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Yeah, I think it's a bit odd that Tony Stark would side with registration, but I think it sorta makes sense in the context of these movies.  I think they probably could've done it a little better, but I think it's sorta the natural progression of the character.

A lot of people point to the fact that Tony stands in front of the government in Iron Man 2 and tells them that they can't have his property.  That he's a private citizen and that the government is infringing on his rights.  And, yes, that's a huge turn from where he is in Civil War, but people forget that Iron Man 2 is the third movie in the MCU.  In the mean time:

- Tony learns that there are aliens (Chitauri) and that Norse gods are real (Thor/Loki).
- He fights an army of these creatures, almost dying in the process.
- Almost dying gives him panic attacks/PTSD, and it causes him to build tons and tons of suits to feel safe. 
- When this doesn't work, he decides to build Ultron and the Iron Legion.  He decides that he might not be smart/strong enough to defend the Earth, but he's smart/strong enough to build something that can.
- Once again, this blows up in his face.

The man who faces the government in Iron Man 2 has built this kickass suit of armor, has dominated every foe he's faced, has "privatized world peace," and has his dream girl.  And while he wins in the end in Iron Man 3 and both Avengers movies, it comes at a great cost.  He almost dies, Pepper almost dies, his arrogance has turned against him (literally) in all three movies (the Stark Tower becomes the conduit for the Chitauri, the Mandarin is borne from his arrogant past, and Ultron his literally his baby).

So I saw him agreeing with the Sokovia Accords as finally admitting that he can't do everything on his own.  But it's still the same guy because he still thinks he's smarter than everyone else, and every fight in this movie is basically him trying to convince Cap that he's right about whatever decision he's made. 

And I think one of the key ideas is that he's lost Pepper.  In Age of Ultron, they explain away Gweneth Paltrow's absence by saying that Pepper is away or something (same with Natalie Portman's Jane Foster).  The truth is that there was no place for Pepper in an already-bloated movie.  And the same was true of a very-long Civil War movie.  And, again, they could've explained her away with a throw-away line.  But the fact is that Pepper is gone - and Tony's lost something else.  It's more doubt to throw in Tony's face and more reason why he might be willing to accept oversight.

(And what's funny is that Tony still basically works alone, with no oversight, the entire movie.  So it's still basically in character).

And Steve's stuff make's sense too.  He wants to be a good little soldier, but in every movie, the government has been evil.  SHIELD was secretly run by HYDRA.  Nick Fury was spying on him.  Then SHIELD disbands, and he starts working for the Avengers.  But then Tony builds an evil robot that they all have to fight.  So he can't really trust the Avengers either. 

Because, at the core of things, Steve is a soldier.  It was easy in World War II because Germany and HYDRA were obviously evil.  There was a clear indication of who was good and who was bad.  And in each movie, Steve has to question who to trust.  Who's the good guys and who's the bad guys. 

And, yet, Steve is still a trusting guy.  He forms a quick bond and instantly trusts Falcon after knowing him for a very short time in Winter Soldier.  He instantly trusts Ant-Man right before one of the biggest battles of his life without knowing anything about him.  And, of course, he's firmly loyal to Bucky despite everyone else turning on him.   

That's what I like about the MCU.  Yeah, they're kids movies without a whole lot of deep thought or character development.,  But after movie after movie, I really do think they're allowing these characters to evolve and change.  I think Civil War the movie might be more earned than Civil War the comic.  And even if a lot of the stuff I wrote wasn't explicitly stated (or even intended), the pieces fit together well enough that it does feel earned.

So the CinemaSins guy didn't like Civil War, and a lot of his comments echo stuff that Informant said before the movie was released.  I'm gonna put a spoiler tag just in case:

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So the issues he came up with are that a) no one died and b) there were no consequences.

Regarding point B first, I agree that there wasn't a ton resolved regarding the central question of the film.  Is government oversight good or bad?  It really isn't answered.  And, in fact, there's not even really a situation in the film (nor a place for it) where government oversight is shown at all.  Cap is worried about bureaucracy interfering with saving people, and Tony is terrified of all the mistakes they've made and wants something done.  Tony wins the argument in the sense that the Avengers are now government-sanctioned, but we still don't know if that was the right call or not.

But no consequences?  I know no one died and Rhodey's injury was basically overridden (although I think that's also a bit trite since he's still paralyzed), but look at all the lives that were affected.

Cap is a fugitive from the law.  He wants to do good, but now he's going to have to do it from the shadows.  Bucky has to go back in cryostasis, and he's hated by just about everyone.  Black Panther's father is dead, and he's been thrust into the leadership of Wakanda.  And he's now risking his country's privacy by harboring a fugitive.  Falcon is a fugitive.  Hawkeye is a fugitive, and while I'm sure he can grab his family and disappear, that's going to be a huge change.  Ant-Man spent his whole movie trying to get back with his family, and now that's blown to Hell.

On Tony's side, after trying to get passed Iron Man and failing, he's now lost everything.  And now he's in charge of a broken group of Avengers.  Vision is going to be questioning why he failed when he shot Rhodey.  Rhodey is paralyzed.  Scarlet Witch still doesn't know her place.  Black Widow broke ranks, and she might be out of the trust tree.

So the story moved a distance, and these characters are all changed.  So it's not like there wasn't any consequences.

Now regarding deaths, I still maintain that these guys didn't want to kill each other.  As is mentioned in the movie, they're pulling punches.  Yeah they're dropping cars on people and using guns and explosives, but these are superheroes.  There's not any real anger because it's just a disagreement.  Even in the big fight, it's all about getting Cap and Bucky away.  When that's achieved, the rest of Team Cap surrenders.

If someone died, it wouldl've had more emotional impact.  If Vision had killed Rhodes instead of just paralyzing him, it would've had a lot of impact.  But let's say this was a Batman/Superman bloodbath - killing the other side doesn't win anything for either side.  Tony doesn't want to kill Cap - he just wants him brought in.  If he does kill Cap, it could actually make things worse for his cause - because there's a martyr to keep fighting for (which is what happened in the comic story).

And Cap definitely doesn't want to kill Tony because that accomplishes nothing.   He'd still be a fugitive, and he'd basically be confirming the government's concerns that he's dangerous and needs to be brought in.  And the same applies for every member of both sides.

Yes, it's a disagreement that boils over into a fight.  But no one seems eager to do it.  And I think the movie shows that every character is pretty disappointed with him/herself for letting it get that far.

The problem with Kara just falling into the Arrowverse is the fact that Barry already did that, and they got him back in the course of an episode.  Now, oddly enough, they could go the Sliders route where Kara is transported but can't find her way home.  So she stays in the Arrowverse until they can find a way to send her back to *her* Earth.

One thing they could do is have Barry go get her for help and then not be able to bring her back.  It could be a background story on Flash, allowing for Barry and Kara to have crossovers (since they're great together).

But she'd definitely want to go home, and just stranding her on a parallel universe isn't the best way to start a show.  I mean, I guess Harry and Jessie are doing it, but at least they have each other.  Now I guess it could be Kara and someone else from her show so she's not too upset about it, but it'd still be odd.

I'm sorta tired of the openings to the Berlanti shows.  Do we really need to be reminded who the main character(s) is/are in all these shows?

Gotham is such a bizarre show.  I mean, they had a character die via point-blank rocket launcher in the last episode.  It's definitely found it's tone - which is a bizarre mix of realism and comic book feel.  And I do love the costuming and feel of the show, where you aren't really sure which era it takes place in.  Do they have cell phones.

I do have another complaint - just like with the future Joker getting his inspiration from "Jerome" - is it bizarre that Bruce is inspired by Theo Galavan / Azrael?  It just seems a bit cheap if these two iconic characters are basically copying someone they saw when they were children.

Comparing the earnings of Civil War and Batman v Superman seems foolish considering that BvS deliberately ignored a huge segment of its audience (kids) and by its nature, isn't the type of movie that people want to see multiple times in theaters.

Accordingly, BvS' marketing budget shouldn't have been anywhere near as much as Civil War's was.

No I can definitely see all of that.  The problem is that (in my opinion) there wasn't enough of the "in the middle" crowd.  You're right - the movie can't really be from Superman's point of view because otherwise Batman is a murderous psycho. 

But I wanted more world-building where it's implied that people other than Lex (a crazy murderer) and Wally (a crazy murderer) are on Batman's side.  Like I've said before - protests.  Pressure on Senator Finch from other countries to control Superman.  Even one-off lines where it's just implied that people are torn ("you hear about that poll that came out the other day.  First time since he showed up that people in Metropolis support him more than don't support him.")

Instead, the statue is "beloved."  There's no indication that anyone support's Wally's vandalization of the statue.  The Daily Planet is running "puff pieces" on Superman.  It describes the Christopher Reeve Superman more than the one we've seen for two movies.  Everyone in Metropolis loves him.  The whole city is rebuilt, and here's a statue.  The entire government is trusting enough of him that they're not willing to look into weapons that might hurt or possibly kill him.

I think everything you said is right.  Superman has to look sorta cold and alien because that's the way Batman sees him.  And we, as the audience, are supposed to think of Batman as being rational. 

The problem is that the message was lost on me.  Batman doesn't look rational - he still looks like a murderous psycho.  And now Clark looks like a cold alien.  So I don't really feel anything either way.

What I think the script wanted was Batman to be the bad guy.  He sees this event happen and snaps, no longer able to use his own judgment and just sees a super-powered Joker who can destroy the planet whenever he wants.  And so he goes on this plan...and as the movie moves with him, we see that Lex has the same plan.  Maybe even have parallel stories where they're each building tech suits.  And Bruce realizes, "Holy shit, I'm Lex Luthor.  I'm the bad guy."  And if you do that, then you can have a human Superman who's trying his best to make up for everything.  He's saving people, not just physically but emotionally, and he's training so that he never has to put people in harm's way again.

And if Batman is the bad guy, Superman gets to be the protagonist.  He gets to save the day twice, and the end is so tragic for Batman.  If they could've just done that, then BvS blows Civil War out of the water no question.

The problem is that Tony and Cap's story is a true moral dilemma.  Bruce and Clark's is an imaginary dilemma that's twisted so that Zack Snyder could make a Batman movie.

And yeah I'm happy to talk about House of Cards.  I gave it two full seasons (well, I quit after the penultimate one of season two) and I'll never go back.

It'd certainly explain a lot, right?

At the risk of turning this into another thing, I think I'm going to just say that I expected a lot more Man of Steel fallout than we got.  You know how I feel about Man of Steel, and every DC fanboy (not you) told me to just wait....it'd all be settled in Dawn of Justice.  And....honestly, I didn't think it was.  Yeah, Batman was mad.  Yeah, it was the catalyst for Batman being mad.  And, yeah, Wally was mad.  And Lex was mad....but there wasn't really any reason for him to be.  He doesn't really seem concerned about Superman - he just wants him dead because he's the bad guy.

What I wanted was a world divided.  Instead, I felt like every background character pretty much supported Superman 100%.  If they supported him because they were scared of him and felt there was no other way, I didn't pick up on that.

And that's why Superman's temperament is so key to my thoughts on the movie.  Everything in the movie is telling me that Superman has tirelessly spent time saving people for 18 months, earning back everyone's trust.  That his public persona has basically morphed back into the Superman we know and love - the TaS version, the Reeve and Reeves versions, the Routh version, etc.

But the movie implies that while showing us a Superman that never smiles.  Who is more interested in looking cool than actually saving people (floating above the flood instead of saving the people begging for help, grabbing the person out of the burning building while it's still burning, allowing people to worship him when he could be helping more people or at least putting the fire out, standing in a burning congressional building while he could be helping survivors, etc).

But for Snyder's movie to work the way Snyder wanted it to work, Bruce can't be crazy.  Other people have to mistrust Superman or Bruce is basically Lex.  So while Superman is floating over the flood, we can think "maybe he's deciding whether or not to save them."  When he's being worshiped in Mexico, maybe he's thinking "yeah, these people *should* worship me."  When the bomb goes off in Congress, Superman does nothing so maybe he's involved somehow.

So you have a movie that's telling us one thing and showing us another.  That wants Superman to be this divisive figure when there's no other indication that he's anything other than the Reeve version as far as anyone in Metropolis is concerned.

In Civil War, a mother says Tony is responsible for the death of her son.  To her, it doesn't matter if Tony was saving lives or if the Avengers *entire plan* revolved around saving civilians as much as it was defeating Ultron.  Tony was there, leading the charge, and Tony was the one who invented the monster in the first place.  To her, everything else is unimportant.

Dawn of Justice has that character, and it's Wally.  But instead of taking his anger out on Superman, he seems to direct his rage at....Bruce?  And takes his revenge on.....a congressional panel trying to *indict* Superman?

House of Cards is my least favorite show ever.  I really, truly hate it.

FF2015 is on HBO right now.  I might watch it just to see how much of a disaster it is.

Yeah, I think Chuck's line about writing "Revolution" cemented the idea that God is Kripke.

Well the problem with the Arrowverse is that it isn't synced up.  You'd need to watch the first two seasons of Arrow, then start alternating between Arrow and Flash.  Then halfway through season 4 of Arrow and season 2 of Flash, you'd need to start working Legends of Tomorrow in.  Because, again, you'd get spoilers for each of the shows if you don't do it that way.

And I don't know if there's a great roadmap to do that except to just look up original airdates.  And I don't know anyone who'd be interested in doing that.

It's easily done when you're watching in real time, and there's not so many connections that they can't be viewed individually.  But if I was Greg Berlanti, I might have Netflix offer an "Arrowverse" binge where you watch in the correct timeline order.

Of course, even watching by airdate wouldn't necessarily work as we've seen that Arrow and Flash aren't even synced up now.

It's funny because it's both unfair to compare Civil War and Dawn of Justice and also impossible not to.  Marvel and DC aren't really trying to do the same thing, but they're also trying something similar enough in the same genre (kind of) that it's hard to just ignore the similarities.

So I'll just say this: the advantage that the Marvel model has over the DC model is patience.  I know why DC did things the way they did, but the problem with BvS and Civil War is that Civil War feels earned.  And BvS is stuck in this weird place for a lot of the film where they have these main characters (Batman, Alfred, Lex, Diana) who people know but don't really know.  This is Batman, but it's a very different version of Batman than we know.  And it has to spend so much time on Batman that Superman gets ignored, and things start to get muddled.

And while Tony and Cap are weaker characters than Batman or Superman, Civil War felt "earned" to me.  These characters might be five-story buildings compared to the Batman/Superman skyscrapers, but their foundations are solid.  And you can understand why these two might want to kick the crap out of each other and while they might fight beside each other five minutes later.  What I liked about it vs. BvS is that they try pretty hard not to fight.  There's a handful of scenes in Civil War where they try and talk it out.  And it doesn't work.  They're both entrenched and won't be persuaded.

So the fight does feel earned - at least from Cap and Tony's story.  The rest is sorta assumed.  But instead of spending time on why Cap and Tony are there or who the Starks are or who even someone like Ant-Man is....we get proper introductions to Black Panther and Spider-Man.  I know more about those two than I do about Diana, and both of them were actually introduced in the same way as Diana (minor part in someone else's movie - then her own movie).

I went to the movie with two people.  One of my buddies has seen every MCU movie but Thor 2 and Ant-Man.  My other buddy has seen pieces of the MCU here and there.  I'm not sure he saw any movie in Phase 2, including Avengers 2.  Both of them really enjoyed it.  The first guy actually said he's interested in going back and seeing Ant-Man now.

What's interesting about the second guy is how much I assumed was lost by not seeing all the movies.  Something as simple as Scott's line about being a criminal being nothing new was funny, but you wouldn't really get it unless you knew (from comics or from the first movie) that Scott's a petty criminal.  But he said there was enough there (and, he said, enough that I'd told him about movies he hadn't seen) that it all sorta fit.  He enjoyed it.

So, yeah, there's stupid in the MCU, but they're for kids.  Still, I thought (like Winter Soldier) that there was some darkness there.  Tony is legitimately trying to kill Bucky at the end.  Not as violently as Batman fighting Superman, but it's brutal.  And Cap has to stop him.

What I really liked is that both guys are really the good guys in this.  I could see myself arguing either side of it.  And while I'm a bigger fan of Tony than Steve, I found it hard to really be Team Cap or Team Iron Man.  I was sorta like Black Widow - where I'd probably side with Tony but switch if the situation was dangerous enough.  And to compare it to BvS unfairly again, that disagreement is way deeper and way more human, but in the end, it's really weak.  It could be (and is) solved with twenty seconds of real conversation.  So that's why I felt like the fights were earned.

I think Affleck will be a good voice in the room.  Hopefully Snyder listens to him and doesn't fight him too much because I agree - I think Affleck is getting pretty good at behind the scenes stuff.  And, honestly, he's much better as an actor than he was a decade ago.

I'm looking forward to the full movie.  I'm really interested in seeing the Jena Malone stuff.

Well, my hope rests in three things.

1. The American government is structured so that if a horrible fascist is elected, there's checks and balances in place to prevent the president from doing too much harm.  I'm not in the "the president has no power so who cares?" camp, but there are things in place to keep Trump from doing too much harm.  If he crosses some line - like breaking the Geneva Convention or something - he can be kicked out of office.

2. The rest of the world might be "scared" of Trump, but I don't think the US loses any allies out of this.  Just because the rest of the world still tends to lean on the United States more than anything.  I think even the most scared of countries would just sit back for four years and hope nothing bad happens.

3. Electing Trump would force major changes in both parties.  Obviously people are turning against establishment politics, and I think both parties need to start looking at that.  If Hillary doesn't win, it will be because she's bought by Wall Street.  It could lead to reforms there.  It could lead to more people (especially down ticket) to doing more for the peoples' interests than the party's interests.  Maybe break down the parties' power a little bit.

That's maybe wishful thinking but it's my hope coming out of this mess.

I'm not saying you're a Hillbot by any means.  In fact, I'd say you've been the most level-headed in this discussion.  It just sucks that it's come down to what amounts as the two worst candidates that the parties could come up with.

They're both essentially insiders.  They're both gonna end to some sort of war.  They're both elite.  And I don't think either is really interested in making the country better for anyone but the top 1%.  So....great.

I'd love if Supergirl filmed in Dallas.  The only regret about my trip to Vancouver last December was that I *COMPLETELY FORGOT* that they filmed all these shows there.  I could've watched Flash film about six blocks from my hotel on the night I had nothing planned.  I'd absolutely go watch filming of a show.

Interesting.  I'd like to see the show moved to the CW, but I also worry about how that would affect the show and its budget.  I also wonder what would happen if the move happened - would Kara stay in her own universe, or would she somehow be brought into Earth-1?  Because I imagine there'd be more crossovers, but Barry is the only one who can actually cross over (literally) to her show.

Something that I've been thinking about tonight watching the coverage.

100% of people have basically decided whether or not they *would* vote for Trump, right?  This isn't a normal election - Democrats aren't going to be introduced to Donald Trump as soon as primary season is over - most people in the US know him.  All the people that he's turned off are already turned off.  I honestly don't think there's anything he can do or say or could be revealed by Hillary that would cause him to lose any more votes.  He's already done and said everything, and the Republicans have tried to take him down.  It hasn't worked.

And I wonder if that explains why Hillary (and Bernie for that matter) is winning so much in national polls.  There are tons of people who are #NeverTrump but I wonder if independents/Bernie folks/populists/etc would switch to him once they actually are forced to listen to him in debates.  They might actually realize he's not that bad.

But there's no way he can lose any votes from now to the election, right?  Isn't that a positive on his side?

#NeverHillary #PrayForIndictment

For the record, I think Batman v Superman is a better movie than Avengers.  I was never a huge fan of Avengers - I just thought it was fun to get those characters together.  I didn't love Age of Ultron either.

Outside of the reasons I gave, I don't know why the media is harder on DC than Marvel.  I think it's a matter of expectations and effort.  But I still think the entire movie changes if you make a few tweaks here and there.  And I'm choosing to blame Snyder for creative choices (because I know Cavill can make Clark have personality).  I look at it like the Star Wars prequels (which, by the way, were ripped apart just as much as this if not way worse - some people probably really liked them) - Hayden Christiansen and Natalie Portman are good actors who acted wooden because Lucas made them.  Snyder had Cavill act a certain way, and I think it made the movie worse as a result. 

But if the media is really upsetting you and taking the movie away from you, don't let them.  You're still going to get your extended version that should be an improvement over a movie you already liked, and you're still going to get Snyder's Justice League.  The media isn't gonna be able to do anything about that.

Well, I do feel sorry for Informant.  If you looked at the movie when I first saw it, I liked it a fair bit more than I do now.  It's only after I've really sorta tore at the movie that the flaws really bothered me.  It's an autopsy of the film that I don't usually do for many films.  And as I've said a couple of times, it's unfair to the movie but it also comes from a place of love.

Will Smith's I Am Legend is a pretty forgettable film, but it's relevant for a couple of reasons that have nothing to do with the movie itself.  The first is that I Am Legend was the movie that WB attached the prologue (the bank scene) to The Dark Knight in IMAX to.  If you went and saw the movie in IMAX, you got to see the opening scene to The Dark Knight.  That's why I saw the movie in theaters.  The second is an easter egg.  The movie takes place in the future, and there's a billboard in Times Square for a Batman/Superman movie.  That one easter egg is probably the most famous shot in the movie.

When Schumacher did his Batman films, he makes reference to Metropolis (in Batman Forever) and Superman himself (in Batman & Robin).  Those movies were horrible Batman films, but they hinted at a bigger universe and we loved it.

Bruce Timm made the Batman Animated Series and then the Superman Animated Series.  Then he brought them together in "World's Finest" (one of their finest episodes) and renamed the whole thing the "Batman/Superman Adventures."  One of the best episodes is when Superman comes to impersonate Batman.  One of the best episodes of Batman Beyond features an aged Superman.  Justice League ran for 5 seasons under two titles based around the adventures of Batman and Superman.

People have wanted to see BvS for decades.  Batman and Superman on the same screen.  How would it work?  What would it look like?  Who would play them?  Could they get Routh and Bale together?  Tom Welling?  Keaton/Kilmer/Clooney?  Would it be goofy?  Dark?  Funny?  Serious?  Who could possibly make that work.

And unlike any comic book movie ever, people wrote the movie in their heads.  What they wanted to see, how they wanted it to work, what villains they'd use, how the fight would look, who would be manipulating everyone.  Every line of the movie was written in everyone's heads years ago.

So when the movie came out, it had to compete with everyone's expectations.  Not only that, it had to compete with a Marvel Cinematic Universe that was almost a decade in.  And this was Batman and Superman, the two most beloved heroes in comic history.  Expectations were through the roof.

But the problems started before the movie was announced.  Man of Steel's ending had problems, and we were promised that a sequel would solve them.  Then came the casting of Ben Affleck (a controversial hire) to replace the was-never-going-to-happen-fan-casting-of Christian Bale.  And the odd choice of Jesse Eisenberg as Lex Luthor.  Then we heard that the cast was bloating to include Flash and Aquaman and Cyborg.  That Wonder Woman would be heavily featured.  Man of Steel 2 was turning into a Justice League movie, and none of us knew how any of it would work.

There might've been Marvel folks who wanted the movie to fail.  And maybe some people who wanted to see a billion dollar franchise crash and burn.  I'm sure there were people that saw this as a desperate move to capitalize on the Superhero craze and wanted it to fail so these movies would just go away.

But I honestly don't think anyone went into this movie wanting to hate it.  People definitely went in with their biases, whether they hated Man of Steel or don't like Zach Snyder or Ben Affleck or the casting or the tone or whatever.  But people don't spend $166 million on a movie they aren't excited about.  For a movie they expect to hate.  And while this is a movie that I think most people liked, I don't think it's a movie that most people loved.  It's a controversial success at best and a mess at worst.

And, honestly, I think it was set up for failure because it could never be what everyone wanted it to be.

And, yeah, I think we've said everything about the movie but I just want to harp on one last thing:

You've mentioned this a bunch and I'm really having trouble connecting those dots.  It's almost like you're making the movie a bit like Rashomon, where we're seeing a skewed version of Superman because we're seeing him from the perspective of Batman.  And I don't get that idea from this film at all.  I understand that it is from Batman's perspective, but I don't get the idea that we're getting a distorted version of Superman that looks evil because Batman wants him to look evil.  I see a version of Superman that looks evil because the director needed him to look evil for his protagonist to get *any* benefit of the doubt from the audience.

Ironically, Man of Steel is on TV right now, and I just watched the interrogation scene with Lois.  Superman shows more personality when he's talking to Stanwick through the one-way mirror than he does for any public scene in BvS.  Cavill is able to show Clark's personality in intimate moments with Lois, Martha, and even Lex.  But every. Single. Public. Scene. Clark either looks angry, emo, or depressed.  When he's allowing a building to burn down as he allows people to worship him, scowling as he saves a rocket, creepily floating over begging flood victims or standing around doing nothing while the US Capitol burns.....he shows no emotion.  And if all of that is Batman's distorted perspective, that's fine.  If they did some clever trick where TV footage shows Clark putting out a fire, quickly saving the flood victims, and frantically saving two dozen senators, I totally missed it.  Because what I saw wasn't distorted Superman - it was just Zach Snyder's version of Superman.  A Superman I didn't like at all.  Clark is fine.  He's a good character that Zach Snyder cares about.  He's vulnerable and human and the best cinematic Clark Kent.

But Superman is a cold, distant, terrifying alien character without an ounce of humanity in him.  And I think Henry Cavill plays him that way.  And, again, unless I missed it, I saw no indication of Rashomoning.

And no matter how good the action is or how much you enjoy Affleck's Batman....if you get 1/2 of the title characters so incredibly wrong that they're the worst part of the movie for a huge chunk of your audience....that's a problem you just can't overcome for some people.  It'd be like if they nailed Superman but had a 60s Adam West - style Batman to face him up against.  It'd just ruin the movie, no matter how good they did Superman.

I still get annoyed that Bruce is on the show.  I don't think Bruce should be doing any of this stuff now.  He should be off trying to live a normal life.  He needs to decide all this stuff later. 

At this rate, he'll have zero education and will be Batman by the time he's 16.

I've read the same thing you've read.  That there's a bunch of people filling that role.  That it's sorta Geoff Johns and sorta Zach Snyder and sorta some other people.  But Geoff Johns plate is way too full, Snyder can't be directing everything and also in charge of other stuff.  Also, I think he's the wrong guy

I'm not hating on DC.  I like those characters better so my hopes are higher for it.  And I just think DC/WB is kind of a mess.  Just like Fox is kind of a mess with X-Men and Fantastic Four.  I think Marvel has the advantage of having everything in house (with a monster like Disney backing them) so all they have to worry about is this stuff.

http://www.superherohype.com/news/37289 … ifferences
http://www.ign.com/articles/2016/04/29/ … or-to-exit

Not to pile on the DC movies, but this is why I think DC needs a Kevin Feige.  If one person is in charge of the vision, then there's no confusion when hiring a director.  I know this has happened with Marvel (notably Ant-Man), but two directors leaving in one day is a sign that there's some issues at the top.

Is it weird that Legends of Tomorrow opted for an all-CGI (weird looking) giant Ray Palmer as opposed to just using perspective to make him look giant?  It was a cool idea - I just thought his "growing" scene looked really weird, and they could've achieved the same look without resorting to CGI.

So I wanted to make a new post for this because it's something that has been bothering me for the last couple of days.  One of the cool things that DC is doing vs. Marvel in respect to TV vs. Movies is the idea of a multiverse.  Agents of Shield and Avengers takes place in the same universe - on the same Earth.  So while Coulson and May are punching Hydra members, Tony Stark could be across town eating a club sandwich. 

In DC, they just said that it all takes place separately.  Clearly the CW stuff crosses over, but this year confirmed that Supergirl is a different universe.  The film universe is its own thing, and Supergirl confirmed that by saying that Barry Allen didn't exist in that universe (when he exists in BvS).

Here's the thing.  Barry Allen exists in three of the four universes we know exist.  In two of them, he looks like Grant Gustin, but in one of them he looks like Ezra Miller.  I know it's fun to have Gustin and company play alternate versions of themselves, but what if they'd decided to play it totally different and have everyone look different on every world?  I've talked about this in sliders conversations, but human conception is the ultimate spin of alternate world roulette wheel.  If a multiverse is real, there's a great chance that someone exists with my name, but there's a very remote chance the he looks exactly like me.  Parents pick names before the birth all the time, but so many variables could affect how someone looks.

Now maybe Earth-2 is just very close to the Arrowverse.  We know the Supergirlverse is a lot different.  And that the movieverse is even different.  I just wonder if the show missed a chance to really explain the whole "Barry is different in the movies than he is on TV" thing.

And after watching Arrow, I have no idea when it takes place during the Flash.  It's definitely not concurrent.  I'm guessing it happened before Barry lost his speed.

One question that has been bugging me:

Why didn't WB release the "extended" version?  And why not "re-release" the extended version in theaters?

I'm serious.  Releasing an incomplete, lesser version of the movie seems confusing now that I think about it.  Most movies choose to avoid the R rating, but Deadpool showed that an R-rated film can make just as much (and, so far, more) money than a PG-13 film.  It's true that BvS was able to, for lack of a better term, "trick" some parents into taking their kids to their movie.  If a dad took his three kids to see BvS, that's $30-$45 that they probably wouldn't have gotten if they'd released an R-rated film.

There's also the teenagers who can handle the violence/darkness that couldn't legally pay for tickets to go see the movie with an R-rating.  They might sneak in to see it, but that gross wouldn't go to the studio unless they happened to buy tickets to another Fox film to sneak in.

But if the extended version reviews better, would that scare less people away from the theater?  Would it improve word of mouth?

Because this movie isn't for kids.  So the rating shouldn't be that big of an issue.  The length is a problem (181 minutes) but Interstellar 169 minutes.  The Revenant was 156.  The theatrical version of BvS is 153.  It'd be long, but the theatrical version never really dragged.  I complained it was much too long, but if it fixes some of the major flaws of the film?  If the extra 30 minutes makes Superman more likable?  Or helps with plot holes?

And even if they wanted to take advantage of PG-13, why not theatrically release the extended version now?

Two things about this week's Flash.

1. Seems like Flash wasted a pretty cool character from the comics.  https://www.inverse.com/article/14895-h … -have-been

2. AGAIN, they waste an opportunity to work with Team Arrow.  I know they call Felicity about the dwarfstar material, but Barry has zero powers, and they don't make any mention of asking Oliver for backup.  I know Oliver just lost Laurel, but it would've been the perfect opportunity to call Oliver and the perfect excuse for him to not show up.  Not only would Ollie be able to help protect Central City with no Flash and aid in the rescue, but Barry would also need training to fight as a "normal" person if he's really gonna be the Flash without his Flash powers.

I know I should just let Flash be Flash and not worry about the Arrowverse, but the fact that Oliver is out there.  And those teams not being in contact, when it puts people in danger to not be in contact, is just irresponsible and takes me out of the story.

Absolutely.  Especially if they allowed him to talk about a kickstarter, if one ever started.