I guess it's hard to decide what BvS is at this point, since we can't know anything for sure. smile
I guess we can talk about how well this movie universe is being run once Suicide Squad and Wonder Woman come out. I think that a looser grip could be a better move.

The difference that I see in tone is that Marvel plays up the campy elements, playing to the wider audience who don't take comic books seriously and expect a cartoon when they see them. So far, Snyder it looks like DC is really honoring the comics and taking them seriously. The comic books can be dark and complicated. When done right, they take these fantastical characters and create really layered stories that can be taken seriously.
Marvel's approach will appeal to a wider audience, but there is no emotional investment. There is no reality in place, which means that there is no weight to the stories at all. If any one of the Avengers died in the next movie, would the audience feel any real emotion about it, one way or the other? This is after 8 years and a billion movies. People watch those movies, but what is the audience investment?

Say what you will about Man of Steel, but the audience was invested. They debated character choices and still argue about events of the movie to this day. And it isn't just "the movie sucked!" arguments, it is "Superman would never allow his own father to die in order to protect his secret!" "But he isn't Superman yet, which is the point!" arguments.

The Avengers make more bad decisions than good ones. But how many debates do you see on the subject?

Anyway, even if the movie flops, I can see DC fliddling with things here and there. Maybe they'd replace Snyder for the Justice League movies. But I don't see them trashing the whole slate and starting from square one. They really can't. They made a huge presentation of their plan in front of millions of people. If they make that presentation irrelevant, it will make them look like a sinking ship and nobody will get on board. They would be better off scrapping the whole plan and never making the movies at all.

(By the way, you got post number 52!)

Actually, I think that Gotham is in the united multiverse (as well as the old Flash series, and just about every other DC series/movie). There is a catch though... while it's certainly possible that Gotham is happening at the same time as The Flash, in a different universe, it is also possible that Gotham takes place in the past. So it's not just another universe, but another time.

It's worth noting that both Earth-2 (on The Flash) and Gotham use heavy retro themes. It's even possible that Gotham takes place on Earth-2, but in the past.


I disagree with you about the DC plan versus the Marvel plan. Marvel sacrificed a number of it's phase 1 movies, just to set up The Avengers. Thor, Captain America, and to some degree, Iron Man 2 were all prequels to The Avengers and their own plots were secondary.

Whatever happens in Batman v. Superman, DC still has a list of movies that could do just fine on their own. BvS doesn't tell us anything about how Suicide Squad, Wonder Woman, Aquaman or Cyborg will turn out. Those movies aren't dependent on this one. This one isn't dependent on them. I actually think that's smarter than the Marvel plan.

I watched that HitFix video, and read some of the comments following it. And... I don't know. It seems like they're making a lot of assumptions and commenting on rumors that not many other media outlets are hearing. If this film was in big trouble, I think that we would be hearing more about the panic by now, and that it might even be pushed back for reshoots, since DC/Warner has so much riding on it. I definitely don't think that DC/Warner would have doubled down on this movie by airing a special on the CW, outlining all of the plans for the future movies. If they did that and this movie wasn't what it should be, they would have nothing but bad publicity moving forward with any film, because they made such a huge presentation of their plans and everyone would know that they failed.

Will this movie top The Avengers? I really don't know. I think it will be a better movie, by far. However, it isn't the Saturday morning cartoon that parents are going to take their kids to seventeen times in a row. I think they're playing to a different audience, and it's really hard to say what the outcome of that will be (just like Deadpool will not make Avengers money). It's a big movie, which could massively flop or massively succeed. Marvel doesn't rely on story for its movies. They use the same template for most of them, so they can easily predict what the reaction will be. I think BvS is a gamble, but I think it's far too early to suggest that Warner Bros. is wiping the entire DC slate.

Pre-production is under way for Justice League. While I think that the full schedule may be tweaked a little bit (I'm still in denial about The Flash being made), I don't think that it will collapse as much as is being discussed in the HitFix video.


Also, my reaction to the trailer was a little different than theirs. I was wondering how Batman flew up through the floor. I was wondering why he seemed to have super-human strength. They were talking more about the fact that he could move, but I'm wondering if that is supposed to be normal Bruce Wayne strength, or if he has augmented his strength somehow.

The movie looks really good, don't get me wrong, but the advertising is definitely skewing this toward being more of a Batman movie than a Superman movie. Is Superman a POV character, or just something that Batman is facing?

The thing that annoys me is, people complained that Man of Steel wasn't "Superman". I agree with Snyder when he says that this is Superman, just not the Superman from the familiar movies. I saw optimism and hope in Man of Steel. I'm on board with this Superman. The problem is, the trailers are all playing into that image of Superman that people were complaining about. Broody, and angry and too willing to sacrifice people. And I'm fine with this being Batman's point of view in the movie (for a while), but they needed to counter that vibe with Superman's side of things. Superman shouldn't be a side character in this movie, he should be an equal. I have little doubt that the movie will do him justice, but the trailers have been hitting the Batman side a little too hard. It even has me wanting to see Superman in a daylight scene.

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That is true.

I'm also confused about the Lauren Ambrose and Robbie Amell characters. In the preview, they look like spoof characters. They look like something from a comedic episode, rather than serious additions to the team. However, they're appearing in both of the final episodes, which means that they are legit characters who just happen to be carbon copies of Mulder and Scully. Why would they do that? People thought that those two might be spun off into their own show, but how will anyone be able to take them seriously?

Doggett and Reyes were at least characters of their own.

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Another good episode this week. Then I saw the preview for next week, with Castiel and Crowley, and I had to just sigh. The show is so good when they're not in it!

Now on a completely unrelated note... I was thinking about the future of the show. Jeremy Carver is working on another project, so I started wondering what would happen next, if someone else took over (there is no sign that he won't be there, but I was just wondering anyway). It could be cool to have a fresh take and a new direction, if it was the right direction (I wasn't a fan of Sera Gamble's two seasons as showrunner).

Anyway, this let to me wondering what I would do if I were chosen to run the show. And I decided that I would implement my plan to scale it way back, and make it way more personal and human-based. For starters, I would get rid of Crowley and Castiel. I would do this by introducing a new hunter, who takes on the task of closing the gate to Hell, which Sam never finished. Crowley would be banished for good.

Castiel... I don't know. But he would be cut back on and only appear for special events.

Then, the main arc/villain. My idea is to use John Winchester (or if he wasn't available for a whole season, maybe Jo Harvelle). In the season premiere, Sam and Dean are fighting some normal monster. For once, they don't have a huge apocalyptic event to handle and things look relatively calm. They're actually comfortable.
At the end of the episode, John Winchester walks into a diner. He is disoriented. Something isn't right with him.

As the season goes on, we see John exploring a little. He discovers that Bobby, Ellen, Jo and a number of other hunters that he knows are dead. Most of them, in fact. This disturbs him quite a bit, as you can imagine.

He calls Sam's phone, but when Sam answers and hear's John's voice, he reacts as you might expect him to. John ends the call, not knowing what is going on. So, he decides to track down his boys and figure out what's happening.

When he first sees Sam and Dean, they think he is a monster or a ghost. They eventually come around to believing that he is for real, but he's acting strange. When they tell him what's happened since he died, John loses it. Especially when he hears that Adam is also dead. This is wrong. This isn't the way things were supposed to turn out.

Sam and Dean tell him that they did their best, but they're struggling to keep their heads above water. They were alone.

To this, John responds that no, they weren't. At least, they weren't supposed to be. They were supposed to have a whole group of people helping them. Their hunter family. But something has changed. He didn't make the deal with Yellow-Eyes to save Dean. He didn't die. Bobby didn't die. Ellen and Jo never died. He is a little hesitant to tell Sam and Dean exactly what happened to them, but he does tell them that he was there when Sam discovered that his entire life had been manipulated. He was there when the angel was was being organized. He's been there this whole time.

At some point, John went back in time, because he needed to fix things. He needed to make them right. But in doing so, he unraveled everything. This timeline isn't supposed to exist. He needs to find a way to set things right, but he doesn't know how.

Now, at first, this sounds great. Sam and Dean are a little unsure, but if John is telling the truth, they could get back all of the people that they've lost, and all it would cost them was years of bad decisions and suffering.

But, John isn't being entirely open with them. He won't tell them exactly what did happen to them in his timeline. Eventually, we learn that he really never made the deal to save Dean. Dean died after the first season finale... But, of course, that couldn't stick. The angels brought Dean back a few months later, but isolated him. He said yes to Michael before Lucifer ever got out of the cage.

While Sam was toyed with and pressured, and was still manipulated by Ruby and drank the demon blood and all of that, John stopped him before Lucifer was released. The apocalypse was averted, and the only real casualty of that battle was Dean, who was worn by Michael until his body was eventually destroyed. That was what John was going back for. He saved Dean, but got everyone else killed in the process.

So, this is the arc for the season. How can they set things right? But if they do, Dean dies, right? Dean is willing, but Sam isn't as eager. He's not even sure that they can trust John. How do they know that any of it is for real? How do they know that they won't just be giving Lucifer another shot at the apocalypse if they change things? The only reality they know is this one.

John isn't necessarily villain, but what he is doing is going to at least get Dean killed. More than that, it could end up changing the outcome of the apocalypse. John is sure of his goal, but Sam and Dean aren't. Do they stop him, or help him?

And if things are changed, what would the season after that look like?

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I'm just not sure that with six episodes they should have spent (at least) two of them on William drama. It's like the Serenity movie... after waiting so many years to have the whole gang back together, Joss ruined it by killing off a couple of them. That's not what we signed up for. It's not what we were looking for. Maybe it could happen at some point down the road, but right now people just want to be excited to have their characters back in that world. Which is why I think Veronica Mars is the perfect example of how to do this. Everything was as it should have been. It respected the old show and the relationships there, while moving things forward in a natural way.

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Also to be fair, the two cities are 600 miles away from each other. It probably makes less sense for Team Flash to call Oliver than it would make for Team Arrow to call Barry. smile


You know what has always bugged me about The Flash and Superman?  They rarely point out that when Barry is running 600 miles, he still has to run those 600 miles the same way that any of us would. The world slows down around him, but he still has to take each step and run each mile. That is why I would much rather be able to fly than run at super speeds.
I remember one comic where (I think it was) Wally West was thrown off of a bridge, and to him the fall took forever. He was helpless in the situation, but time was still slow around him and all he could do was fall for what would have been like hours to him.

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I agree, but I think that they've reached the point of diminishing returns with William. I turned the show on to see Mulder and Scully back together, as partners working on X-Files. But so much of that has been dragged down by Scully brooding over the child that she gave up and constant reminders of the horribly non-romantic, awkward romance between Mulder and Scully. It's dragging down the series, when some quiet moments or distant looks could sell Scully's longing well enough.

Did we need them to dwell on William after we saw Scully's reaction to seeing her caller ID?
Did we need drawn-out conversations about wanting to make sure that William doesn't feel like he was treated like garbage?

I think that most of us got the point of those scenes before they started explaining them. Sometimes you have to let the audience figure out what is going on and trust that they're smart enough to get it.

If the show is going to be mostly brooding and longing, I don't know that it should come back. The characters had their issues on the original series, but they didn't weigh down every episode with those issues.

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I think that they do mention each other often enough to make it clear that they're in each other's circle, and if they don't specifically mention them in each episode, it can be assumed that they've spoken. We haven't gotten Team Flash's reaction to Felicity being injured, for example. But I'm sure they've been in touch. And they're always introducing costume updates from Cisco on Arrow... at some point, it becomes repetitive and kinda wastes time to say "I tried to call Oliver, but he was dealing with problems of his own"

As for Roy... I don't know. On one level, I'd like to see him bouncing between shows as needed. On the other hand, he really can't. He's supposed to be dead, so if he shows up again, he is putting himself and Oliver in danger. They could change his costume, but it's still a risk.

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I kinda had the opposite reaction. I didn't hate the episode's individual pieces, but they didn't work together for me. It just felt like too much was crammed into it, and the emotional points were weaker because of it.
They're pushing the William elements too much, and it is killing the buzz of this whole miniseries.
Scully's mother's death was sad, but throwing in the random point of the estranged brother (who I forgot existed, despite rewatching the series) was distracting.
Are they going to combine the William and Charlie elements and reveal that Charlie has been raising William?

The monster... I just rewatched "Arcadia" this weekend, and it was a huge rehash of that episode's monster, without so much as a reference to the fact that they've done it before.

Like I said, it wasn't bad. I just seemed unrefined.

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Really? It doesn't look as good as The Flash to me. And if I were in charge of the show, I would pretty much tear it down and start from scratch. It is a horrible Superman ripoff and they completely failed to make Kara her own character with a unique perspective and purpose. I want the show to be good, but everything is wrong with the show! Everything!


smile

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Fine! I'll take your money! But I don't have to like it!

Wait. Something about that sentence feels wrong.


Anyway, I do appreciate the support. Thanks.

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I can understand that Arrow isn't supposed to exist in a realistic world. But the thing is, even when you create a world of your own, you have to create the reality of that world. There have to be rules and limitations. If Felicity's injury doesn't make her skip a beat, she might as well be rolling around in her desk chair without an injury at all. If Oliver can walk away from a sword through the chest and a drop off of a cliff, why doesn't he just close his eyes and teleport himself around town?
Arrow has violated its own reality so many times, and usually just because the writers want to take a shortcut through the story. None of it means anything anymore. Some things had to happen, like introducing meta-humans when they weren't supposed to exist on this show. I can understand that. But so much of it was completely unnecessary, and cheap.


As for Supergirl... never mind. I don't need to go there again. smile

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It's funny, because my plan was always to just publish the book the way I always do. If I don't get chosen by Kindle Press, I'm still gaining some publicity from this, and it isn't the end of the world. It's just frustrating to the part of my brain that likes to be able to control things or fix problems. I'm more frustrated by  my inability to get more people to that page than I am about losing the money right now.

Marketing. Argh!

But thanks for the support. Again, I'd be happy to give you an advance copy of the book or let you know when it will be having a free promotion (I will probably have a promotion early on, so my Kindle Scout supporters can still get it). It's always weird to have people I know buy my books the normal way. smile


It is interesting to think of the Sliders as superheros. I guess it makes sense. I've actually wondered if they could exist in the DC universe from time to time, but it's probably best not to go quite that far with it.

This is what I mean about The X-Files or Arrow using fans to write their episodes. There would be some interesting perspectives on those characters.

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My Kindle Scout campaign has been getting pretty slow, so I'm trying to get some nominations this weekend... Given my lack of reach on social media, it's not an easy task. We'll see! I hear that nominations aren't everything, so even if I'm not on the Hot and Trending list, I could still stand a chance.

But it's be really nice to make the list at least a little bit! Argh.


I go through the same thing, where I think of cool story ideas and they're suddenly showing up on my TV shows. I don't know if it's just a coincidence and I only notice them after I think I'm super original with my ideas, or if I'm just TV psychic.

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Malcolm said that Constantine restored the balance within Sara, implying that she wasn't dealing with the bloodlust the same way that Thea was.

I said it in the X-Files section, so I'll say it here. I think that the Arrow writers are bored with writing Arrow. I think that The Flash and Legends are probably more fun to write with all of the fantastical elements, so those are the fun toys to play with, and Arrow is just the job that they have to do. It just doesn't seem like they care anymore. Felicity's injury was handled horribly. It's like they flashed forward a year or something, skipping over the harsh rehab part of that sort of thing. They keep bringing back dead characters, because why not? They keep having things just randomly happening to connect... The Calculator just happens to force Roy to work with him, and then just happens to bring it all back to Felicity who just happens to be his daughter.

It's like they're writing all of the major plot elements on the board and then filling in all of the between spaces with "blah blah blah"

They had Oliver chase down a criminal without his costume! And even though it turned out to be Roy that he was chasing (just happened to be Roy, I should say), the magical contact lens camera should have still picked up Oliver's face. Which means that the Calculator should know that Oliver Queen is a crime fighter who happens to be tied to the super genius who he was in a hacker battle with, which just happened to be his own daughter. Baby Sara could have connected those dots!

There must be a hundred writer/producers who would love the chance to write Green Arrow stories for TV. They would think them through. They would put their best effort into them. So if the current staff is bored with the show, I wish they'd just hand it over to someone who would be happy to be there. Either that, or announce that next season is the last season (when the flashbacks run out) and just finish it.


As for Legends, I don't think the cast is too big at all. I think that the group dynamic has been working really well so far. There are so many combinations to play here. What happen if Mick and Kendra have a mission together? What happens when Sara and Ray are out there together? The list goes on! I mean, there are weak spots in the writing (why leave Carter's body behind? Why not take the knife during the ritual this week? If they had Savage incapacitated, why not bring him a billion years into the future and leave him drifting through space?) but the show is really fun to watch. You can tell that the people making it are happy to be there.

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Comic books do this too. They hand off writers for specific arcs pretty regularly.

Actually, Arrow could benefit from this right now. I get the feeling that the writers working on that show would rather be doing The Flash or Legends. At least, that's what I feel when I watch the show.

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That could be the benefit of short seasons like this. He had one episode, and he made it a classic. That's pretty cool.

It'd be interesting to mix things up if they come back for more. Of course they should have the all-star writers come back, but it could also be interesting to see episodes written and directed by people who actually grew up with the show. They could play up the aspects that they loved the most and tell stories from a perspective that I don't know that the original writers possibly could.

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"Don't You Forget About Me" was a great episode. People on Twitter are already calling for a Wayward Daughters spinoff, and I think that it could actually work. Maybe add Eileen from last week's episode.

But then again, maybe it would be best to just keep these women on Supernatural for now. The dinner scene was really interesting to me, because it actually felt like a family dinner. i was surprised by how much Sam and Dean belonged there, and it wasn't a fake or forced relationship (like with Charlie). It was all completely honest. I would much rather see that group together on the show than more Castiel or Crowley. Maybe add Cole back into the mix (don't kill his family though. it's been done already)

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I think it was a joke. The dog reminded Scully of Queequeg, which reminded her of where she got the dog, which was from the goofy old psychic who made a joke about her not dying. Mulder was worried about her, and since they'd been discussing their belief/disbelief of the supernatural, she decided to defuse the moment by making a joke about how she couldn't be killed because of the supernatural.

I don't believe that Scully actually views herself as immortal.

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"Mulder and Scully Meet the Were-Monster" was definitely the best of the revival so far, and it was actually a stand-out episode for the entire series as a whole. It was a fun episode that could stand on its own, but it also had a ton of easter eggs for the fans of the show. This was when it really felt like Mulder and Scully were back for me. I was smiling as soon as I saw Stoner and Chick in the teaser, and I didn't stop until after the episode was finished (actually, I watched Galavant afterward, so it took a while to stop smiling)

I don't think that the immortal thing was ever supposed to be as huge of a deal as it's become, but I like that the writers are embracing it for what it is at this point. The question is, will they go for the twist and have Scully sacrifice herself at some point?

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Yeah, I started out trying to reply and go down the path that you were looking for. But as I went along, I think it became more about trying to connect it to the sliding thing as much as possible. It got a little out of hand. smile

Technology is a pain. I swear, the war between humans and technology is not far away.

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I always thought that was cool. I just watched "Tithonus" and was wondering what would happen if the photographer was thrown in a wood chipper or something. The time loop explains that. I wonder if that means it's safe for Scully to remove the second implanted chip that cured her cancer.

She has continued to age though, which makes her different than the photographer. Is it possible that she passed it on to someone else already?


In the new episodes, William is a recurring theme for Scully and Mulder. It's understandable that she is still sad about the son who is still out there, and she is missing his life. But it has seemed weird to me that she never mentioned Emily. Both times she had a chance at a child, it was taken from her. She used to look at pictures of Emily, the same way she looked at the picture of William in her desk. I just wonder if she still feels that loss.

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It's a solid story to explore. I wrote about death from a few different angles in one of my books, as the characters were desperately trying to make sense of their lives when some vital piece of their world was missing. Trying to reclaim it is impossible. They just keep slipping away, like sand through your fingers. But the space they leave behind isn't exactly empty either. They don't cease to exist. The questions you have for them are still there. The need to hug them is still there. They are an active influence on your life even if you can't have a conversation with them.


Quinn could tell her that nothing is lost forever because when his father died, he left pieces of himself behind that influenced the man that Quinn became and what he did with his life. Because of that, he has seen worlds where time flows backwards. He has been a ghost, communicating with his friends through the help of a medium. He has seen dinosaurs. He's lost people he loves, seemingly forever, only to have them come back into his life. His entire life is built on a foundation of witnessing the impossible. All of that was because of what his father left behind. And there are probably days when he sees something, either in himself or in the worlds around him, that bring back some other piece of his father.  Sometimes, those pieces fit together in ways that make him see his father in a slightly different light. He's still learning about the man, and from the man. It just takes more time and patience than it used to. And in those moments when he realizes something that he never noticed before, for just a second or two, it's like the present is overlapping with the past, existing in the same moment... which he has also seen happen.



Sorry. I started rambling there after a while and it got a little corny. smile

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(406 replies, posted in Sliders Bboard)

That reminds me of another comment that I hated... Mulder made a snarky comment about the bullet-proof windows, saying that the Tad guy must be scared of all of the gun toting liberals that want to shoot him up.

It implied that most of the shooters that we see in the news are conservative, pro-gun types. As a profiler, he should know better. A large number of them lean socialist, though their political ramblings aren't always widely reported. But it really has more to do with being crazy than their politics.

The attack just down the street from me was targeting a group that was largely conservative. The shooters weren't crazed liberals, they were Muslim extremists... Which is another recurring theme in many of the shootings.

I'm not trying to be super political, but it is just lazy writing. Chris Carter needs to be careful when he is having someone like Mulder say something like that. Just like he has to be careful when Scully gets medical.

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But if Mulder views the government as horribly corrupt, abusing power and violating every right that ever existed (they were shown repeatedly to be violating people physically and sexually), would he really approve of licensing, registration, etc? Or would he view that as just one more database for the government to abuse?

It's probably futile to try to pinpoint the political party of TV show characters, since they will always end up siding with their creators. It's just something that I have a habit of doing, just to pass the time.

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That could have been cool.

I just can't get over the politics angle. It irks me. Mulder, by his nature, cannot be a hardcore liberal who is highly critical of anyone who believes in the 2nd Amendment. He has to distrust the government. He has to believe that people have the right protect themselves. Was he supposed to be a hypocrite in the episode? Was it supposed to be a sign that he was falling for the narrative?

I've been going back and forth in my head, trying to decide which one of them should be a conservative and which one should be a liberal (since they should be on opposite sides. it's their nature). Scully is Catholic, from a military family. There is good reason for her to be more conservative... but then again, she turned her back on a lot of that upbringing, only returning to the church after her cancer scare. So, a lot of her core beliefs could be in contrast to that upbringing.
Mulder was raised by a man who was obviously a big government type. He's not religious. His personality tends to lean toward "do what you want"... but then, he bucks the system at every turn. Like Scully, a lot of who he is runs counter to his upbringing.

I haven't settled on Scully yet, but Mulder seems like a libertarian to me. After everything he's been through, he should be all about the government getting out of the way, and he should be all about the people having more control over their own lives. I don't understand the decision to make him more liberal (aside from Carter being liberal and wanting his characters to echo that).
Even if he were libertarian, I would still disagree with Mulder on a lot of things, but at least the character would make more sense.

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Or... Unblowing it up? Re-blowing it up?

Season 5 made sense when Mulder discovered that it was all a government conspiracy. I hate that they didn't end it there.

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I think that is going to be a misdirect. He may become a version of Zoom later, but I think Barry's father is Zoom. Just my own guess, not based on spoilers.

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That would have worked much better. But I'm still not sure that any of this works. We saw a flashback to thousands of years ago, with a caveman being attacked by the black oil. That same black oil was uncovered by a boy in "Dallas" (a desert version of Dallas, with mountains in the background) and sparked the first movie.

The show got less and less vague about the their alien stories as they went on. By the end, there was very little doubt. And now they are telling us that it was all fake, but there is no way for them to show their work with that problem.

Maybe they should have had the scene in the bunker and the return to a seemingly unchanged world, but maybe that should have been it. No answers. Maybe the world was invaded in some way, but it is still a question mark. And then they move on.

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It will be interesting to see what happens. I like that they're not afraid to take the characters and stories to some dark places. Any show about Gotham needs that. I guess it's TV, so things can eventually just fade into the past. But it is still a pretty big moment.

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Sigh.

Then they'll have to retcon that reveal. smile

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My question is: With this new mythology that is all about splicing human DNA with alien DNA and all of that, are they going to tell us that all of the X-Files were alien related? Was lightning kid another genetic experiment? The witch girls? The Texas vampires?

1,895

(406 replies, posted in Sliders Bboard)

I was worried about the Joel McHale character from the second I heard about him. I knew that it meant that Carter would be going political, which I knew was a bad idea after "I Want to Believe". I just don't think that Carter can write characters who he doesn't believe with and have them make sense. It isn't just him. It's actually pretty difficult to do, which is why so many TV "conservatives" end up looking like cartoon characters and terrorists.

I agree with the issues that you have. I think that's why so much of the dialogue meant like it was randomly generated and no real conversation was having place. In the old days, you would have two strong points of view with Mulder and Scully. They would argue, and both would make valid points. Usually, Scully was a little unwilling to believe what was right in front of her, but that was just who she was. In "My Struggle", I don't think Carter knew what he wanted to do beyond broad strokes. He wanted to bring the conspiracy into the modern world, so he needed to make it about the Patriot Act and Wall Street or whatever. He never knew how to do that, and I think that it's because it really shouldn't have been the same story. It should have been a different arc, separate from the alien mythology. A new conspiracy for a new age. A whole new show, really.
If the writer doesn't believe in what he's writing, there is no way for the characters to have conviction. So, they stood there telling vague comments at each other, hoping that the audience would fill in the gaps in their own minds and call it brilliant.


I get what you're saying about your writing. I did the same thing with my new book series. I mapped out how each element of their world was changed from what we know and became what it is in my story. In some drafts, I tried to explain more of it than I had to, but people found it boring. But I have a whole whiteboard with charts and timelines. Even if the facts aren't stated in my story, the ripples of those facts are still there.



Which brings us to "Founder's Mutation", which was an X-Files episode right from the start. The teaser was just like one of the classics. The emotional pull of the monster storyline echoed the Mulder/Scully personal storyline. I wish they had more time to let their emotional arcs play out a little less jarringly, but they don't have that time.

I might have restructured the imaginary world flashes, putting a flash at the beginning of each act or something like that, rather than dumping them all at once. But that really just comes down to my style.

1,896

(747 replies, posted in Sliders Bboard)

After being called a "hater" a bunch of times because I post thoughts and opinions about TV shows and movies online, I've started thinking about starting a blog. This would be an old school geek blog, where people can post long rants and get into debates about these shows/movies, without those that I now call "pop geeks" whining about how we should all just love everything or stop watching.

But I suck at blogging. Maybe I could put together a team of people who like to rant about this stuff, so the blog wouldn't sit without an update for months at a time.

I just miss the days when you could be a geek without being attacked by those people who aren't really geeks, but think it's "totes coolsies" to be a geek now. Y'know, the people who go fangirl over Olicity, but have a mental breakdown if you try to discuss the comic books on which the show is based.

I want geekdom to be considered lame again!

1,897

(51 replies, posted in Sliders Bboard)

Weird. You could swap out Chris Carter for Tim Kring and post this in the X-Files thread. smile

I agree, of course.

1,898

(1,635 replies, posted in Sliders Bboard)

I'm all for leaving open the possibility of changing directions later. However, if you start the season with a flash forward to a grave like that, you'd better know what your plan is. I don't think the Arrow writers had the slightest idea of who it was when they started, and that annoys me. I believe that they know who Zoom is (because I think I know who is playing him, just looking at the eyes). I just don't get how you can start an arc-based series without knowing the plan. It drives me insane.

With some shows, there are a lot of stand-alone episodes. So the big plan doesn't need to be super detailed for those shows. But Arrow has cut out most of the stand-alone episodes with one-off villains. They got more into serializing the story, yet they don't have a map.

Like I said, I'm all for letting inspiration strike. But that isn't the same thing as not having a plan.

1,899

(747 replies, posted in Sliders Bboard)

Thanks for the nomination! I wish I had more of a web presence, so I could tweet a million people at once and make this happen. Unfortunately, I don't. I guess we'll see what happens. smile

Netflix apps can be tricky. On my Roku 3, the interface is pretty nice... except that they decided that the video should start automatically in the background of any show that you click on for more information. Now I have to race through the info page to add it to my list or whatever, if I don't feel like watching it right away.


It was cool of Jerry to make that comment. It's nice to see actors appreciate what they've been given. It's unfortunate that the realization comes too late for many of them.

1,900

(406 replies, posted in Sliders Bboard)

Wow. You put it all out there in a really nice way. Good job on that. smile

Season 5 of the show was pretty interesting. Mulder comes to believe that everything he has been led to believe was a lie. There were no aliens. It was all a government conspiracy. This felt like a natural conclusion to that story, and it should have ended there. But it didn't. They went on to disprove that idea in pretty definite terms.

The miniseries appears to be trying to go back to that concept, more or less. But it only serves to further muddy the waters. The question is, would the reboot have been better off just shrugging off the alien arc and moving on without making it the focus of the first episode? Mulder has come to realize that it's all been a lie. 2012 came and went, and nothing happened. So much of his life has been wasted that he ends up the depressed mess that we meet in "My Struggle". Did they need to do a whole episode about that? Or would it have been better to keep it vague?


I have issues with "My Struggle". Before I go into them, I want to make it clear that I was excited to go into this miniseries. I still hold onto excitement about the middle three non-Carter episodes. I've been rewatching the series and just got into season 6... I think the move to LA destroyed the vibe of the series, but that's a different conversation.

So I'm a fan. Since day 1. I'm not what the kids today call a "hater" who just enjoys hating things for no reason. I'm an old school geek who still hangs out on a bboard for a series where most of the fandom will agree the show mostly sucked. My kind of geek rants with the best of intention. So, here we go...

Chris Carter can't write to save his life. Like Joss Whedon these days, you feel the writer in the room when you're watching his stuff, because it seems to be mostly about him and not the story or the characters. I "My Struggle", Carter welcomed back the fans after 13 years away by kicking half of them in the teeth. He did this by jumping into politics right away, making snide comments at the expense of a large part of the fandom.

The concept of "My Struggle" in itself isn't too bad. Even my own new novel series deals with a big conspiracy against the people. I don't mind politics in general. However, Carter fails to understand the topics that he is discussing. So, he ends up attributing ideals to the wrong sides. If you're going to get political, you need to know what you're talking about. If you're just in it to make stupid, juvenile comments about the side you disagree with, you will not win fans. Carter also did this in "I Want to Believe" with a truly out of place pan over to a picture of George W. Bush while the X-Files theme played.

In the 1990's, Carter usually kept real world politics out of it. There were references here and there, but he made no attempt to get into the deep stuff. Clinton was in office and Carter is a liberal, so he kept his massive government conspiracy largely non-political. And in rewatching the show, it's obvious that that method worked. It actually made the show more timeless.

Now, Carter is trying to get into real world politics that are over his head. He makes vague, general comments about something in an attempt to sew together a patchwork quilt of conspiracy, but he ignores the meat of those issues. The quilt is made out of Kleenex and will fall apart as soon as you pick it up.

One of the stranger elements of the reveal of this conspiracy was that they completely ignored the man in the White House. Yeah, Obama appeared during a lighthearted clip at the beginning. However, during the monologue of evil, they showed clips of George W. Bush more than once... All while talking about a lot of stuff that either all happened under Obama, or which were expanded under him. Obama has been President for almost 8 years and they're still showing images of Bush... it's the same mentality that kept politics out of the show in the 90's, but with the added weird twist of blame shifting to a guy who hasn't been in charge for almost a decade.

I'm also not sure that I'm comfortable with shifting the blame for 9/11 off of the people who really did it. I know that the show has always played with historical events this way, but it seems like it might be in poor taste, especially when the same people are still killing people to this day.


So... the fabric of the new mythology is flimsy.


The first scene with Mulder and Scully was awkward. Not in the way it was supposed to be, but in a way that made it feel like the editing was off and we were seeing responses to comments that were edited out. Likewise, I didn't like their argument on the porch. Both were yelling and going nuts, but neither one of them was actually saying anything. If either one of them just said what they were thinking, it would have turned into a conversation rather than a fight. The show used to do this well, having the characters go back and forth. Unfortunately, I don't think that Carter even knew what they were arguing about, so they were just aimlessly yelling.

The conservative host guy could have been so much richer as a character if they thought of him in the same way that they thought of the Lone Gunmen. But again, they didn't seem to have a firm grasp of the character or his views. Do they like him or is he part of the problem? He came across as a caricature.

I've recently had experience with trying to write characters who don't think the way I do or believe what I do. It's hard, but you have to at least make an effort.


Ultimately, "My Struggle" was a struggle to get through (see what I did there?). That said, I am still hopeful that the other episodes will be solid X-Files fun. At the very least, three of them should be good... I hope.

1,901

(1,635 replies, posted in Sliders Bboard)

I like the idea of changing up characters, but I don't think that they should do it just for the sake of doing it. They should keep characters around who could still be of use. Maybe have one or two who are the central characters, and they can build the team they need. Maybe Rip and Sara?

I like the Justice League Unlimited model. There were the core League members of the show, but other characters would come and go as needed. I would love to see Terry McGinnis appear at some point.


I enjoyed the first episode of Legends. I think the group dynamic worked really well. Ray was less annoying and more of his own character, since they weren't forcing him into a role that we all know he will never continue to fill (as he was last season on Arrow, as Felicity's love interest). Sara was great. I think the setup worked. I'm looking forward to seeing where it goes from here. I have to say, it was already more entertaining than the Avengers movies.


Arrow... if they actually follow through with the story that they have with Felicity here, it could be really interesting. But if this is just another example of them going big and then shrugging it off later, I will be pissed. Just like I was pissed when they threw Oliver off of a cliff, with absolutely zero follow-through.

I am on my last nerve with the Arrow writers. The show has so much potential to be great, but I get the sense that they're bored with it. They set up the grave thing, and they've already admitted that they don't have a clue who is in the grave. So they have a mystery that is completely useless because there are no clues for fans to pick up on. Nobody's arc is being written with that endgame. They have no idea what they're doing. Who writes that way?! If these were stand alone stories, it would be one thing. But to have an arc-based series where you flash forward to something that is supposed to be huge, and not have any idea what you plan to do with that? It's just cheap drama crap. It's lazy. It's like saying that they have no idea who is behind the Zoom mask on The Flash. When you set up a mystery, you need to know where it is going. You need to spread out clues. You need to build the story to that point.

They're going to pull another fake out. They will kill off someone that we don't care about, like Donna Smoak or maybe Quentin (since they ruined him anyway). But whoever it is, it won't make sense that Oliver is that upset or that Barry needs to show up. It won't be earth shattering.

You know I was a huge fan of this show. I want to love it and get excited about it. But how can I get excited when I know that the writers don't even care?

1,902

(747 replies, posted in Sliders Bboard)

The Kindle Scout campaign is live! I have a month to get as many people to nominate my book as possible!

https://kindlescout.amazon.com/p/1QEAR2INNBCFT

It is set in the future, but I think it uses a lot of Sliders type storytelling. It is basically a giant "what if?" story.

1,903

(51 replies, posted in Sliders Bboard)

I thought that he shared Malina's power at the end, but none of it really makes sense. He took Claire's power and killed her. Then he took Hiro's power. But they never really said which kind of leech he was. They didn't seem to care.

HRG was a main character, so he got a death scene. This bugs me on TV... Important characters never suffer as much as extras. Like on Arrow when poison gas kills extras in seconds, but doesn't harm any main characters.

1,904

(45 replies, posted in Sliders Bboard)

It should be interesting to see.

I am completely unfamiliar with the character. The movie looks fun enough, but I also started to get annoyed with his voice by the end of the trailer.

I have seen a couple of people say that they normally don't touch comic book-related stuff, but Suicide Squad has caught their eye. DC took the approach of selling this as a good movie, rather than a comic book movie.

Man of Steel was like that, in a way. Even if it didn't have an iconic main character, it still had enough story and character to make it interesting as a film.

Anyone watch the DC special that aired on the CW a couple of days ago?

Batman v Superman still looks cool. I think too many people are basing their opinions on early rumors or fan desires rather than what we have actually seen. The criticism that the movie is too dark and depressing makes no sense, since we haven't seen the movie. The ad campaign has clearly been leaning toward Batman, which is a mistake in my opinion. They should have had an equal Superman push, that was a bit brighter and more colorful.

Wonder Woman actually looks interesting! Go figure. She is usually so bland.

The Suicide Squad looks better with each new trailer. The whole thing looks pretty awesome, but Harley steals the show. They could have given her a movie of her own. Maybe they still can.

Anyway, if you haven't seen the new trailer:

https://youtu.be/CmRih_VtVAs

1,907

(51 replies, posted in Sliders Bboard)

I agree with all of the above. This season has been a mess, and makes me a little upset that Heroes was the series that they decided to bring back (instead of something like Chuck). I think another problem was the mid-season time warp. When they came back, things had changed, but they never really let us know what had changed and what hadn't. It made it difficult for me to follow the story, and I'm not someone who usually can't follow a story like this.

The potential was here. I just wish the writing was there. The fanfic writer in me kinda wants to take the ideas and rewrite the whole damn thing, but that would take too much time.

1,908

(747 replies, posted in Sliders Bboard)

I have been out of the loop for so long! For the past couple of months, things have been insane. First, Christmas. After that, I've been scrambling to prepare the Kindle Scout submission for my new book. I've submitted it. With luck, I will be able to post a link within the next couple of days.

Gulp.

Anyway, sorry for my lack of replies lately. I haven't ditched the Sliders community!

1,909

(4 replies, posted in Sliders Bboard)

Welcome back!

1,910

(747 replies, posted in Sliders Bboard)

Welcome back, Stuslide. Always nice to see a familiar name return.

My Christmas present to the board:

https://youtu.be/aIGz6mi3JkA


You're welcome.


I had my annual viewing of "Regional Holiday Music". Every year, I think that I've seen the episode so many times that it can't possibly make me laugh as much as it did before. Every year, I am wrong. smile

1,912

(747 replies, posted in Sliders Bboard)

Okay, I've been working on it. Going to send you some private messages now.

1,913

(747 replies, posted in Sliders Bboard)

Hmm... I will see if I can work with a PDF. If not, I can try working with a doc or rtf type file. They are usually easiest to play around with.

1,914

(747 replies, posted in Sliders Bboard)

Can you send me one of the scripts in script format? I'd like to see if some of my Kindle publishing brains could work out that problem.

I usually convert to mobi rather than epub, but the tools that I use might be able to do both.

1,915

(267 replies, posted in Sliders Bboard)

Overall, I've enjoyed the season a lot. But mainly, I've enjoyed it because they've had great stand-alone episodes. The Darkness and the demons and the angels, I just don't feel. "God's Sister" is a vague threat that seemed like a big deal in last year's finale, but she hasn't actually done much since.

The problem with showing the behind the scenes workings of the angel and demon worlds is that once we see them all standing around, whining about stupid things that don't really matter, while going on and on about how evil they are, the thrill is gone. In the early years, when a demon or an angel showed up, we saw them through the eyes of the Winchesters, and killing them was the goal of every scene. Now, they don't kill each other even when they have the chance, and we're stuck watching scenes about Crowley having group sex.

The whole time we were watching Lucifer, I was thinking, "Why is he in that body? Why hasn't anyone considered talking to Michael, who is at least a little bit less of a threat? And where is Adam? Why doesn't anyone care about Adam?! And for that matter, where is Castiel?" It was distracting.
Sam never should have gone to Hell. The conversation should have been handled through a vision or a dream. That's it.

I just don't feel the threat of the Darkness. They keep wanting to go bigger and bigger, but the show shines in the small, human stories. The bigger they go, the more disconnected it becomes.

Like I said, most of the season has been great. It's just the main arc that I usually can't get into. Fortunately, that hasn't been every episode. At least 6 of the 9 episodes so far have been solid.

1,916

(1,635 replies, posted in Sliders Bboard)

I was completely unimpressed with the midseason finale. It was more of the shtick they played last year where they killed Oliver and threw him off of a cliff just for thrills, and then completely ignored the magnitude of that event in the following episodes. If anything, we can now say that Felicity is the most safe character on the show.

The gas chamber killed one guy in a few seconds, but all of the main characters were apparently immune to the gas. They got a scratchy throat and coughed, but they were in there for a while and nothing major happened.

Felicity found the ring and then pretty much forced Oliver to propose. I just find myself hating her more and more. It's a death spiral now. I don't think that I could ever go back to liking her, even if they reverted to the good old days of the Felicity character. She is just so selfish and arrogant and whiny.


The Flash had a pretty good winter finale, but I'm still not sure about bringing Wally in at this point. The bomb magnet idea was silly, but then I remembered Felicity's gun magnets and the bomb magnets suddenly seemed far less stupid. smile

1,917

(855 replies, posted in Sliders Bboard)

The hypoxia could have been played as less severe than it was, so the full recovery and lack of intense therapy wouldn't have been as big of a deal. But they wanted more drama, so they stated that Fitz was deprived of oxygen for long enough to result in a nine day coma. That is pretty significant and would probably not be something that he would fully recover from. And again, his therapy was shown as pretty much just his friends telling him "You can do it".

Yeah, Fitz gets more flustered when Ward shows up, but that is an emotional/psychological reaction. It's not brain damage. They should have:

A. Not played his situation as being as dire as they did.
B. Kept him disabled in different ways, even after his recovery
or
C. Come up with a miracle cure, which would have been super easy for them.



I finished Jessica Jones last night. Overall, I thought it was pretty unsuccessful. It should have been six episodes, maybe eight. They spun their wheels too often and introduced plot elements for season 2 or a spin-off which just detracted from this show, which isn't even standing on stable ground yet. They're acting like this is an established, successful series when it's not. They didn't even bother to sell us on this show's story, like Daredevil did.

We were given the sense pretty early on that Luke was pretty unbreakable. He took a power saw to his stomach without a scratch, so I really didn't worry about him at all when he was blown up or shot. They kept playing drama around his peril, but I never felt it. And on top of us seeing him as indestructible already, we knew going into this that he was getting his own show. They treated the audience as though we were completely ignorant of the big plan, and they don't get to do that.

Inconsistent powers annoy me. I remember Jessica taking some big falls without landing on her feet, but maybe I'm just remembering it wrong. Either way, I didn't like how they played her powers.
I didn't feel the same way about the flashback Jessica. I thought that she was pretty even. Brooding over the death of her family. Brooding over her life after that. Brooding about not wanting to be a spandex-wearing superhero. It was all just variations on that theme. Trish came across as much more layered character.

I get what you're saying about Jessica having to live for herself, but it wasn't a well delivered theme if that's what they were going for.

1,918

(747 replies, posted in Sliders Bboard)

Is that a good thing?

My brother installed a custom rom, and his screen went black whenever the phone was active. Something with the proximity sensor. There was no way to answer or end calls. I think he worked something out though.


I'm thinking that I might enter this first book of my series into the Kindle Scout program. If I do and it gets enough votes, I could end up being published by Amazon, which would get me some money right out of the gate and hopefully some more promotion as well. But the question is, could I get enough votes? I guess we'll see. If not, I just publish like I normally do.

1,919

(855 replies, posted in Sliders Bboard)

The Daisy thing doesn't work for me. She is Skye and trying to change that is just weird and off putting.

I am actually really mad about the Fitz storyline because of how they handled his traumatic brain injury. They toyed with it for shock value, but it ultimately just went away whenever they didn't want it around and then popped up again when they did. They treated it like an emotional trauma that he could overcome (without super intensive therapy even) rather than what it was. A chunk of his brain is dead. That doesn't just go away.

Maybe it just annoys me because my father had a major stroke and I have seen brain damage up close. I'm just sick of TV shows magically making brain damage or paralysis go away after a while. It doesn't work that way, and it seems shallow and unprofessional to use these things for shock value if they don't intend to follow through.

1,920

(855 replies, posted in Sliders Bboard)

Okay, I still have a couple of episodes of Jessica Jones left, but the series crumbles more and more with each episode. I just watched episode 11, "AKA I've Got The Blues"...

SPOILERS
.
.
.


First of all, the issue of mishandling Kilgrave continues. They mistakenly introduced him into the show too soon, so now they're stuck spinning wheels and making excuses to not end the story. They kill Hope, which removes the main driving force of Jessica's mission (it removed the only selfless aspect).

Jessica is a broody mess. You'd think that this is because of what Kilgrave did to her, and her emotional goal for the series would be to reclaim what was stolen from her. Except all of the flashbacks show her pretty much the same as she is now. So, what is she trying to win back? What is the goal, aside from "kill the bad guy?" (which they never do when they have the chance)
Hope was that goal. It was Jessica's chance to fight for the person that she can't be herself. Now what?
And in rendering the Hope arc pointless, they rendered the  entire Hogarth character (and everything around it) useless.

Simpson... a random cop that Kilgrave whammies, right? And then he is so torn up by what he's done that he uses his military skills to join the fight.
Except this random cop turns out to be part of some super secret military-ish unit that uses magic pills to get strong, but it turns him into a crazy killer. That makes his being a part of the show too much of a coincidence in the first place, and destroys the interesting character element that he brought to the show, AND plays into the trope of suddenly turning a love interest into a total jerk and/or crazy killer... and in doing so, flies in the face of his early character arc.

In short, his character became complete nonsense.

The powers on the show are handled incredibly poorly. They never keep track of how powerful they want Jessica to be, so she ends up looking like a Heroes character whose abilities grow and shrink according to whatever the writer wants that week. This carried over into Simpson... he can throw Jessica through a wall, but can't break down a bathroom door. Jessica can take the impact of jumping off of a building, but getting hit by a car disables her.

And the end of the episode, at Luke's bar missed so many possibly good moments in favor of a scene that was completely lacking any emotion whatsoever. We know that he can't be hurt. Kilgrave doesn't. Seeing Kilgrave tell him to jam a knife into his face, only to see the knife bent or break would have been a great moment. But we didn't get that.
Seeing Jessica burst open the fire hydrant that was right next to her to put out the fire on Luke would have been an okay moment that showed her power. Instead, she smacked him with a blanket.
Seeing her stand against a street lamp as Luke walks out of the bar on fire, and have her remain perfectly calm as the burning dude walks over to her and says "What the f--- was that?" would have been a really cool moment, since the fire would be nothing to him.

But they wanted to play the fear of him being in the bar as it exploded, hoping that we would forget that it won't hurt him at all. Why would we forget that?!


When I first started watching the show, I thought that I might be wrong about the impression I was getting from the trailers. But unfortunately, I wasn't. It's a poorly constructed, poorly written series. It still has better production value than Agents of SHIELD though, so there's something.