Re: Sliders DVD Releases (Universal, Mill Creek, SD blu-ray, Restoration)
Hahahahahaha! Indeed.
It's 9 bucks. It's not even worth bothering with the return process.
Sliders.tv → Sliders Bboard → Sliders DVD Releases (Universal, Mill Creek, SD blu-ray, Restoration)
Hahahahahaha! Indeed.
It's 9 bucks. It's not even worth bothering with the return process.
Something I noticed: the Lanczos versions of my upscales are very hard to shrink down from their 4 - 6GB file sizes. Compression reduces the video noise that's alleviating the visual issues.
I was also running my Topaz upscales of THE DEAD ZONE through Handbrake to reduce the file sizes a bit, taking them from 3 - 4 GB a file to about 1 - 2 GB a file. The video quality went from being a high quality film scan to a medium quality 1080p Netflix videostream and some of the film grain texture left intact by Topaz was screened out by Handbrake.
Other than storage capacity savings, what is the primary reason to reduce sizes? My understanding is a blu-ray movie is pretty larger (and that's about 2x length of a sliders episode) so moving to 1 to 2 gigs would seem to be messing with the quality, no?
And you are seeing some of that I guess...
Out of curiosity, I ran the very grainy blu-ray Turbine version of "As Time Goes By" through Handbrake at the "Super HQ" setting -- and Handbrake blurred out almost half the film grain and there was a slight loss of video quality. It's interesting: Universal's DVD compression in the early 2000s seemed to add compression noise; Mill Creek compression in 2016 added noise.
However, modern video compression codecs seem to screen out video grain and noise in the process of crunching a video file into a smaller container. I ran "As Time Goes By" but with the file size set to "Production Standard" and this time, all the graininess (and sharpness) remained.
I have to wonder if my technique for processing the DVD files has been a problem with SLIDERS, episodes 102 - 109. While I copy the file off the discs, I have to run them through Handbrake to deinterlace them or the final file has horizontal lines flashing across the screen.
I ran Seasons 2 - 5 through this preset and saved the video file at 'Super HQ' and the upscales turned out fine, but those files were already pretty sharp and Topaz had plenty to work with for increasing the resolution. I ran THE DEAD ZONE files through this same preset and the files definitely lost some grain as well, but again, the underlying image was good enough to upscale.
I wonder if my deinterlacing has been blurring the image and removing film grain from the Season 1 episodes. For other video sources, it was fine. But Season 1 was already blurry and lacking film grain; it couldn't have afforded to lose anything. I'm going to re-copy the disc files again and review the raw files.
Interesting. And, not that it's a problem, but you have to wonder if there was any undesired loss on s2 or even s3 and to what degree. S2's video quality on the dvds still look more like s1 than s4 or s5. S3 feels like a turning point and as you said elsewhere, s4&5 (the cheapest production) is what would have been the ideal scenario across all season's from a video quality standpoint.
I'd actually like to try another experiment.
Originally, I was only upscaling SLIDERS episodes to 720p and got okay results with Season 1 and great results with Season 2 onward. Season 1 episodes looked decent in mediums and closeups but like watercolour paintings in the wide shots.
After that, I read a bunch of articles from the DOCTOR WHO restoration workers upscaling old 1970s DOCTOR WHO episodes from 650 line analog videotape to 1080p for blu-ray releases. Their preference was to aim for 1080p so that the upscaling would be controlled in terms of their work on the video file and not by the television, so I began outputting my SLIDERS upscales to 1080p.
With episodes 102 - 109 of SLIDERS, however, I think that's proven to be a mistake because SLIDERS analog videotape episodes are 250 line videotape, 38.5 per cent the resolution of a 1970s DOCTOR WHO episodes. I haven't been happy with the AI upscales, but that's probably because I've been stretching the 250 line videotape files too far. These are 480p files; increasing them by 125 per cent via AI is too much whereas increasing them by a modest 50 per cent via AI is more achievable.
Originally, I upscaled the episodes from 480p to 720p using Topaz Artemis LQ for maximum compression artifact removal and sharpening, but I think that was also too far; there isn't enough to sharpen and it looks like a watercolour in wide shots. Topaz Artemis HQ doesn't try to sharpen too much; it's assuming that underneath the compression, the video won't benefit from further sharpening which is correct for SLIDERS' episodes 102 - 109 because they're too blurry for sharpening.
One of my subsequent experiments was running 102 - 109 through Topaz but leaving it a 480p file that had been deartifacted and denoised and then Lanczos scaling this version to 1080p. The results were good but inconsistent: wide shots looked fragmented or blurry while mediums and closeups looked decent.
"One of my subsequent experiments was running 102 - 109 through Topaz but leaving it a 480p file that had been deartifacted and denoised and then Lanczos scaling this version to 1080p."
This means without artemis, correct? eg Topaz just deartifacted and denoised, correct? Or was that done via artemis HQ?
When running the raw DVD files through Lanczos without Topaz, the 1080p versions were not as sharp in mediums and closeups and had compression noise, but the video quality was consistent across all shots instead of going from clear to blurry. The noise actually helped as a sort of filler data cross the blurry shots.
I'm wondering if using Topaz AI's Artemis HQ to remove the compression raise the resolution by 50 per cent (without trying to sharpen what isn't there like the Artemis LQ version) will yield at least a modest improvement on the initial 480p to 720p upscale.
So you mean running topaz HQ *after* upscaling via lanczos? (edit: actually i think that's your normal workflow)
I'm wondering if then using bicubic scaling to raise the resolution by another 50 per cent to 1080p will also be effective.
It will definitely add a little pixelation back into the image, but that will hopefully make all the wides, mediums and closeups look more consistent, with the pixelation serving a similar function to the compression noise.
I'm going to try it with "Luck of the Draw" and "Prince of Wails" which, to me, had the worst looking wide shots after AI upscaling.
Interesting... so are you suggesting lanczos followed by artemis hq followed by bicubic scaling?
The observation you made about not going to 1080 on s1-9 is interestiing. The AI just can't work with the content as well.
Just as a note in general, I observed a pretty intriguing thing the other day. The Jodorowsky's Dune BOOK / bible that was made when he was trying to pitch hollywood a feature in the 70s was bought for $3m by a bunch of cryto/nft bros recently. There are a limit number of books out there. They then and went raised 12 MILLION dollars from the nft/crypto community to basically share ownership of a future project to make tv/film content based on the book (inspired). Yes, without dune rights etc. Not using the brand I guess. The "investors" don't even get a share of profit as I understand it, and it's supposedly not profit driven or whatever.
They are even looking at costs of an animated series -- supposedly most series for 13 episodes cost $3m to make though I am sure it at least doubles at times.
It's all very interesting to me because I think about our own community. Like, I don't think we can repeat any of that, but would we be able to raise say 100-150k for a true restoration of S1? If our show was cooler to 20-30 year olds with expendable income and overlap into the nft/crypto world, I'd say yea... sure. But our audience is generally at least 40 and 35 youngest, and don't have the same expendable income or risk tolerance.
MY thing is, at the end of the day, a true scan of the negative of s1, even if you didn't put in the special effects, i think would be eye-opening to the community and it would feel newish. Maybe you could even go 16:9 if cameras and boom mikes are not in the way. It's the sorta passion project I wish we could rally around. Because I don't think it will happen by companies motivated by profit.
That said, I also think an alternative is a fan related project that would essentially do it in an upscaling way. If scans couldn't be made but let's say, we raised enough money to actually get some license to pay uni (my guess is it would minmally be $50k -- maybe just 25k for s1, i dont know) and then released the title as an actual blu-ray and you hope to break even.
In that case, I would think an approach of treating wide shots with its own up scale and medium / close with their own and compiling it on a timeline would be needed for the best look for s1.
All this is fantasy of course, but you just wonder what we as a community could pull together if we say could get a little push from a jerry or john. I would also very much like to see distributors, like Peacock, asking Universal to at minimum do an upscale job (though clearly it would not meet the quality of yours unless they somehow had access to better raw assets).
I was trying to reduce video file sizes to get some more files stored on my 2TB drive and delay needing to upgrade to a 4TB. It didn't work out.
**
One of the previous experiments was to run the 480p DVD file through Topaz Artemis HQ but leave it at 480p, but having used Artemis HQ to deblock and denoise the file, taking out all the compression. And then using Lanczos scaling to raise the 480p file to 1080p. The results were really inconsistent: medium and wide shots looked okay/good enough, but wide shots were jarringly blurry or otherwise distorted in a way that was way too distracting.
I tried scaling the Topaz 480p version to 1080p with bicubic scaling instead. The wide shots were more pixelated and less jarringly mismatched, but still mismatched. And overall, this upscaled version looked like mildly improved low resolution analog videotape.
I settled on just using Lanczos on the DVD files. It was a forgiving way to raise the DVD image to 1080p. While the closeups and mediums were fuzzier and noisier than the Topaz upscales, they were *consistently* fuzzy and noisy across all shots. And the noise at least filled in some of that lack of detail. This version with all the noise looked like film with film grain -- albeit film diminished by being downscaled to low resolution analog videotape, but still film.
Some people might prefer the Topaz enhanced 480p version, of course.
**
I re-ripped the Universal DVD files and deinterlaced them at the highest bitrate. Ran "Luck of the Draw" through Topaz to 720p and there sadly wasn't any improvement that I could see. There wasn't much improvement for the Lanczos only version either -- maybe there was bit more texture, but that's probably because there is more noise. It's a lateral move at best.
Update: Yay! Season 4 was delivered today. At least I got all the right discs on season 4. I will be getting season 3 package #2 tomorrow (crossing fingers I get all the right discs on that one). Seasons 1-2 (my personal favorites) will be coming later this week.
What I wouldn't have given to have Tracy Torme` just be THE guy in charge for all five seasons.
Oh, well. With a potential 6 in the works...I'll be happy having him return.
Anyway...ripping with Handbrake produces blank/grayed out video on the DVDs in Season 3. The only ripping program I have that works is DVD Fab. Not sure what's up with that.
Handbrake used to be fine for DVD ripping, but recent updates seemed to remove the decoder. I've switched to MakeMKV.
https://makemkv.com/
However, Handbrake is still important. You see, MakeMKV does not deinterlace video and the DVDs are all interlaced (even and odd fields to form the whole picture). If you don't deinterlace the video, your video files will have horizontal lines flashing across the screen. You must use Handbrake (or some other software) to "decomb" the video and convert the video to a progressive format so that your upscale won't have the lines.
Yes! I always use the deinterlace function on films (and TV shows) I rip for this reason.
BTW, side comment: I said it years ago and I'll say it now: watching Kari Wuhrer act is like watching (listening to...?) nails on a chalkboard.
I'm always surprised by the sound of Kari's voice when I haven't heard it for awhile. It's higher-pitched than I remember. I don't think poorly of her post-Season 3 acting, but she'll never be a favourite for me. Certainly, she never turned up on camera drunk like, say, Jerry O'Connell.
**
It's strange: for Universal DVDs and the Turbine SD blu-ray release, the video quality across the individual non-Pilot episodes of Season 1 are not consistent.
Universal DVD:
On the DVD (which uses the NTSC masters): some episodes have serious aliasing issues where lines that should be straight and smooth are instead jagged and pixelated, and when the camera moves, those jagged lines become further pixelated (the term is moiré pattern). The episodes that suffer from this: "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw."
"Prince of Wails" is glaring when the sliders encounter the army in Oakland: the humvee and the car suffer severely from jagged lines. "Fever"'s scenes in the drugstore are really pixelated with the racks of herbal medicine. "Last Days"' opening shot of the quiet residential streets are distorted. "Eggheads" looks especially bad with the scene where Arturo meets his wife. "Luck of the Draw"'s fashion display looks hideous.
I'm not sure why these five specific episodes have these aliasing issues more severely than the other three non-pilot episodes on the Universal DVD. It may be a DVD authoring issue where the interlaced format for those four episodes had the incorrect settings for encoding the video with odd and even fields, a mistake that the Turbine release didn't repeat.
Turbine SD blu-ray:
These jagged edges in the NTSC DVDs aren't in the PAL-sourced SD blu-ray from Germany, although these versions of the episodes are blurrier. But "Summer of Love" is strange: it is so much blurrier than the other seven non-pilot episodes and severely desaturated, missing almost half the colour from the NTSC DVD version. This is odd because the other non-pilot Turbine episodes of Season 1 are not as blurry or colour-drained as "Summer of Love."
Episodes 103 - 108 Turbine episodes of Season 1 ("Prince of Wails" to "The King is Back") are suffering only from about a 10 - 15 per cent loss of colour and about a 15 - 20 per cent loss of contrast. "Luck of the Draw" from this set isn't missing any of the colour compared to the Universal DVD, although it has the same lack of contrast as the previous episodes. And 103 - 109 are all, compared to the Universal DVD, missing about 20 - 25 per cent of the Universal DVD's sharpness (which wasn't that sharp to begin with).
I'm guessing that the NTSC analog videotapes were duplicated to PAL and stretched, and analog copying creates a faded second generation copy; "Summer of Love"'s PAL master may have been made from a copy of a copy of the NTSC tape.
I'm now wondering if Turbine's versions of "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw" might be a better bet for low-gain upscaling. The AI could try to sharpen the SD files to be closer to the Universal DVD version while still leaving it at 480p to avoid all the AI distortions, and then Avidemux could use bicubic or Lanczos scaling to bring it to 1080p while also moderately increasing the colour and contrast.
I'm always surprised by the sound of Kari's voice when I haven't heard it for awhile. It's higher-pitched than I remember. I don't think poorly of her post-Season 3 acting, but she'll never be a favourite for me. Certainly, she never turned up on camera drunk like, say, Jerry O'Connell.
**
It's strange: for Universal DVDs and the Turbine SD blu-ray release, the video quality across the individual non-Pilot episodes of Season 1 are not consistent.
Universal DVD:
On the DVD (which uses the NTSC masters): some episodes have serious aliasing issues where lines that should be straight and smooth are instead jagged and pixelated, and when the camera moves, those jagged lines become further pixelated (the term is moiré pattern). The episodes that suffer from this: "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw.""Prince of Wails" is glaring when the sliders encounter the army in Oakland: the humvee and the car suffer severely from jagged lines. "Fever"'s scenes in the drugstore are really pixelated with the racks of herbal medicine. "Last Days"' opening shot of the quiet residential streets are distorted. "Eggheads" looks especially bad with the scene where Arturo meets his wife. "Luck of the Draw"'s fashion display looks hideous.
I'm not sure why these five specific episodes have these aliasing issues more severely than the other three non-pilot episodes on the Universal DVD. It may be a DVD authoring issue where the interlaced format for those four episodes had the incorrect settings for encoding the video with odd and even fields, a mistake that the Turbine release didn't repeat.
Turbine SD blu-ray:
These jagged edges in the NTSC DVDs aren't in the PAL-sourced SD blu-ray from Germany, although these versions of the episodes are blurrier. But "Summer of Love" is strange: it is so much blurrier than the other seven non-pilot episodes and severely desaturated, missing almost half the colour from the NTSC DVD version. This is odd because the other non-pilot Turbine episodes of Season 1 are not as blurry or colour-drained as "Summer of Love."Episodes 103 - 108 Turbine episodes of Season 1 ("Prince of Wails" to "The King is Back") are suffering only from about a 10 - 15 per cent loss of colour and about a 15 - 20 per cent loss of contrast. "Luck of the Draw" from this set isn't missing any of the colour compared to the Universal DVD, although it has the same lack of contrast as the previous episodes. And 103 - 109 are all, compared to the Universal DVD, missing about 20 - 25 per cent of the Universal DVD's sharpness (which wasn't that sharp to begin with).
I'm guessing that the NTSC analog videotapes were duplicated to PAL and stretched, and analog copying creates a faded second generation copy; "Summer of Love"'s PAL master may have been made from a copy of a copy of the NTSC tape.
I'm now wondering if Turbine's versions of "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw" might be a better bet for low-gain upscaling. The AI could try to sharpen the SD files to be closer to the Universal DVD version while still leaving it at 480p to avoid all the AI distortions, and then Avidemux could use bicubic or Lanczos scaling to bring it to 1080p while also moderately increasing the colour and contrast.
Well I guess this speaks to the inconsistency between episodes with s1....
You mention a lot of things here with turbine vs. Universal. Related to that I seem to recall strongly preferring most episodes of s2 turbine over universal (with goodfellas being an exception bc it played really pixelated and jaggy on my equipment).
However I think I recall maybe preferring s1 on universal vs.turbine and I just tried to find what I wrote it anything in this thread and don't see notes.
My blu ray player that could handle the pal format has since broke.
Delivery update: My Sliders season 3 DVD package is now correct. Yay! All discs received. Glad to see that was a random fluke on the previous delivery. Now to await Seasons 1 and 2 later this week.
This should hold me over for at least 20 years and when streaming rights expire.
I am going to rip them, re-order in filmed order, and watch from one of my external hard drives which will be hooked up to my 4K TV that sits right above my dual monitor computer setup.
I'm sorry to hear about your PAL capable player, RussianCabbie.
QuinnSlidr -- I've generally found that the episodes from "Summer of Love" to "Luck of the Draw" are not AI upscalable due to having been transferred to low-res analog videotape that has lost all the film grain needed for an AI re-rendering. But I'll be curious to know if you get different results. The other issue is, of course, the aliasing issues on five episodes of Season 1.
I looked into the aliasing issue some more when I probably could've been eating lunch and...
Wide Shot Woes and Jagged Edges: A lot of the AI sharpened wide shots from specific Season 1 episodes of the Universal DVD looked bad after AI upscaling, even when the AI was just to deblock, deartifact, and leave the 480 image at 480. There was a weird broken stained glass effect across those shots. This was particularly present in "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw." These are the episodes with severe aliasing issues which lead to flickering, jagged edges on straight lines that I think confuse the AI in what pixels to add even for simple cleanup (and it was already confused by the lack of film grain). These jagged edges are in the raw DVD files.
A Normal Amount: "Summer of Love" and "The King is Back" don't have this problem. There are a couple shots in "The Weaker Sex" where aliasing is present (the scene when a woman stops her car in front of Rembrandt when he's singing on the street) -- and it isn't severe and at a fairly normal level for DVD, an interlaced medium. But it is really bad on the other five episodes.
Odd and Even Fields: SLIDERS was shot on film but transferred to videotape, an interlaced format where the video signal contains two fields (even and odd) for rendering the image. Most interlaced video will suffer from at least a little aliasing (like in "The Weaker Sex"), but when these two fields aren't aligned correctly, it will be glaring and distracting.
How Did This Happen? It looks like when Universal made the DVDs in 2004, the process for identifying odd and even fields from analog videotape for digital file conversion was limited. Rather than convert each videotape twice and choose the file that turned out correctly, Universal chose randomly, got it right three times out of eight (four out of nine if you count the pilot), and didn't bother to re-encode for the five that they got wrong.
Our Mill Creek Enemies: The Mill Creek DVDs have the same aliasing issues on the same scenes.
Our German Allies: Turbine, while using poorer quality PAL masters, doesn't have aliasing issues on their SD blu-ray. They may have received videotapes and transferred the fields correctly through 2016 technology or trial and error. (I mean, you only have to do it twice to get it right.) They may have received PAL digital files that didn't have the field errors (although given Universal's ineptitude, it seems unlikely). They may have received digital files with field errors but corrected them. They don't remember if they received digital files or videotapes.
Can this be fixed? I can't seem to do it easily. Handbrake has a "Chroma Smooth" function for this sort of distortion, but it blurs the whole image and those jagged, flickering lines still remain. Topaz has a few "anti-aliasing" presets, but it can't seem to smooth out the issue either; it's meant for reducing low levels of aliasing correctly encoded interlaced video, not video that's swapped the odd and even fields. There are a number of deinterlacing filters I could try and Turbine probably has the right software for it.
CPU Without GPU: AVIDemux has a bunch of options for deinterlacing and swapping the fields, but AVIDemux doesn't use my graphics processing card, instead using only the CPU. CPU-only video processing is very slow, so for me, trying different deinterlacing processes to find the right one would take hours for each one just to complete a five minute clip -- and I refuse to this any more.
Resignation: I refuse to spend any more time trying to clean up the hackwork done by Universal's home video department which they refused to perform properly even with simple trial and error back in 2004. Which they refused to correct even when they had years before sending the files to Mill Creek and Hulu and Peacock and Netflix. I am done trying to upscale the Universal DVD files. Universal is incompetent. It's not my job to fix their work. I will never put another disc from the Dual Dimension set into one of of my drives again.
Turbine: I put the Turbine version of "Prince of Wails" through Topaz this morning. No upscaling to a higher resolution, just trying to AI sharpen away the blurriness. It just finished and it looks to be on the same level of sharpness as the Universal version of this episode -- not terrific, but not downright fuzzy. It's good enough to scale via Lanczos to 1080p and it doesn't have Universal's field errors. I'm going to run the sharpening on all the Turbine versions of the non-Pilot Season 1 episodes and upscale them to 1080p via Lanczos.
Curiosity: "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw" will definitely be replaced with the Turbine-based upscales. "Summer of Love" off the Turbine version is really blurry and discoloured, but it'd still be worth it to see the results. "The Weaker Sex" and "The King is Back" might be best as the versions sourced from Universal, but it'd be nice to complete the set with them.
Good bye, Universal's Dual Dimension set -- and good riddance. (The Pilot, "Summer of Love," "The Weaker Sex" and "The King is Back" looked good, though.)
ireactions - Wonderful analysis. I will keep all that in mind as I work on my own AI enlargements.
By the way, I don't mean to post anything promotional, but is this the Turbine German version?
How Did This Happen? It looks like when Universal made the DVDs in 2004, the process for identifying odd and even fields from analog videotape for digital file conversion was limited. Rather than convert each videotape twice and choose the file that turned out correctly, Universal chose randomly, got it right three times out of eight (four out of nine if you count the pilot), and didn't bother to re-encode for the five that they got wrong.
I wonder if they had two different staff members doing this work? And each person may have choose a different setting.
ireactions wrote:How Did This Happen? It looks like when Universal made the DVDs in 2004, the process for identifying odd and even fields from analog videotape for digital file conversion was limited. Rather than convert each videotape twice and choose the file that turned out correctly, Universal chose randomly, got it right three times out of eight (four out of nine if you count the pilot), and didn't bother to re-encode for the five that they got wrong.
I wonder if they had two different staff members doing this work? And each person may have choose a different setting.
That sounds exactly like that happened here. If so...pretty shoddy work by Universal not to be doing some kind of oversight on this.
Big companies. They don't care the way fans do.
is this the Turbine German version?
https://www.amazon.com/Sliders-Die-komp … amp;sr=8-4
That's the one!
Big companies. They don't care the way fans do.
I guess depends on the units they think they can move. Paramount felt STAR TREK would sell huge numbers in blu-ray and put a lot of money into remastering it. They felt the same way about STAR TREK: THE NEXT GENERATION and promptly lost a lot of money on remastering it and decided not to do a remaster of DEEP SPACE NINE or VOYAGER. Visual Entertainment Inc. expected moderate sales on STARGATE SG1 and put a very moderate amount of money into upscaling the SD versions of Seasons 1 - 7 to something that vaguely approximates a high definition video.
Universal... did not think the sales on SLIDERS DVDs would be great, but they had the IP on their shelf, had some shelf space to fill, had a gap in their home video release schedule and hacked something out in the most half-assed fashion possible.
I once had a neat conversation with a Turbine rep. I said that I really appreciated the thought and effort they put into their blu-ray set: the packaging, the well-presented versions of the PAL masters, the episodes being in the right order, the menus, the pilot commentary whereas Universal couldn't even run some anti-aliasing and Mill Creek couldn't be bothered to use a few extra discs.
Turbine replied to say that they appreciated getting a message that recognized their focus on high premium, high quality products. Yes, they could put in less effort and probably get away with it, but what was the point of doing anything unless it could be done with care and love and quality?
I have had quite enough of those clowns at Universal who have been wasting my time and CPU and GPU cycles since 2004. Universal, you are no longer wanted. You are no longer needed. You have been replaced. You will not be missed. Turbine, let's upscale "Last Days."
QuinnSlidr wrote:is this the Turbine German version?
https://www.amazon.com/Sliders-Die-komp … amp;sr=8-4That's the one!
RussianCabbie_Lotteryfan wrote:Big companies. They don't care the way fans do.
I guess depends on the units they think they can move. Paramount felt STAR TREK would sell huge numbers in blu-ray and put a lot of money into remastering it. They felt the same way about STAR TREK: THE NEXT GENERATION and promptly lost a lot of money on remastering it and decided not to do a remaster of DEEP SPACE NINE or VOYAGER. Visual Entertainment Inc. expected moderate sales on STARGATE SG1 and put a very moderate amount of money into upscaling the SD versions of Seasons 1 - 7 to something that vaguely approximates a high definition video.
Universal... did not think the sales on SLIDERS DVDs would be great, but they had the IP on their shelf, had some shelf space to fill, had a gap in their home video release schedule and hacked something out in the most half-assed fashion possible.
I once had a neat conversation with a Turbine rep. I said that I really appreciated the thought and effort they put into their blu-ray set: the packaging, the well-presented versions of the PAL masters, the episodes being in the right order, the menus, the pilot commentary whereas Universal couldn't even run some anti-aliasing and Mill Creek couldn't be bothered to use a few extra discs.
Turbine replied to say that they appreciated getting a message that recognized their focus on high premium, high quality products. Yes, they could put in less effort and probably get away with it, but what was the point of doing anything unless it could be done with care and love and quality?
I have had quite enough of those clowns at Universal who have been wasting my time and CPU and GPU cycles since 2004. Universal, you are no longer wanted. You are no longer needed. You have been replaced. You will not be missed. Turbine, let's upscale "Last Days."
I think you've discovered something really interesting and important here with regard to the deinterlacing and the 3 / 5 split of aligned properly vs. not for season 1.
I am sure universal never knew this and I an sure that not anyone else knew of this issue either.
I just did some googling and since you are so well versed in some of the technical end of things, I would invite you to reach out to this gentleman and see if you can get a conversation going.
https://www.linkedin.com/in/bpfunke
Maybe just maybe they'd correct their digital files in their local archive and we'd see the distribution of them down the road. That would mean rescannjng the master tapes for those episodes I guess .
Here is some other names.
https://www.linkedin.com/in/robertblair … _browsemap
https://www.linkedin.com/in/ryanbeckfor … _browsemap
https://www.linkedin.com/in/shawnodonne … _browsemap
https://www.linkedin.com/in/lisa-stewar … _browsemap
You could reach out to them individually and ask if they are the appropriate person to report an issue with for the SLIDERS (1995-2000) digital files distributed on the dvds and presumably to their other domestic partners (peacock, comet/sinclair).
Most of those technicians probably work on more current programming and it might be a team in the West coast where physical master tapes are located but if they can look someone in and you get the right person (in terms of kindness) they might be willing to talk about that stuff on the technical front and look into it. Maybe even fix it.
The fact that nbcuniversal is still landing syndication deals for the content at least makes it somewhat of a current technical issue..
NBCUniversal seems to have little to no interest in home video releases of their older content. Their home media site advertises box sets of late 2000s and 2010s shows, but for shows before that, there's not much beyond MIAMI VICE, SEINFELD and WILL AND GRACE. But for blu-ray releases of THE ROCKFORD FILES, KNIGHT RIDER, QUANTUM LEAP, I DREAM OF JEANNIE, EUREKA, the NBCU home video department has just kicked it over to Mill Creek.
As for contacting NBCUniversal -- I think I've spent enough time working on their products long after they released and abandoned them.
Well, you're right that they probably wouldn't care enough to fix it.
I'm still glad you were able to discover the issue though. A lot of what we historically thought was the problem was overcompression.
I don't know what they would or wouldn't do. If you want to contact them and copy-paste relevant sections from my posts for your own messages, you could do that. In my case, while I enjoy dragging and dropping video files into Topaz for various tests, I don't think it's my job to be running NBCUniversal's home video department unpaid.
I will put my leisure energy towards video materials produced by Turbine as Turbine actually put some effort into their work.
Topaz has had some software updates and while I couldn't run it before because the program kept crashing, the new version stabilized. There is now a wider variety of presets. Where originally, there were just presets for compression-removal and sharpening, there are now additional presets for smoothing out interlaced video (unfortunately useless on the mis-encoded five episodes of Season 1 and not effective on the rest because the sound is out of sync), for toning down aliasing (also ineffective for our problems) -- and there's also one that's focused on trying to deblur video.
Deblurring is where Turbine's S1 episodes would benefit most. "Summer of Love" may be beyond repair on Turbine. But I've run "Prince of Wails" through Topaz's Artemis - Remove Blurriness preset twice now, the first time on Low Quality Video while leaving it at 480p. The final file looked as sharp as the Universal version, but with a slightly 'painted' look to the wide shots due to the lack of grain in the source file.
I ran it again last night, but this time set to High Quality Video which doesn't try to add as many extra pixels based on grain to pixel rebuilding and it came out looking like a very nice 480p version of "Prince of Wails" where all the hair and faces were defined and wide shots looked appropriately distanced but not distorted. Turbine's blurry soft focus look is gone thanks to Topaz adding pixel contrast to all the edges, but the image still lacks fine detail or texture. When scaled to 1080p bicubically (through live playback), it looks like adequately upscaled videotape (and without the weird Universal distortions).
I am going to try two more experiments with "Prince of Wails": I am running the 480p cleanup again for AI deblurring, but this time, I'm using this new setting in Topaz that adds film grain. I think a small amount laid over the AI deblurred image might fill in some of that absent texture and make it look less like videotape and more like film-on-videotape.
I am then going to run the same preset but scale it to 1080p. I am extremely doubtful it will be any different from the last time I used AI upscaling to bring this same file to 1080p, but I'd at least like to see how it turns out with this new deblurring preset.
Regardless of which preset I end up using, all the Turbine S1 non-pilot episodes aside from "Last Days" will need to be run through AVIDemux to increase the saturation by about 15 - 20 per cent.
I don't know what they would or wouldn't do. If you want to contact them and copy-paste relevant sections from my posts for your own messages, you could do that. In my case, while I enjoy dragging and dropping video files into Topaz for various tests, I don't think it's my job to be running NBCUniversal's home video department unpaid.
I will put my leisure energy towards video materials produced by Turbine as Turbine actually put some effort into their work.
Topaz has had some software updates and while I couldn't run it before because the program kept crashing, the new version stabilized. There is now a wider variety of presets. Where originally, there were just presets for compression-removal and sharpening, there are now additional presets for smoothing out interlaced video (unfortunately useless on the mis-encoded five episodes of Season 1 and not effective on the rest because the sound is out of sync), for toning down aliasing (also ineffective for our problems) -- and there's also one that's focused on trying to deblur video.
Deblurring is where Turbine's S1 episodes would benefit most. "Summer of Love" may be beyond repair on Turbine. But I've run "Prince of Wails" through Topaz's Artemis - Remove Blurriness preset twice now, the first time on Low Quality Video while leaving it at 480p. The final file looked as sharp as the Universal version, but with a slightly 'painted' look to the wide shots due to the lack of grain in the source file.
I ran it again last night, but this time set to High Quality Video which doesn't try to add as many extra pixels based on grain to pixel rebuilding and it came out looking like a very nice 480p version of "Prince of Wails" where all the hair and faces were defined and wide shots looked appropriately distanced but not distorted. Turbine's blurry soft focus look is gone thanks to Topaz adding pixel contrast to all the edges, but the image still lacks fine detail or texture. When scaled to 1080p bicubically (through live playback), it looks like adequately upscaled videotape (and without the weird Universal distortions).
I am going to try two more experiments with "Prince of Wails": I am running the 480p cleanup again for AI deblurring, but this time, I'm using this new setting in Topaz that adds film grain. I think a small amount laid over the AI deblurred image might fill in some of that absent texture and make it look less like videotape and more like film-on-videotape.
I am then going to run the same preset but scale it to 1080p. I am extremely doubtful it will be any different from the last time I used AI upscaling to bring this same file to 1080p, but I'd at least like to see how it turns out with this new deblurring preset.
Regardless of which preset I end up using, all the Turbine S1 non-pilot episodes aside from "Last Days" will need to be run through AVIDemux to increase the saturation by about 15 - 20 per cent.
The deblur feature seems like an interesting feature. Really nice to have. I bet that can help a lot on older tv content.... If you watch some of the stuff on the nostalgia tv networks... especially I think sitcoms... It seems a lot of them could use that.
With regard to Universal, yea I'll try to let some of these folks know about that issue. None if those ppl are home entertainment but more digital asset management. So if they ever did rescan the master tapes to get new digital files, we might see the rewards on new vod partners or syndication partners who receive the digital assets. Even peacock should be able to show sliders a bit more respectfully... If that's the platform that is supposedly so important to the future of the company.
Of course having proper files would also therefore help with upscaling but I'm not so sure we'd be able to get our hands on them so easily since another DVD release is fairly unlikely.
I am keeping an eye on these tips.
Update: new USPS delivery guy delivers at 6:30 a.m. So I got my Sliders seasons 1 & 2 DVDs delivered 1 day early! Yay!
I'm ripping these DVDs while I do other work. No more horrid Amazon compression for the first 10-15 minutes on Sliders episodes.Yay!
Still debating whether I want to get season 5. I may just get season 5 for Cleavant alone. I'm not missing anything else otherwise.
Well, you could just get the Mill Creek complete set for Season 5. For upscaling purposes, it makes little difference.
Also, as you are working on the Universal discs, I can tell you: I was able to mostly fix the aliasing issue in Universal's "Prince of Wails" with a field-swap deinterlacer in AVIDemux.
In the Universal disc, the scene of the sliders encountering Hurley and the soldiers in Oakland was riddled with jagged edges on the humvee and the car. After using Kernel Deint and setting it to reverse the field order, the lines of the humvee and car were smoother, but there were still artifacts within the smoothed out lines and image flickering across them.
That said, I am only an amateur and some more experienced encoder enthusiasts say that the NTSC version is fine and it's the Turbine / PAL video files that are mis-aligned. https://forum.doom9.org/showthread.php?p=1869424
I can only speak to my own particular hardware and software: I've run every Season 1 - 2 episode of SLIDERS through the GPU-augmented Handbrake's decomb filter using both Turbine and Universal. For me, only Universal's "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw" have the mis-arranged fields after Handbrake's deinterlacing. The other Universal episodes were mostly fine, the Turbine episodes converted to progressive video via Handbrake really well.
Certainly, there is *some* aliasing in the Turbine versions, but any video that was ever interlaced will have some. "Last Days" opens with a shot of a still street; in the Universal version, the straight lines are pixelated and blocky and flickering. In the Turbine version, those lines are smooth -- but there is a little flicker. To me, that's normal.
My guess would be that Turbine has a field-swap deinterlacer for files that haven't been encoded correctly.
If someone else wants to experiment with deinterlacing field swappers, they might find the right one for the five alias-troubled Universal episodes. However, I won't keep using the Universal DVDs for anything. I've realized that my relationship NBCUniversal has become abusive.
I am a devoted fan of SLIDERS as a television series and intellectual property, but I'm not going to devote myself to unpaid servitude for a multi-billion dollar global conglomerate that has the ability to deinterlace their own videotapes.
It's one thing to upscale a standard definition video product to HD as a fan; that's having purchased a product and looking at improving the playback options. It's also fine for me to write fan fiction; that's imagining what SLIDERS could be and typing it up.
But it is grossly inappropriate for me, a hobbyist fan, to provide free labour to a wealthy corporation just because I care about an intellectual property that happens to exist on one of their ledgers. I won't call five NBCUniversal employees to raise and repair the video quality issues. That's ridiculous. It is not my job to fix a standard definition video product that Universal sold to me broken.
NBCUniversal owns SLIDERS, but SLIDERS is not NBCUniversal.
In contrast, my relationship with Turbine is appropriate for a content distributor and a fan. I wanted SLIDERS in standard definition. They sold it to me. Their version of SLIDERS is encoded correctly and the episodes are in order and there is no damage from compression.
Any effort to bring Turbine's content to HD is to build upon the solid foundation of their diligence, not to correct incompetence in their product. Their version of Season 1 was not upscalable using the 2020 version of Topaz, but the 2021 edition is yielding some interesting results.
"Prince of Wails" from Turbine looks really nice after Topaz has deblurred it and added some film grain texture while keeping the file at 480p. Before Topaz, the Turbine file was about 25 per cent blurrier than the Universal version. After Turbine, I'd say it's about 5 per cent blurrier. I did do some work before Topaz, increasing the saturation levels a bit. I'm now putting this file through Topaz again to be deblurred and upscaled to 1080p. It might be as much a disaster as my previous upscales of this file, but it'd be nice to know what can and can't be done.
^ You're right that Universal completely screwed up. And has been lazy throughout how they have put out releases and sent content to syndication partners. It's not treated with respect, which is bothersome and there is a general lack of quality control. Unfortunately, Sliders has always been low on the totem pole to them given the profit margins.
I think had SLIDERS been introduced in the streaming era (via a premium service) our audience, which may not have been as big as X-Files (which was sustainable on network tv), would have been enough for a different, non-ad driven business model. And maybe seen as valuable and important.
That said, had it been introduced in today's era, I am not sure it ever would have gotten to season 5 given it seems that streamers stop at 2-to-4 seasons now. Although they would not have started heavy meddling in season 3. And we really only got two legit seasons of Tracy's SLIDERS.
I ran a short upscaling test on a segment of Turbine's "Prince of Wails" (Artemis High Quality, deblur, 1080p output) and I have to say, I think we're getting somewhere at last with these Season 1 episodes.
Sample video: https://mega.nz/file/O9YzHC7a#nX7JrcQHk … 79AO6_sFXo
Instead of trying re-render the image with absent film grain, Topaz's deblur seems to selectively increase pixel contrast to reduce blurriness while blending the pixels in smoothly to avoid blockiness. Looking at the results up close, there is some of that watercolour effect in the wides, but watching it at living room distance, it isn't really a big deal.
I am going to increase the amount of film grain by 25 per cent, however, just to fill in a bit of the absent detail and this time, I'm running the whole episode which will take 10 hours.
My relationship with Turbine is already proving healthy and rewarding.
^ That's quite a respectable image... sometimes when I see these samples, I feel like I am seeing the episode for the first time because one isn't used to seeing it w/ the clarity.
You are next adding film grain as a post-production effect across the top of the entire image, correct?
I am adding grain via Topaz. I feel that grain adds some weight and body to the image and fills in some of the missing detail. I think the objective here is no longer grain-to-pixel sharpening, but deblurring the PAL video master.
However...
I just reviewed the new "Prince of Wails" 1080p upscale and it looks good -- but still a little 'bare.' I'm running it again now but increasing the grain by another 10 per cent. I would like to show you a sample, except I'm running into that problem I had earlier: when I extract a file via Handbrake, I find that the H.264 codec, even at the highest file size, filters out the Topaz-added grain texture! Even when the full episode is 5.8GB and the extracted five minute sample is 3.6GB, it doesn't look any different from what I posted last night.
I just reviewed the new "Prince of Wails" 1080p upscale and it looks good -- but still a little 'bare.' I'm running it again now but increasing the grain by another 10 per cent. I would like to show you a sample, except I'm running into that problem I had earlier: when I extract a file via Handbrake, I find that the H.264 codec, even at the highest file size, filters out the Topaz-added grain texture! Even when the full episode is 5.8GB and the extracted five minute sample is 3.6GB, it doesn't look any different from what I posted last night.
Very strange. Maybe there needs to be another in between step after adding the grain. Could it be that the grain is added in some data layer that gets discarded once handbrake does it's work? Or does the h264 not support the kinda info in its file? Or maybe that data gets so compressed or minimized... Even if the file size overall isn't shrinking.
Okay, Handbrake has a (very slow, CPU-only) process for 'tuning' a video to maintain the grain.
"Prince of Wails." The sliders meet Hurley! Again! This is Turbine, upscaled via Topaz Artemis High Quality (deblur) with film grain added after the upscale.
https://mega.nz/file/L5JigBLI#M6ZAtduC_ … Lp6S0d4CUY
Okay, Handbrake has a (very slow, CPU-only) process for 'tuning' a video to maintain the grain.
"Prince of Wails." The sliders meet Hurley! Again! This is Turbine, upscaled via Topaz Artemis High Quality (deblur) with film grain added after the upscale.
https://mega.nz/file/L5JigBLI#M6ZAtduC_ … Lp6S0d4CUY
hmmm... I assume you prefer the grain? to my eye, at least, I think one issue with the grain is, because it's not image conforming, it can add some noise in places where we already have some image imperfection and make it feel even less perfect. however, i understand the desire to add some texture to the image.
For me, my low hanging target for the Season 1 Turbine upscales is to get them to look like the Season 2 Turbine files -- grainy and filmic. I think it's achievable to get a below average HD file that looks like an above average SD file.
Also, if I change my mind later, the grain can easily be removed: it only takes 2 - 4 minutes to re-encode the file in Handbrake with a GPU-augmented codec that deletes the data layer with the grain. Better to have it and not want it than to want it and not have it.
Here's the opening of "Fever." One of the things I have always admired about Jerry O'Connell as an actor: he is very good at fake eating. In both "Prince of Wails" and "Fever," he fake eats very convincingly even though, intellectually, I know he's not eating anything. Check out his fake eating in "Fever" in this upscaled sample here:
https://mega.nz/file/m94kQahB#vvrU5ndfc … PQ9BQGZ2ZE
For me, my low hanging target for the Season 1 Turbine upscales is to get them to look like the Season 2 Turbine files -- grainy and filmic. I think it's achievable to get a below average HD file that looks like an above average SD file.
Also, if I change my mind later, the grain can easily be removed: it only takes 2 - 4 minutes to re-encode the file in Handbrake with a GPU-augmented codec that deletes the data layer with the grain. Better to have it and not want it than to want it and not have it.
Yes, I understand.
I think of course at times we have slightly different palates, where you are harkening an era of film and classic movies, whereas I tend to be so upset with the poorly aged look of the material we have now, I go for a cleaner look, though I have always found some grain beneficial when using VLC player to play the samples.
Here's the opening of "Fever." One of the things I have always admired about Jerry O'Connell as an actor: he is very good at fake eating. In both "Prince of Wails" and "Fever," he fake eats very convincingly even though, intellectually, I know he's not eating anything. Check out his fake eating in "Fever" in this upscaled sample here:
https://mega.nz/file/m94kQahB#vvrU5ndfc … PQ9BQGZ2ZE
Fever looks good. I have always found the blurriness of the opening particularly disturbing, especially with the VOD distributors etc.
I'm not in favour of noise or grain as an aesthetic, but it has its uses. Generally, I don't see the grain and don't want to see grain; at living room distance, grain should just seem like detail.
In the case of Season 1 episodes, the PAL master even after deblurring is still a little blurry, and noise brings it closer to the original film look. In the case of Season 2, the SD masters are extremely grainy and while I like it, I'm also very pleased with how Topaz converted that grain into pixels for a crisp HD rendition for "As Time Goes By" and other episodes. If I could get Season 1 to look like a Topaz-processed episode of Season 2, I would, but the tools aren't there (yet? ever?).
I am less pleased with the STARGATE SG-1 DVDs which have had the noise blurred out through filters that also blurred out the image under that noise.
However, there are times when I find graininess really unwelcome and distracting. The TV show CHUCK was shot on grainy 16mm film and somewhat overcompressed even on its blu-ray releases, leading to a lot of compression noise in addition to the original film grain that can be really inappropriate. CHUCK has some scenes in the white, blank room of the Intersect computer in the pilot and series finale, and that room should look pristine. Instead, it's riddled with static dots. I also found the graininess of Sabrina Lloyd's UNIVERSAL SIGNS rather unpleasant and ran it through a 28 hour Topaz grain-to-pixel process so that all the grain would be resolved into detail.
DAWSON'S CREEK in HD looks really grainy to me; I think the 4K scan was a bit much for 16mm film.
With Season 1 of SLIDERS, it's blurriness or graininess, so I've chosen graininess.
It's odd: the Turbine episodes are blurrier than the Universal episodes, but with the 2021 Topaz toolkit, Turbine is working out better than Universal.
I couldn't figure out what to do with the Universal Season 1 episodes after the Pilot. Even with the new Topaz tools, every attempt to deblur the Season 1 Universal files created either a smudged 1080p watercolour painting or oversharpened, deformed artifacts across the video image -- or improved the image so little that non-AI scaling was faster and better.
Even the Universal version of "Summer of Love," which didn't have the interlacing issues, came out of Topaz 2021 badly: it's really smudged, like a bad painting. It's like the compression and the lack of film grain just confuses the algorithm and when an episode like "Prince of Wails" has interlacing problems on top of that, Topaz is just lost.
My successes with upscaling DUE SOUTH and THE DEAD ZONE from compressed DVDs made me think that Topaz could lift off video compression and reveal what was underneath. But I suspect this isn't quite true: while Topaz can remove compression, it is dependent on film grain to reconstruct what is under that compression. When there is compression but no grain, Topaz can't rebuild the image correctly, so removing the compression artifacts off the Universal files only makes them worse.
In contrast, the Turbine versions of Season 1 only have one problem for Topaz to address. The Turbine episodes are blurry and Topaz needs to deblur them (and upping the saturation a bit in AVIDemux before the uspcale is good too). There isn't any compression noise to lift off, so Topaz doesn't need to rebuild the image using film grain; it just needs to review the pixels of this blurry image and increase the pixel contrast within the boundaries of each part of the image.
^ well, either way, you've done a great job at figuring things out. We're dealing with very complex factors from the content, to the different releases, to the differences between seasons, to the differences within a season... to the different tools/software... to the differences between the settings and options within each piece of software... to the hardware requirements.... to the variables with each piece of hardware and hardware going...
This is all experimental and what the scientific process is. A ton of variables, a ton of trial and error. Often a relentless effort within a complex system / set of circumstances.
I have no doubt the technology will continue to improve because the software developers are on their own journeys trying to get their algorithms right. And since there seems to be enough demand for this sorta software, it seems like their projects and r&d will continue.
One day, I hope we will get to see a three-dimensional professor in VR.
Some findings:
"Summer of Love" from Turbine is still in progress, but I'm looking at the frames as they upscale and they do not look good after the deblur. It is the fuzziest episode in the Turbine set. I wonder if I might go to the MP4 file I have of the Universal version and use Topaz 2021's noise-removal preset to take off the compression artifacts -- while leaving it at 480p. Then run Topaz' deblurring function to bring it to 1080p. Topaz 2021 separating the tools instead of just having them all combined into a few presets may offer some paths forward here.
In terms of aliasing: I've been reviewing the raw Universal files of the episodes that are not suffering from misaligned fields throughout most of the episode. The Universal version of the pilot has some aliasing. There are some jagged edges in Quinn's car when he stops his car by the park, flickeringly jagged lines when Quinn runs past the homeless Communist, jagged lines across Arturo's classroom seats. I'd consider this normal for a DVD; you're always going to have at least a little. It's only annoying when it's in any and every shot with straight lines for entire episodes like Universal's "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw."
However, the Turbine version of the pilot, while blurrier, has significantly less of this flicker and jaggedness in the park scene and almost none in Arturo's classroom.
While mostly fine, Universal's "The Weaker Sex" had some flickering jagged edges in the scene with Rembrandt singing and a lady stopping her car to talk to him; those are not present in the Turbine version. Universal's version of "The King is Back" is also pretty alias-free except in one notable scene: after Arturo's crowdsurfing incident, the Motel 12 doorframe is very jagged and flickery. Again, I would consider all this acceptable for an interlaced DVD, especially in how occasional it is. However, the Turbine versions of "The Weaker Sex" and "The King is Back" don't have these issues.
I wonder if a part of it is that the Turbine versions are at 24 frames per second instead of 29, and fewer frames means less opportunity for field issues in interlaced video, but I think Turbine must have done processing cleanup here because it's unlikely Universal did a better job on the PAL masters than they did on the NTSC files.
**
Handbrake has a function called "Detelecine" which is supposed to address flicker caused when film has been converted to videotape (like with SLIDERS). I'd previously just been deinterlacing when when converting the DVD files from interlaced into a progressive (which makes it easier to upscale because the AI only has to improve image quality instead of merging two separate video fields).
Detelecine is a lot slower than just simple deinterlacing; a 3 - 5 minute deinterlace job becomes 10 - 20 minutes with detelecine. After running both the Turbine and Universal versions of the Pilot through detelecine: the Turbine version had no flicker or jagged edges and the Pilot's aliasing was about 80 per cent gone.
The Universal version of the Pilot is a sharper file, so that's probably the one to stick with for upscaling.
Out of morbid interest, I ran the detelecine function on the Universal version of "Prince of Wails" -- just the scene where the sliders in Oakland encounter Hurley's soldiers. Detelecine could only reduce the jagged edges in the cars by about half -- it's still really distracting, and it throws off the upscaling process. Detelecine still needs the file to be in a correctly interlaced format.
**
Out of professional interest, I ran the interlaced version of Turbine's "Fever" through Topaz' built in deinterlacer. Topaz could not properly deinterlace this file; the shot of the opening scene where the camera pans across the flags were filled with horizontal lines.
Question: the Turbine is in pal format. The frame rate is different. I notice some of the ghostly blurry image during movement. Above you've written that they have 24 frames per second vs. 29? Is this what causes the movement ghostly blurryness? I thought pal actually had more frames and that was the cause....
Another thing. You mention the differences in the jagginess between the files. Is there ever a scenario where a composite image of 50 percent opacity turbine / 50 percent universal in two layers, flattened reap benefits? Or does that just make the problem worse because you are introducing the problems of each of them? Or does that ever help because you are benefiting from added grain for topaz to work with?
Or is that impossible to even achieve because turbine and universal are two different files and frame rate is different and frames won't actually match up? I'm wondering if this might be a diplomatic solution to any episodes where you are not sure what is a better source.
I edited my post as some of my Handbrake samples finished. Detelecine can reduce 'normal' levels of aliasing, but it can't fix video files like the five Universal episodes where the fields are mis-arranged.
**
My guess is that ghostly blurring is due to different deinterlacing techniques in different players. My blu-ray player deinterlaces the Turbine files well, as do my codecs for Handbrake. But not everyone has had the same experience; over at Doom9, those experienced video encoders insist that there are no interlacing issues with the NTSC DVDs and it's the PAL blu-ray that's a mess of misarranged fields.
I don't think that you can sync up a 24 FPS video file with a 29 FPS video file. Even when I play the NTSC and PAL files side by side for comparison, they quickly go out of sync because of the frame rate difference.
**
I think my final upscale will likely use the Universal versions of Pilot and the Turbine versions of "Prince of Wails," "Fever," "Last Days," "Eggheads" and "Luck of the Draw." I am not sure about "The Weaker Sex" and "The King is Back" yet; the Turbine versions of those two are in the queue.
I want to try using Topaz to denoise the Universal version of "Summer of Love" while leaving it at 480p, then drag the denoised file into Topaz again for a deblurring upscale to 1080p. If the results are good, then the Universal versions of "The Weaker Sex" and "The King is Back" would benefit from the same.
Minor update:
With Universal's "Prince of Wails," Handbrake's detelecine was able to remove about half of the jagged edges from the soldiers in Oakland scene. Topaz' "Artemis Alias and Moire" preset was able to reduce it some more; the jagged edges are at about 20 per cent of what they were in the raw DVD file. It's still a lot of work to leave the problem only 4/5 solved, and I'm sure there must be some better method out there of fixing a file with incorrect field arrangements.
Something for a future upscaler to deal with. I don't mind experimenting with isolated shots out of interest, but I'm not going to be dedicating any CPU cycles to fixing entire episodes.
Detelecine didn't even slightly reduce the (minor) jagged edges in the Universal version of "The Weaker Sex" in the scene with that lady picking Rembrandt up; the lines are as jagged and flickery as before. Detelecine also couldn't deflicker the Turbine version of "Last Days"' teaser or the flickering door frame after Arturo's crowdsurfing in "The King is Back."
I'm now surprised that detelecine was able to totally de-alias the Turbine version of the pilot and mostly de-alias the Universal pilot file.
New report on anti-aliasing for the Universal discs. The aliasing problem is solved.
Handbrake by default has deinterlacing enabled on its presets, but I disabled it and switched on detelecine all by itself and am getting much-improved results for the problem episodes of the Universal set.
The Universal version of "Prince of Wails" has that scene of the sliders encountering Hurley and the soldiers in Oakland; it has always been a mess of jagged edges; detelecine reduced that to being mildly artifacted with faint flicker.
I also ran 30 seconds of Universal's "Fever" through detelecine only -- specifically, 30 seconds in the drugstore with all the aliasing on the shelves. Those jagged edges were smoothed out and reduced to a slight flicker.
I ran a scene from Universal's "Eggheads" through detelecine; specifically, the scene of Arturo meeting his wife. The house has always been horribly distorted and the cars were riddled with jagged edges. Those have been smoothed out too to a mild flicker.
Detelecine was able to completely almost totally remove the jagged edges from the Universal version of the Pilot and there's only a faint flicker where those used to be.
The Universal version of "Last Days" had a lot of aliasing in the opening shots; the Turbine version of "Last Days" had a faint flicker. Detelecine didn't do anything to amend the Turbine version of "Last Days," but for the Universal version, the aliasing was reduced to being about the same as Turbine's.
I'll report back later about "The King is Back" and "Luck of the Draw."
I can report now: after detelecine, "The Weaker Sex," "The King is Back" and "Luck of the Draw" now also have the jagged edges smoothed out. There was really only one scene in "The Weaker Sex" that had aliasing: when Rembrandt meets the lady in the car, the lines of her car were very flickery and jagged. This has been toned down to a mild level of flicker. There were a couple shots in "The King is Back" with jagged edges (after Arturo is crowdsurfing, a shot of Arturo with some window shutters behind him). These have been completely smoothed.
"Luck of the Draw" is also cleaned up very well. The original Universal DVD episode was a mess from start to finish with all the produce signs flickering and jagged; detelecine has taken away almost all of the aliasing throughout the episode now.
I don't think, even after detelecine, however, that Topaz can upscale these via grain-to-pixel processing. They're still too blurry. But perhaps they can have Topaz denoise them (to remove the compression artifacts) and then deblur them. I don't know if I'll do them all, but I definitely want to run Universal's "Summer of Love" through this process and also do a new 1080p upscale of the Pilot now that it's been detelecined.
I can report now: after detelecine, "The Weaker Sex," "The King is Back" and "Luck of the Draw" now also have the jagged edges smoothed out. There was really only one scene in "The Weaker Sex" that had aliasing: when Rembrandt meets the lady in the car, the lines of her car were very flickery and jagged. This has been toned down to a mild level of flicker. There were a couple shots in "The King is Back" with jagged edges (after Arturo is crowdsurfing, a shot of Arturo with some window shutters behind him). These have been completely smoothed.
"Luck of the Draw" is also cleaned up very well. The original Universal DVD episode was a mess from start to finish with all the produce signs flickering and jagged; detelecine has taken away almost all of the aliasing throughout the episode now.
I don't think, even after detelecine, however, that Topaz can upscale these via grain-to-pixel processing. They're still too blurry. But perhaps they can have Topaz denoise them (to remove the compression artifacts) and then deblur them. I don't know if I'll do them all, but I definitely want to run Universal's "Summer of Love" through this process and also do a new 1080p upscale of the Pilot now that it's been detelecined.
Well, that's a bit of good news...
Sorry I haven't been posting samples. I am currently running a graphics card update and with that comes a new version of Handbrake and I think the update should allow some improved codecs and GPU processing options.
For some reason, "Summer of Love" is the worst looking episode of Season 1 on all sets. It's downright foggy on Turbine and not very sharp on Universal, like a copy of a copy. For this one, I've increased the saturation by about 30 per cent via AVIDemux. I'm currently using Topaz to denoise it at 480p, then I'll Topaz deblur it and increase the resolution to 1080p like it's a Turbine episode file.
I'm not sure the other detelecined Universal episodes would need this two-pass approach; I'm also not sure if they would necessarily be any better than the Turbine episodes after a deblurring. And I don't think "Summer of Love" will tell me; I'll need to try upscaling the Universal version of "Prince of Wails" to know if the rest are worth doing.
Also, after some consideration, I've decided that I will increase the colour saturation of the Universal files between 15 - 25 per cent for each episode (and I was increasing the colour saturation of the Turbine episodes by about 20 - 40 per cent per episode for the desaturated ones). Might as well make it look closer to Season 2 but not going as far as Season 3.
Sorry I haven't been posting samples. I am currently running a graphics card update and with that comes a new version of Handbrake and I think the update should allow some improved codecs and GPU processing options.
For some reason, "Summer of Love" is the worst looking episode of Season 1 on all sets. It's downright foggy on Turbine and not very sharp on Universal, like a copy of a copy. For this one, I've increased the saturation by about 30 per cent via AVIDemux. I'm currently using Topaz to denoise it at 480p, then I'll Topaz deblur it and increase the resolution to 1080p like it's a Turbine episode file.
I'm not sure the other detelecined Universal episodes would need this two-pass approach; I'm also not sure if they would necessarily be any better than the Turbine episodes after a deblurring. And I don't think "Summer of Love" will tell me; I'll need to try upscaling the Universal version of "Prince of Wails" to know if the rest are worth doing.
Also, after some consideration, I've decided that I will increase the colour saturation of the Universal files between 15 - 25 per cent for each episode (and I was increasing the colour saturation of the Turbine episodes by about 20 - 40 per cent per episode for the desaturated ones). Might as well make it look closer to Season 2 but not going as far as Season 3.
I am glad you've come to see.the benefits of a proper color correction.
I've always maintained that while the coloring on season 4 and 5 is respectable, the early stuff just has too many issues to consider it anything but distorted from the original image.
Part of my initial reluctance: it was taking anywhere from 1 - 2 hours to CPU encode the files with increased saturation; the GPU codec kept crashing and the queue would get stuck.
A new GPU update has reduced it to 10 - 15 minutes each and I've just put them all in the queue.
Part of my initial reluctance: it was taking anywhere from 1 - 2 hours to CPU encode the files with increased saturation; the GPU codec kept crashing and the queue would get stuck.
A new GPU update has reduced it to 10 - 15 minutes each and I've just put them all in the queue.
Ok. As I recall, the hardware with your gpu broke. I must have missed.it but did you get a new one? I mean you've been doing a lot of processing lately so that would make sense but I guess i.assumed you were still held back by some limitation due to lack of a proper one.
Nothing broke, but there was a period where newer versions of Topaz, Handbrake and AVIDemux weren't working or if they were working, they weren't making use of the graphics processing unit. After some experimentation, I've come to realize that the "Studio" drivers tend to work better with these programs than the "Gaming" versions.
The nVidia H.265 video codecs may also make it easier to extract video samples at smaller file sizes with higher video quality that's superior to the H.264 codec I've been using up to this point.
Nothing broke, but there was a period where newer versions of Topaz, Handbrake and AVIDemux weren't working or if they were working, they weren't making use of the graphics processing unit. After some experimentation, I've come to realize that the "Studio" drivers tend to work better with these programs than the "Gaming" versions.
The nVidia H.265 video codecs may also make it easier to extract video samples at smaller file sizes with higher video quality that's superior to the H.264 codec I've been using up to this point.
Oh ok. That's a good bit of info for anyone reading this in the future.
Some odd stuffs in recent upscaling adventures.
Detelecine does not seem to fully convert the interlaced DVD video files to a progressive video file. I noticed: for the opening credits and shots with bright flashes, scan lines flash across the screen. If deinterlacing is enabled in the video player (hardware or software), these lines will not appear, but it's dependent on the individual software or hardware. I didn't even notice the lines until I was seeing the frame by frame upscale of "Summer of Love" in Topaz.
Also, if I take the detelecined file and deinterlace it fully in Handbrake, all the aliasing issues that detelecine removed are suddenly all back in full force. It seems best to leave the files detelecined for now.
I used Topaz to denoise "Summer of Love" and leave it at 480p. Then I ran it through Topaz again to bring it to 1080p and... it was bad. There were a lot of weird upscaling artifacts from having run the upscale twice. It looked like a CG approximation of an oil painting with a strange stained glass effect on the faces. I didn't like it. But I had Topaz upscale a few frames to 1080p using the deblur preset, then the denoise preset -- and it really did not look good. Even with grain, everything looked overly waxy and like a painting. "Prince of Wails" also looked just as bad.
However, I really liked the look of "Summer of Love" at 480p but with Topaz deblurring it and adding some film grain to the image. I've decided to go back to an older plan: use Topaz to deblur all the Universal files but keeping it at 480p, then using Lanczos to scale the deblurred 480p file to 1080p. I'll then try that on "Prince of Wails" too and if the result is better than the Turbine upscale, I'll do it for the rest of the Universal Season 1 episodes.
I'll also do another 1080p AI upscale of the Pilot now that it's been detelecined.
All good information.
Upscaling is going really well, but CPU tuning for grain is very slow. :-)
I realized last night: I have upscaled "Summer of Love" like 28 times at this point. I have rewatched the final scenes of this episode so many times. I have rewatched Quinn hearing Rembrandt singing and running down to the street to catch him and watched the shot of Jerry O'Connell and Cleavant Derricks hugging each other followed by Arturo diving into the car at least 500 times in my life. I have watched Wade's scene addressing the hippies and punching Arturo at least 600 times in my life. I would not have gone to this much effort and repetition to upscale this episode -- or any other episode of any TV show -- if not for these friendships. I wouldn't spend this much time upscaling "New Gods for Old" or "The Return of Maggie Beckett" despite their excellence; I also wouldn't have kept trying with THE DEAD ZONE had it proven as difficult as SLIDERS.
Anyway. With SLIDERS: we had to make our own behind the scenes tell-all (Temporal Flux), our own episode guides (The Expert), our own tie-in novels (Nigel Mitchell, Mike Truman, Tucker, Jules Reynolds and so many other fine writers), our own 20th anniversary special, our own DVD cases and now, it seems our own HD upscaling process because Universal could not interlace a videotape properly.
(I've been updating the first post of this thread with the AI upscaling process for anyone who wants to upscale SLIDERS themselves.)
You are right, it is fitting, given the history. Heck, the internet saved the show from being canceled twice.
Of course, you are under no obligation to do any of this work. Nevertheless, that you have chosen to do so, is trail blazing and important for the community. Everything you have found out, I am not sure, anyone else really could have figured out.
The fact that you are actually documenting it and updating the first post, for a sort of cookbook and work diary of sorts, is amazing. There's a lot of knowledge you are sharing.
I remember seeing a webpage where fans upgraded an animated show, I believe it was Avatar The Last Airbender. They posted some instructions for others to be able to replicate it. I thought that was extremely well-thought out of them as it really does enable fans to overcome a studio dragging their feet and doing it on their own.
I do think it's important we keep sliders alive and going through all the continued stuff, whether it be social media, podcasts, fan fic, upgrades that make the old content "new". No show has ever come close to replacing it for me, and I am sure many others, and we have had probably 5-10k scripted series come to tv since then.
I mentioned it to you once before but if the tech ever gets there it would be amazing to build a library of phrases / words spoken by the characters (drawn from 88 episodes) that could then be used (and perhaps algorithmically altered for inflection in context of a sentence) for new fan scripts, audio dramas etc. Throw in eventually a little photo-realistic CGI modeling and well. No need for a studio.
Detelecine does not seem to fully convert the interlaced DVD video files to a progressive video file. I noticed: for the opening credits and shots with bright flashes, scan lines flash across the screen. If deinterlacing is enabled in the video player (hardware or software), these lines will not appear, but it's dependent on the individual software or hardware. I didn't even notice the lines until I was seeing the frame by frame upscale of "Summer of Love" in Topaz.
Also, if I take the detelecined file and deinterlace it fully in Handbrake, all the aliasing issues that detelecine removed are suddenly all back in full force. It seems best to leave the files detelecined for now.
I'll also do another 1080p AI upscale of the Pilot now that it's been detelecined.
I've been testing the detelecined and upscaled episodes on my Android TV. The free Android TV version of VLC can deinterlace the file just fine and there are no scanlines. The paid MX Player app in its default settings, however, does not deinterlace the file properly and scanlines flash across the screen for scene transitions and bright flashes. The codec has to be set to enable deinterlacing.
I don't know if I can consider this problem 'solved' or not, but it will remain as it is at least for now.
**
I really don't know about using DeepFake and clips and digital approximations with autotune to tell 'new' stories... one might be better off just hiring actors.
That said, one project that has really intrigued me from STAR TREK is John Byrne's NEW VISIONS comic book series where writer-artist Byrne made 26 issues of photo comics where he took old stills from the 60s TV show and used Photoshop and 3D modelling to create new comic book stories from altered screenshots. I haven't read it yet, though.
**
There are certainly 'director's cut' type changes I'd love to make to Season 1 to SLIDERS if I understood the technology or had the material.
I'd want to alter the photo of Quinn and his family in Season 1 and replace Jerry O'Connell with Phillip Van Dyke (young Quinn in "The Guardian").
I'd want to add visible water vapour on the breath of all the sliders on Ice World.
I'd want to re-edit that missing scene from "Summer of Love" back into the episode where Quinn and Arturo explain to Rembrandt that the timer is now a countdown device.
I'd want to amend "The King is Back" with DeepFake to replace Clinton's face with Cleavant.
And if there were some way to make "The Guardian" colour corrected to look more like Vancouver and to digitally replace all the sliders' clothes and hair with the Vancouver wardrobe, that'd be great too, but that's impossible.
**
I have upscaled pretty much all of Season 1 now except for "Luck of the Draw" which should be done this evening. I'll be ripping short clips from all nine episodes to show us. However, it will take awhile because the extracts need to use an encoder that has its tuning set to preserve the grain texture and that encoder can only use the CPU, so what would normally take 2 - 4 minutes now takes anywhere from 30 - 60 minutes.
Happily, full episodes are only about 2.75 - 3GB each as opposed to the 7 - 8GB of earlier efforts without codec grain tuning.
Something pretty interesting I noticed. I was watching an archived game from 2012 that the NBA put out of a classic game between the Miami Heat and Oklahoma City Thunder. It was originally broadcast in 16:9, HD. So their archive should have been fully HD etc.
But very strangly, the players uniforms on the Thunder are a bright blue (a bit brighter than maybe the uniform color actually is) but the text on the jerseys, including even the numbers, is completely BLOTCHED out. It's just almost all blue. And there's a water color effect. On close up shots, it's fine. But the traditional broadcast shots, it's like this. Almost as if they intentionally wanted to blur out all text from the uniforms due to a copyright issue. But that's not it.
So I am starting to wonder if any upscaling/faux HDing was done to the content...
There are certainly 'director's cut' type changes I'd love to make to Season 1 to SLIDERS if I understood the technology or had the material.
I'd want to alter the photo of Quinn and his family in Season 1 and replace Jerry O'Connell with Phillip Van Dyke (young Quinn in "The Guardian").
I'd want to add visible water vapour on the breath of all the sliders on Ice World.
I'd want to re-edit that missing scene from "Summer of Love" back into the episode where Quinn and Arturo explain to Rembrandt that the timer is now a countdown device.
I'd want to amend "The King is Back" with DeepFake to replace Clinton's face with Cleavant.
And if there were some way to make "The Guardian" colour corrected to look more like Vancouver and to digitally replace all the sliders' clothes and hair with the Vancouver wardrobe, that'd be great too, but that's impossible.
I love all of these ideas lol. Especially the one about rediting The Guardian with the Vancover background and the characters in their season 1-2 wardrobe and hair.
How I will always explain that picture in the pilot is that is not Quinn in the photo (he looks nothing like him!) but a family friend. Makes zero sense but it wouldn't make sense for Quinn as a teenager to be in a photo with his dad when Michael Mallory died when Quinn was 11. Speaking of these ideas, how about edit the photo on the fridge of young JOC to be the young actor who played the young Quinn in the Guardian.
@Tucker re edits yea would be quite interesting.
Google Matt's "the exodus excised" which I think is on video or daily motion.
Combined part 1 and 2 of the exodus.
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In other news re: universals horrible handling of the material, I am watching the pilot that was from an on demand purchase from my cable operator (verizon).
The image is stretched like a 4:3 was stretched to 16:9 BUT the image is still cut off on left and right with black vertical bars. So it is still a 4:3 picture.
Not only that the motion is strobbed. And there is wave like, undulation in the image at times. And the colors look dark.
They are taking something from 1995 and making it like it was recorded off a vhs off some nostalgia channel showing something from the 1970s.
Sliders is not that old but they keep dating it by distributing it like this.
Yeah, it's awful how neglectful Universal is towards SLIDERS.
Here are the samples of all nine episodes Season 1. It's all the end-scenes (the conclusions of each episode, right up to the producer credits) except for "Eggheads" where it's Arturo's scene with his wife. See the sliders fleeing the Russian mob in crisp HD 1080p! See Quinn and Arturo engage the FBI in... less crisp, approximated HD.
https://mega.nz/folder/b9x0AabS#fvf1LxhBxNaFWgBdtE7ZMg
All the episodes were detelecined to remove the aliasing. After that, the saturation was increased on each episode from 15 - 30 per cent. The Pilot was upscaled to 1080p via Topaz deblurring. The rest of the episodes were simply deartifacted with Topaz but left at 480p and with film grain texture added. Then they were scaled to 1080p via a bicubic algorithm and the codec 'tuned' to retain film grain.
I actually increased the film grain on "Luck of the Draw" by more than the rest by about 25 per cent more than the other episodes. This was to offset the episode being significantly blurrier than the rest, more than Topaz could sharpen up.
It's imperfect, but it's significantly better than what I had before with previous upscales when Topaz didn't have a deblur option yet.
**
It's interesting what RussianCabbie says about smeared text. This is an anomaly in many upscaled video files done with Topaz 2020. However, I'm running an upscale of Season 2's "Time and Again World." The out of focus text of the Lamplighter bar sign looked really smudged under Topaz 2020's preset for removing compression. However, the 2021 preset for deblurring just leaves it out of focus... but still in HD.
Outside of the Season 1 episodes after the Pilot, upscaling SLIDERS is drag and drop. NBCUniversal could easily do it for most of the episodes and use a slightly more complicated process for the problem episodes of Season 1.
Universal has changed hands so many times, I'm amazed they remember they own it.
Yeah, it's awful how neglectful Universal is towards SLIDERS.
Here are the samples of all nine episodes Season 1. It's all the end-scenes (the conclusions of each episode, right up to the producer credits) except for "Eggheads" where it's Arturo's scene with his wife. See the sliders fleeing the Russian mob in crisp HD 1080p! See Quinn and Arturo engage the FBI in... less crisp, approximated HD.
https://mega.nz/folder/b9x0AabS#fvf1LxhBxNaFWgBdtE7ZMg
All the episodes were detelecined to remove the aliasing. After that, the saturation was increased on each episode from 15 - 30 per cent. The Pilot was upscaled to 1080p via Topaz deblurring. The rest of the episodes were simply deartifacted with Topaz but left at 480p and with film grain texture added. Then they were scaled to 1080p via a bicubic algorithm and the codec 'tuned' to retain film grain.
I actually increased the film grain on "Luck of the Draw" by more than the rest by about 25 per cent more than the other episodes. This was to offset the episode being significantly blurrier than the rest, more than Topaz could sharpen up.
It's imperfect, but it's significantly better than what I had before with previous upscales when Topaz didn't have a deblur option yet.
**
It's interesting what RussianCabbie says about smeared text. This is an anomaly in many upscaled video files done with Topaz 2020. However, I'm running an upscale of Season 2's "Time and Again World." The out of focus text of the Lamplighter bar sign looked really smudged under Topaz 2020's preset for removing compression. However, the 2021 preset for deblurring just leaves it out of focus... but still in HD.
Outside of the Season 1 episodes after the Pilot, upscaling SLIDERS is drag and drop. NBCUniversal could easily do it for most of the episodes and use a slightly more complicated process for the problem episodes of Season 1.
I haven't had real internet access the past number of days but looking forward.to checking the samples when it's back.
I'm taking a look at an older pilot sample right now and just marveling at it.
working on downloading these bad boys now!
Sliders.tv → Sliders Bboard → Sliders DVD Releases (Universal, Mill Creek, SD blu-ray, Restoration)
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