have to. He has no enthusiasm for altering US institutions in such a fashion, but he recognizes that the court is already packed with Trumpists and Republicans. He doesn't want to eliminate the filibuster, but he may have to if he wants to get anything done. There's also the risk that the Democrats don't win the Senate in which case they can't commit to what they need the Senate to do.

**

Trump won't debate Biden virtually, and won't debate him at all on October 15. Biden has decided to do an ABC town hall moderated by George Stephanopoulos. I don't know about you, but I could go for listening to Grandpa saying vaguely encouraging and comforting things.
https://www.politico.com/news/2020/10/0 … ate-427810

**

I don't refer to Biden as Grandpa to be derogatory. Biden reminds me of my grandfather on my father's side.

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Report on the Kamala Harris/whatshisface debate:

Couldn't stay awake. It was probably fine. Admittedly, that's what I said about Season 4 of SLIDERS before I actually saw it.

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Stephen Miller has COVID-19. So does Jason Miller. Couldn't have happened to a nicer pair of Trump advisors and campaign aides.
https://www.cnn.com/2020/10/06/politics … index.html

Pence also seems eager to get COVID-19, refusing to have plexiglass on his end when he debates Kamala Harris. Harris will have plexiglass. https://www.cnn.com/2020/10/06/politics … index.html

The Supreme Court is now requiring witness signatures on South Carolina mail in ballots, but ballots sent by October 5 and received by October 7 will be exempted. The determinedly conservative judges are looking for any excuse to throw out mail in ballots after they've been sent. https://slate.com/news-and-politics/202 … ature.html

Biden says he won't debate Trump if Trump is still testing positive. I think we can agree there is no point to debating Trump. https://www.cnn.com/2020/10/06/politics … index.html

Grandpa Biden says about an hour of comforting things in a CNBC town hall and I fall asleep listening. https://www.youtube.com/watch?v=A5pPSv_Htgw

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Trump’s press secretary, Kayleigh McEnany, has tested positive. The White House has continued to decline to have staffers wear masks.

You know, there’s a lot of crazy happening in the world. How stupid do these people think it’s safe to be? There’s a lot that can ensicken and kill you even without warnings and advice from the CDC and a White House medical team. So refusing to distance and wear masks in a pandemic and then predictably getting infected is not calculated to my sympathies. (Paraphrasing Steven Moffat.)

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I wonder what funny business he could even pull at this point given how all the dirty tricks to steal an election depend on the results being close enough to contest and we're looking at a Biden blowout. Biden and Trump were evenly matched in Florida, but now Biden has a five point lead. Mail-in ballots are counted earlier in Florida. Florida is likely to have a result on Election Night. If Trump wins Florida on Election Night, he wins the 29 electoral votes to possibly scrape a win in the Electoral College while losing the popular vote -- if Biden loses Wisconsin, Michigan and Pennsylvania.

If Biden wins Florida, then Trump needs to win Arizona, Georgia, North Carolina and Pennsylvania and also two out of three states with Michigan, Minnesota, and Wisconsin. And in these states, Trump is only ahead of Biden in Georgia.

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CNN has statements and commentary. The White House says Trump is doing well. This simply isn’t true: Trump’s being treated with drugs to increase severely low blood oxygen and lower inflammation, drugs that also suppress the immune system and would only be prescribed if the patient were in such dire straits that they need to be kept breathing now so they can fight off the virus later. It’s bad and while I don’t care about the well being of this deranged superspreader, I care about the country and a sick US President is a problem for everyone.

**

Biden stopping any negative ads against Trump is a courtesy to a sick man. But I can’t help but think it’s also practical. Why bother to spend any more money on making the case against Trump? His lax pandemic response and flagrant disregard for safety with superspreader event upon event has put him in the hospital. Trump has put himself his place and Biden might as well put the money towards sanitizer and masks for voters.

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The Daily Beast has a (paywalled) article pondering why Donald Trump Jr. is so obsessed with Hunter Biden, constantly calling him a "crackhead" and accusing him of being in Vladimir Putin's pocket. The projection is obvious: Trump and Trump Jr. accuse others of that which they are guilty; Trump Jr. tweeted about Biden's sexual harassment which only serves to remind people of Trump having over 20 assault accusations. Trump Jr. claiming Putin bribed Hunter Biden only reminds people of the Mueller investigation and the Trump impeachment.

But Trump Jr. is so singularly fixated on Hunter Biden himself -- and Molly Jong-Fast at TDB suggests that Trump Jr. is jealous. His father, for all his many, many, many flaws, does not use intoxicants. Trump may eat 5 - 10 hamburgers in a meal, but he reportedly doesn't drink alcohol or use recreational drugs and looks down upon people who do, considers them weaklings and losers. In contrast, Trump Jr. is clearly intoxicated in numerous videos of his public appearances. Trump Jr. was arrested for public intoxication and was reportedly an alcoholic in college. And I'm sure that his father addressed this with his usual belittlement, abusiveness, mockery, cruelty and savagery and their relationship today is based on Trump using Trump Jr. as a surrogate and spokesperson. That's it. That's all.

Trump has no love for his son, only expedience and contempt. To be an addict is to be weak, Trump says, and I've no doubt he's said that to his son and that's why Trump attacked Hunter Biden at the debate and brought up Hunter's cocaine addiction, viewing Hunter with the same disdain Trump has for his own son. But Biden responded, "My son, like a lot of people, had a drug problem. He’s overtaken it. He’s fixed it. He’s worked on it. And I’m proud of him. I'm proud of my son."

Trump would never be proud of his son for battling addiction, would never maintain any love his son even if he had a addiction, didn't love his son even before the addiction. His children are props to him; he uses his daughter to distract men in business meetings, he uses his sons to repeat his own rhetoric. Jong-Fast wonders if Donald Trump Jr. is jealous that Hunter Biden could share some of his failures and still be loved by his father while Trump Jr. is unloved by his own.

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Trump’s personal assistant is sick. https://www.cnn.com/2020/10/04/politics … index.html

I never cease to be amazed that people will take jobs with this diseased looney tune.

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Chris Christie, who helped Trump prepare for the debate (?) has tested positive.
https://www.cnn.com/politics/live-news/ … d7c33e26bc

Trump needed oxygen and at points was having trouble breathing. He is not on the road to recovery (yet?). The White House insisted that he is not on oxygen "today" and wasn't "yesterday" but refused to specify if he'd needed it at any point.
https://www.cnn.com/2020/10/03/politics … index.html

Look, the President of the United States isn't airlifted to Walter Reed National Military Medical Centre for a mild cough and a light fever. Trump's condition has clearly become serious and while I understand why people make fun, a sick president is an even sicker government. If Trump dies, electoral chaos results. Some states would have voters vote for the deceased and elect the dead candidate's party. Other states would appoint electors without a vote. It's unclear how the results would be weighed, determined or if they'd be respected. https://slate.com/news-and-politics/202 … a=taps_top

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Do you think the Supreme Court seat will still be filled? (I don't know.)

**

Something I posted early but now in graphic format. Captain America on how it can be hard to love America sometimes.

https://i.ibb.co/R6Kxf7z/Marvel-1000.jpg

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Let's not forget how Trump rages against socialist medicine while getting the best medical care with entire sections of the White House dedicated to health care, all paid for by the taxpayer even though Trump himself only paid $750 a year in taxes when he felt like it every once in awhile. Except Trump isn't at the White House anymore, is he?

Instead, he's been moved to the Walter Reed National Military Medical Center -- a peculiar choice. The last time Trump was whisked there, he later insisted it was a routine medical checkup, nothing to be concerned about, certainly not all the mini-strokes people were saying he'd had except the first person to suggest it had been Trump himself. And given Trump's aversion to admitting any illness, insisting that he's the picture of health when he's a severely overweight, morbidly obese individual living off 10 servings of McDonalds a day and is 74 years old and has been visibly falling apart physically, the situation is grimly, miserably, painfully clear. Trump is very sick. Nothing else would have made him go to the hospital.

I take no joy in this. I don't respect the man. I do respect the office that your country granted him. An office that Trump administered so poorly and even more poorly in the pandemic crisis that he got himself infected through his forceful unwillingness to engage in the most basic protective measures. He has now incapacitated his re-election campaign and the executive and legislative branches of his government through his reckless disregard for the virus.

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TemporalFlux wrote:

I know the argument - it’s for the public good that we temporarily suspend what the United States was built on.  I imagine some would angrily say “You’ll get your precious rights back soon enough!”  Is that where we’re at?  Do we have a guarantee we’ll get it back?  There’s even theoretical talk during a CNN interview with Dr. Anthony Fauci that “immunity papers” will need to be presented to rejoin society.  They checked your papers in Nazi Germany too.

We tend to rationalize giving up our rights in inches, and it reminds me of a poem by Martin Niemöller titled “First They Came”.  It was about the genesis of Nazi Germany.

First they came for the socialists, and I did not speak out—
     Because I was not a socialist.


Then they came for the trade unionists, and I did not speak out—
     Because I was not a trade unionist.


Then they came for the Jews, and I did not speak out—
     Because I was not a Jew.


Then they came for me—and there was no one left to speak for me.

How much will we let them take before we’re unable to speak any longer?  Something to think about.

Great poem. I was thinking about it all day today. First, COVID-19 came for people of colour, working class folks in meatpacking plants, health care workers, teachers, and the Trump campaign, administration and White House staffers dismissed it, ignored it, mocked those seeking to maintain social distance, shrieked that closing down businesses and making people wear masks and self-isolate was an infringement upon their freedoms.

After all, COVID-19 wasn't affecting Trump and his staffers who could get tested constantly, stay within their inner circle of extractivists and tax dodgers and alt-right neo Nazis and insist they didn't need to take any precautions. Precautions and illness and suffering were for poor people, black people, Muslims, immigrants, health care workers, personal support workers, people who take trains and buses -- nobody that the Trump administration felt the need to speak for because none of them were among their number. And so, the Trump staffers gallivanted across America, holding massive events, shaking hands, hugging, screaming into people's faces, gathering hundreds and thousands into close quarters and indoor spaces, refusing to wear masks even when asked and offered them.

Why? Because their cult leader declares that illness is weakness and must be hidden, denied, ignored and left untreated, unprevented, uncurtained and unaddressed. To treat or prevent sickness, in Trump's worldview, is to acknowledge that it even exists and to confess that to the world is unthinkable. Only weak people like blacks and native Americans and poor people get sick, right?

And now COVID-19 has come for all of them. Trump is sick. His wife is sick. His campaign manager is sick. His public relations manager is sick. His former press secretary is sick. His rally attendees are sick. Senator Thom Tillis is sick. Senator Mike Lee is sick. Republican National Committee Chairwoman Ronna McDaniel is sick. I usually enjoy people engaged in long-term and devastating self-owns, but this one is just pathetic and I am simply horrified, grief-stricken and deeply ashamed of America's suicidal leadership today.

**

Biden has pulled all negative Trump ads. Steve Schmidt thinks he’s an idiot for doing this. I personally appreciate Biden not wanting to kick Trump when he’s in the hospital, at least not right away.

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Exactly. I just don’t want to take joy in his suffering. I’d rather have fun imagining how Informant will spin this. Informant was bragging on social media awhile back about how he never wore a mask except to get into a store, that COVID was rare, that masks were unpatriotic and a sign of fear and weakness, saying masks hadn’t stopped the pandemic (conveniently ignoring how many weren’t wearing them), basically repeating Trump’s vanity driven refusal for basic safety but with Informant’s wider vocabulary and pointing out how Trump wasn’t sick. I can only laugh when imagining the mental contortions he’ll twist into now to continue insisting masks aren’t needed and are useless when his unmasked leader is in a hospital ward and his re-election campaign is now literally diseased.

That I take pleasure in. Hahahaha!

I think it's unlikely we'll have any decision on the future of THE ORVILLE until Season 3 is nearing actual completion. As for MacFarlane -- it is a very difficult job on a very difficult show. MacFarlane is the star, the showrunner, the lead writer, effectively the lead story editor and responsible for all scripts. He's like Jerry O'Connell in Season 4 of SLIDERS if Jerry had been sober and engaged and I have no doubt that MacFarlane has been exhausted from Seasons 1 - 2. Three years of acting, writing, producing and directing THE ORVILLE might be all he has in him, especially if he's also been doing voicework for FAMILY GUY and writing and producing three other shows in the meantime.

That said, no announcement has been made, but if MacFarlane wanted to end the show so that he could sleep more than two hours a night, I could understand and sympathize.

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I take no pleasure in any human being being infected with COVID-19.

...

From MARVEL COMICS #1000:

Captain America wrote:

I’m asked how it’s possible to love a country that’s deeply flawed.

It’s hard sometimes. The system isn’t just. We’ve treated some of our own abominably.

Worse, we’ve perpetuated the myth that any American can become anything, can achieve anything, through sheer force of will. And that’s not always true. This isn’t the land of opportunity for everyone. The American ideals aren’t always shared fairly.

Yet without them, we have nothing.

With nothing, cynicism becomes reality. With nothing, for the privileged and the disenfranchised both, our way of life ceases to exist. We must always remember that America, as imperfect as it is, has something. It has ideals that give it structure.

When the structure works, we get schools. We get roads and hospitals. We get a social safety net. More importantly, when we have structure, we have a foundation upon which to rebuild the American Dream — that equal opportunity can be available to absolutely everyone.

America’s systems are flawed, but they’re our only mechanism with which to remedy inequality on a meaningful scale. Yes, it’s hard and bloody work. But history has shown us that we can, bit by bit, right that system when enough of us get angry. When enough of us take to the streets and force those in power to listen. When enough of us call for revolution and say, “Injustice will not stand.”

That’s what you can love about America.

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Biden's campaign is starting to do in-person canvassing again, saying they've been training their volunteers to maintain a safe distance and are supplying all protective gear, phones and supplies of sanitizer. But they've opened themselves up to accusations of hypocrisy after criticizing the Trump campaign for going door to door in residential neighbourhoods.

https://apnews.com/article/election-202 … 9cd9ca33e1

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It's interesting that Trump's actions indicate he doesn't think he needs to win voters over anymore; he'll just suppress mail-in ballots, sue to keep them from being counted and contest the results with the Supreme Court -- except his behaviour in that debate was a flailing, frantic, fretful, fear-driven attempt to drown out any words about the pandemic he isn't managing, the taxes he's been caught evading, the debt he's incapable of paying, the criminal charges he doesn't want to be facing.

Except... if he thinks his measures will work, why isn't he as smug and indifferent to the business of campaigning as he was in 2016 when it didn't matter whether or not he performed better than Clinton or won more votes? Because this time, he desperately needs to win for the presidency to protect him -- and he knows that his voter suppression efforts aren't working, that he won't have any contestable results with the way he's polling, that his smears against Biden's cognitive function or supposed radicalism aren't succeeding, that his search for "suburban housewives" isn't penetrating and that this is an election he isn't winning.

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I think watering down THE BOYS defeats the purpose of THE BOYS. I think humanizing the Homelander and the rest is missing the point: cruelty and savagery are part of human nature and while superheroes are supposed to represent the best of humanity, superbeings can also showcase the worst with no checks or limitations.

Anyway. I have been reading a lot of 90s era Marvel comic books on the Unlimited app and this issue of CAPTAIN AMERICA (v3) #7 from 1998 is what I want out of superheroes.

https://i.ibb.co/WGYjgmY/01.jpg https://i.ibb.co/v3BHjnp/02.jpg https://i.ibb.co/m8JWHy7/03.jpg

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Grizzlor wrote:

The mistake during the debate was not bringing up the taxes AND Trump's pathetically bad business record.  That NYT article was the worst thing that's likely happened to him as President.  He is exponentially insecure, especially when to comes to his finances, and those revelations absolutely igniting Trump.  May well have been a big reason he was a lunatic last night.  The second thing he HATES is being called dumb, because he is.  When Biden said his approach to COVID had to be smarter, Trump did a literal "WHAT DID YOU CALL ME??"  Then proceeded to have a meltdown about being questioned if he's smart.  If I'm Biden, I spend the next 2 debates questioning his business losses and intelligence.

Biden couldn't say more than two words to Trump before Trump shouted him down and Biden doesn't have the Elizabeth Warren severity to put Trump in his place. Biden could have spoken about it when addressing the camera, a maneuver that confused and baffled Trump into silence because he doesn't seem particularly aware of the viewers at home at this point -- but Biden chose not to attack Trump while talking to the people, instead trying to connect with them and leave Trump out of the conversation. Had he criticized Trump while looking into the camera, Trump would have interrupted him further.

Biden is just not a confrontational speaker in a debate. His gift is emotional connection. And he wouldn't have been able to criticize Trump for more than a few syllables at a time and he won't unless future debates can mute a speaker who doesn't respect the rules by shutting down their audio feed while filtering out their voice in real time.

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Transmodiar cautioned that Trump was a master showman who would run circles around Biden. In the first 2020 debate, Trump was an incoherent abuser and without a hint of the showmanship that entertained Americans frustrated with the status quo in 2016. What happened?

Politico takes the view that in 2016, Trump didn't expect to win and was simply enjoying the attention of a presidential campaign that he hoped would raise his profile and allow him to borrow more money from various lenders. Trump didn't care if he won or not, and he was having fun debating with Clinton and being obnoxious, insulting and threatening because his goal was not to become president; it was simply to make a spectacle of himself on a national stage. He had nothing to lose and a little to gain, and that indifference to results gave him an onstage confidence and assurance.

But in 2020, Trump is desperate to win and crushed by the pandemic, by the 200,000 and rising body count, by the bleak realization that his creditors are coming for him, by the grim awareness that America hates him, by the nightmarish fear that the opponent he wanted (Bernie Sanders) gave way to the opponent he dreaded most (Joe Biden) and that Biden's supposed senility has turned out to be a stutter instead of cognitive decline. Trump is cornered, trapped, defeated, paranoid, terrified and he is no longer having fun. https://www.politico.com/news/magazine/ … sis-423916

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By morning, the Biden campaign had received a whopping $25 million dollars within a mere 10 hours of the debate's conclusion. Trump made an extremely strong case -- to support absolutely anybody else.

Chris Wallace is being rebuked, mocked, condemned and declared a failure for his failure to control Trump. I don't like Chris Wallace. I don't like anyone who works for FOX News. Please remember that when I say that Chris Wallace was trying, and in my worldview, trying counts and I can excuse any failure, even a FOX News failure, if the person was making every effort and simply didn't succeed.

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Trump's openings to steal the election depend on the results being close, allowing him to contest the results. But even if the polls are as off as they were in 2016, the results won't be close at all.

**

I wouldn't say Biden won the debate because it suggests that he and Trump were playing the same game. That said, the Biden campaign won financially. During the last half hour of the debate and a half hour after that, Biden received $4 million in donations.

Four million dollars in 60 minutes -- not really for Biden, but in opposition to Trump. Because Trump made it clear: Trump isn't America's norm-shattering showman anymore. He is America's abusive father, America's violent boyfriend, America's ranting uncle.

Trump berated Chris Wallace and screamed down nearly Biden's every sentence, trying to blot out any statement of what is plainly obvious to all: Trump sabotaged the pandemic response by ignoring the crisis, is keeping his debt-drowned businesses afloat with billing taxpayers for using his facilities, is trying to destroy health care in a pandemic and has no other response to a health crisis.

Trump is clearly terrified of being accused of all of that, terrified by how voters want him gone, terrified that without the presidency, he's facing criminal charges in colluding with foreign powers, tax evasion, campaign finance violations, negligent homicide and bankruptcy.

His response is to try to short-circuit any confrontation through interruption. It's the behaviour of a man who is scared and losing and squandering his last chance to change the course of his campaign. To win, Trump needs to expand his pool of voters, but all he did was maintain his existing position which is 7 - 10 points behind his opponent.

I had wondered why Biden was so awkward and inept in his primary performances and why he has been so polished and capable on the digital campaign trail and in his speeches. I have an answer after the debate: Biden is not skilled in confrontation. He either collapses into incoherent rants (like when he yelled at an auto worker who accused him of planning to end gun ownership or at a college student who questioned his poor primary performance) -- or in restraining himself, he mounts an ineffective or unintelligible response.

Biden's gift is connecting with people. In his town hall, asked about gun control, Biden offered a triangulative answer saying that while he and his family own guns, they do not own assault weapons capable of mass shootings with high capacity clips and rapid fire designs for massacres. Speaking with a health care worker earning too little money to live on, Biden expressed grief and anger. "I am a Democratic candidate, but I will be an American president."

Biden does not have the Kamala Harris or Elizabeth Warren precision in inflicting verbal wounds. He couldn't put Trump in his place -- but Biden did succeed in presenting his own position, simply by turning to the camera and addressing the viewers. Asking them to think on how in their lives, they had likely lost someone to COVID-19. Telling them that this election was not about Biden's sons or Trump's children but about the viewers' own families and well-being especially during a pandemic. Trump proved incapable of talking to anyone other than his cult by way of yelling at Biden and Wallace.

Biden stepped back from going at Trump and went for speaking to the people and while he didn't trouce Trump, he gave the people reason to support him and they responded to the sum of $4 million in an hour.

One of my favourite books as a high school student was STARGIRL, about a manic pixie dream girl who calls herself Stargirl, and Leo, the boy who falls in love with her but wishes for her to be more 'normal' which leads to Stargirl dumping him and leaving town. As I get older, I am suspicious of manic pixie dream girls who exist as salves to male egos rather than women with their own goals and inner lives, but Stargirl did have her own goals and inner life and left town and Leo to pursue both. There was a recent movie adaptation and I found it an interesting failure.

I watched it on Disney+. And I enjoyed it. Stargirl was embodied beautifully by singer Grace Vanderwaal, playing Stargirl as a teenaged girl who does not grasp the hierarchy and social structures of high school and is determined to ignore them in the most pleasant manner possible. Vanderwaal's Stargirl is full of enthusiasm and liveliness and creativity and fun and she falls for the male lead, Leo, at which point the movie seems to fall apart.

Leo in STARGIRL is a bland, inoffensive, indistinct, innocuous teenaged boy. The movie fails to explain why Stargirl would be attracted to Leo, what he has to offer her when he's not as much fun and not her equal in any area and Stargirl provides all the ideas and labour and Leo is simply present. Why would she like him?

I went back to the original novel and discovered that Leo is just as indistinct and undefined in the novel. But it works in prose because STARGIRL is a novel written in first person. Leo is the narrator. Leo is a blank template upon which a high school boy could project his own personality. Why does Stargirl like Leo in the book? It's unclear and that's deliberate; it forces the hypothetical male reader to become Leo in reading the book and the reader has to ask himself why Stargirl would like him and what he himself would have to offer such a vibrant person. STARGIRL as a movie, however, can only offer a third person perspective and Leo is an empty persona. This largely faithful film adaptation fails to amend Leo from the novel to be suited to the very different format of film.

I think Leo needed to be someone who could bring some technical skills to Stargirl's various social stunts. Someone who could take her more eccentric and bizarre ideas and make them practically achievable. There's a sequence where Stargirl buys and repairs a bicycle for a boy who crashed his bike; in the movie, Leo should have helped her take off the rust and patch the tires while Stargirl would repaint it. Instead, in the movie, as in the book, Stargirl does all the work and Leo doesn't offer anything. Live action is not prose.