I think you have a point about the economics of audioplays. Amazon is a giant. Yet, Amazon Audible operated on a peanuts model for THE X-FILES. Rather than commission new material meant for the visualess format of audio drama, they used comic book scripts that need visuals to function. Why use something so unsuitable? Probably because they only needed to pay a small fee to writer Joe Harris to secure the material and didn't have to hire a writer; the director, Dirk Maggs, had to adapt the scripts to audio as part of his existing duties.
Amazon Audible hired David Duchovny and Gillian Anderson and many of the series' performers -- but they had replacement actors for Annabeth Gish (Reyes), Robert Patrick (Doggett), Nicholas Lea (Krycek), Steven Williams (X) and Jerry Hardin (Deep Throat). Not soundalikes -- just replacements. And the budget was so small that there were no rehearsals. The actors recorded it as they read it for the first time. It was like someone had assembled the play from the actors' voicemail messages. It sounded disconnected and detached.
Amazon clearly didn't see much earning potential in THE X-FILES and didn't want to invest in getting all the actors or a script suited to the medium or even a readthrough.
But I do think SLIDERS could work on audio as part of an initiative to create audio drama for a mainstream audience if NBCUniversal wants to try tapping into the podcast market with a small streaming service and a subscription fee that is low in cost but would be affordable for a high number of subscribers.
I can imagine NBCU Audio Originals as a brand headlined by SLIDERS, KOJAK, SEAQUEST, THE MUNSTERS, EUREKA, FARSCAPE and WAREHOUSE 13. I can see it as a low cost, high volume subscription service for podcasts. $5 a month. Entertainment for the commuter with earbuds or car stereo or for listening at home. Actors recording from home with equipment and sound blocking gear sent by courier.
Jerry and John shouldn't and wouldn't work for free. But if this hypothetical streaming service offered them a small upfront fee but a percentage of subscription gross based on the number of listens to the SLIDERS audioplays, they might sign for a year's worth of audio recording sessions with the caveat that if there is a second year, they need to be paid their usual rate upfront.
They already have a podcast division, believe it or not. Mostly to serve as an R&D lab. It's part of why I brought it up before, and also mentioned the need for a platform to get traffic. And that's the difficult part. They haven't really developed their audio channel yet and they still are trying to make peacock work. meanwhile, they just hired a new head or programming for everything yesterday. They have gone through some of the old executives being in charge of various things but they realize they don't really have the chops at this point. I see the podcast channel being an extension of peacock (which has a hybrid subscription/ad model in place) but you just know at this point they wouldn't be able to turn it around or focus on it enough. That said, if they ever do, I think it would be the avenue. It's just that it will be five years from now so.... at what point is there gonna be anyone left who cares about Sliders? It will literally be 30 years from the original's premiere and most fans will have aged out of 18-49 anyway or started to care about other things than make-believe entertainment.
The best time to have done something was really 2013 around. The problem was Tracy wasn't interested, and it took a long time for Jerry to even get interested in doing a reboot. He really only returned to it after yet another network drama failed. I feel like they probably missed the window and they possibly could have gotten somewhere with an aggressive push and managed expections.
But this is also part of why I pointed to that chrome extension audio reader the other day. As text-to-speech technology gets better and better, we are more likely to be able to get faux "books on tape" with all the sliders fan fic out there. It's a way for the world to live on.
And on the plus side, Jerry has really been doing well in his career the last year after a little bit of a rough patch. His own tv show, voice over work on cbs all access, he's in the movie "The Secret" and now "Ballbreaker." He frequently is on Bravo doing reality tv programming talk with Andy Cohen. He does fill-in hosting work on occasion. He has made a career as an actor and personality, and not every child star or actor in their 20s is able to work in their mid 40s. So I am happy for him he needs Sliders less and less at this point, where as at the peak of his interest, I think his motivation was so he could find a gig that worked and had an audience.