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(62 replies, posted in Sliders Bboard)

I am devastated.   I feel as if Tracy leaving us is a huge loss.   I thought of him as a brilliant man, even if I did not always   share his view on everything he said.   The point is, he pushed the boundries.   Tracy did not enjoy being muzzled by the networks.   He used black comedy and science fiction to share his observations and convey possible outcomes.   He made light of the peculiarities we have.   He warned of dangers.   His creative literature was his work, his path to do this.  In later years, he grew frustrated with the muzzling of discussion in society.   He didn't distain people for holding opposite views -- what he disdained was not being able to have the conversation in the first place.

I feel like Tracy was a kean observer of human behavior, and systems, and personalities, and he knew how to create a  linear thread to help illustrate what he witnessed.  Even the tone of his voice made it more pleasant to hear him share these narratives.   I believe he was ahead on the curve on a lot of things -- he saw things before others did and so we at times can naturally recoil at this views or discard them when he's further along in understanding something than us.   Tracy of course was no god -- he could be wrong or extremely wrong about things at times -- but what I got out of his work and his interviews was he always made me think.   At times it could frustrate me in the moment but because of his gift, of course it was interesting to listen to, so how could I not?   At other times, his thoughts immediately resonated with me or just were enjoyable to take in.   And I loved hearing about his background.   This man really in the thick of everything from the entertainment business and UFO research perspective.  The guy knew and worked with Carl Sagan, Gale Anne Hurd (and James Cameron),  Gene Roddenbery, Joe Stefano, Harlan Ellison, J. Allen Hyneck, Jacques Valles, SNL's team, Travis Walton, Jerry O'Connell, John Rhys Davis, did projects for FOX, HBO, Showtime, network tv, had plenty of exposure to legendary musicians through his father.  He rescued dogs.  He survived health bouts.  He got back into the business after being out of it for so long.   He became friendly with Lue Elizondo.  He even had something going on with Marvel and Paramount in the last decade of his career (projects that did not go).   His UFO documentary which he splitted ways on (because he wanted it to be part non-fiction, theatrical type of fare) ended up becoming the most mainstream UFO documentary of all time.   

His show SLIDERS is still being viewed today and is on a premium streaming service and is in the top 92.4% of all tv titles in the U.S. ever produced as far as current streaming demand.  6.7x the market average.   There have been 6 or 7 podcasts about the show.  Countless websites that still exist.   The thing about Tracy is, he impacted culture.   Through SLIDERS, through elevating the Travis Walton case and popularizing it, through I AM LEGEND, which he was the first to jump on.   The man made his mark.   The man, who was ahead of most all of us in how he observed us, who did not want to just go with the status quo, who used his work and his voice to elevate, propose new ideas or introduce concepts, or share his thoughts, who wanted to have the conversation about things that were on his mind, made his mark.  The world is a different one without Tracy Torme.  How many of us can say we made as large of an impact.

I'm not building him up to be a lion.  But for me, he was my lion.   He was the artist / writer who I resonated with most.   Between him and Bob Weiss, I found a lot of things they were involved with that I did not originally know they were involved with but I was drawn to.  SLIDERS, Oddessy 5, Naked Gun, Kentucky Fried Movie, Star Trek: The Next Generation, Outer Limits, Contact.  My brother even worked on I AM LEGEND as a PA.  He was on the bridge that day with the seen with the dog that tracy had to walk out of the theater on because he could not take.  I never got to tell him that thought I did tell him he had worked on that movie.

Many, many years ago when Tracy started working on 701: The Movie (which became "The Phenomenon"), I paid attention because it was a Tracy Torme project.   They had a wealthy backer who made a lot of money off these prime mortage things, something the government cracked down on.  The investor was a believer.  They were offering $100k for anyone with great video as proof, and publicized it.   That never materialized, but I did follow along the projects development, which had twists & turns and turned out to be a bit of a nightmare for both of the creators.   On their youtube channel, they had uploaded some footage that was BBC archival footage I had never previously seen.   I had considered the possibility of UFOs as real when I was super young but basically shut it down in the decades that followed because the entire subject went away, and it "felt" like there was really no compelling arguments for it.   When I saw that BBC footage, which featured a bunch of school kids in South Africa, well.  I could not turn away.  I could never get out of my head, since it's not hard to tell when kids are lying, and so many of them were speaking honestly, I could not get out of my head, 'What if what those kids were saying was real?"   And so, for me, the door could no longer be shut.   Even if I don't know what to believe now.

In recent years, even though Tracy was a guy who didn't use cell phones or email much, or was rather late, and was still old school in making actual phone calls, we were blessed to get to hear from him again through the rise of creator work on youtube and podcasts.  He sorta figured out how to do video streaming, he was burdened by the bad internet connection in moving to a more rural area of California (to get away from the traffic).   And, after a huge gap in hearing from him, we got to enjoy him more.   Dark Matters with Don Ecker (and later Gerry Kissell), Cardinal Sin's channel, where we were blessed with many episodes thanks to Gil, a wondeful man himself, and finally Awake Nation, where he became a weekly guest contributor for some time.

Now of course Awake Nation had/has some off the rocker batshit crazy stuff.  But g*d damn we got Tracy every week.  And even if it could be maddening some of the discussion, we got plenty of good stuff, and the maddening stuff could force you to challenge your thinking.  Because even if you didn't always like what was being said, it doesn't mean you are always right.  Or that things are black and white.   On the show, Tracy also did a bunch of entertainment related things.   He brought back Bob Weiss.  He had a reunion with Cleavant which was a huge, huge gift to the fan base that we never were otherwise going to likely get and now, as long as the video is preserved, we will always have.   We saw the love those two had for each other, and we saw the pure love that was in Cleavant's heart for tracy, and for life.  In spite of Cleavant's own challenges with the health of his brother.

I was so looking forward to his return to Awake Nation on Jan. 10.   Or Slidecage's upcoming interview, which was spoken about just five days before Tracy passed.   Tracy had no idea that he would be passing.  He was going back to his normal routine after a couple of months of bad health.  He was feeling better. 

In some ways, that he was feeling better before his passing, is a relief.   I believe Thomas at Slidecage was fortunate enough to have that last phone call with Tracy, or that Tracy even felt better shortly before he passed, because some phenomenon that we don't know about, or don't understand, in a realm that we can't see, wanted to give him the proper exit before moving onto the next world.   Where he could be with this father once again.   That phone call Thomas had was a last chance for Sliders fans to convey how important to Tracy what he created was.  How it lives in us, now almost 30 years later, and how he has impacted us.   It was also a chance for Tracy to tell us sliders fans, he was OK.  And how Sliders was still something he hadn't given up hope on.  Whether it be a revivial or some sort of reunion fan event.

When Tracy first passed, I was sad, but also immediately angry. Because selfishly, I wanted more of his words and content, and now I don't get to have it.  I was also mad, because I had seen this coming for a long time, and my fear was realized, at least in part.   That before everyone got to get together again, the main cast and tracy, or some creative work from Tracy, that it would be too late.   I had always wanted at minimum Tracy's "works" in that world to be recorded, so once his work on earth was done, we'd have them.  I wanted novels and/or audio dramas, something lower level aimed at the fans.  That didn't need to be explosively successful, but at least the fans would have.  So when he passed, time ran out and just getting what should have been the simple things, was not realized.   I always found doing a full on TV revival both an awesome goal but as years went on, maybe more ambitious than we needed.

I just wanted more of Tracy's words, whether they be in book form, or Cleavant reading them in an audio book, or Jerry speaking them in a tv event.  It didn't matter.   Because what I was interested most in was Tracy.   He is the writer, author, observer, creator that has most resonated with me in my lifetime, and I feel like we lost a gift to the world.   Someone the networks never really let run free.  And I wanted him to get that shot, through SLIDERS, in whatever medium possible.

But, we were lucky to have him for all the time we did, and all the work he put out.  At this point, I feel most for his wife, Robin, who he was very close with and who won't have his immediate companionship for the time being.  I feel for his family.  I feel like all Sliders fans lost a "friend", too.   That's what upsets me most, more than just losing any of his future work.

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(701 replies, posted in Sliders Bboard)

The Peripheral on Prime was interesting and ambitious. I thought the production design was out of this world and concept quite intriguing.   It got a lot of buzz and did well for it initially but then that wore off and it probably didn't scale to a more general audience.  Unfortunately, it got canceled as a result given how expensive it must have been.

I never stuck with La Brea but want to.  It feels a little like sliders as a network sci-fi show with a interesting concept though I guess it's trying to be more like Lost, I don't know.  Network sci-fi usually fails so I want to try to support stuff that isn't doctor or ambulance or lawyer procedurals.

I'm diving into it today (have it on in the background on the NBC app) based on your positive words though I needed to catch up on it anyway.

https://deadline.com/2024/01/battlestar … 235695526/

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(195 replies, posted in Sliders Bboard)

oh god.

QuinnSlidr wrote:
RussianCabbie_Lotteryfan wrote:

There hasn't been much talk on Quantum Leap season 2 but apparently it's been airing new episodes in Q4 of last year and now apparently Season 3 is coming soon.

Has anyone kept up with s2?  I hope that the ratings are good enough in S3 for it to continue.  Whatever little hope sliders has may be somewhat tied to that.  If they get 4 seasons out of quantum leap, they may be willing to move onto sliders (probably rebooting but you never know if they do a next-gen approach) once leap concludes its run.

It shouldn't be tied to it. It's an entirely different show and premise.

It's a cousin so to speak.

We have to remember the majority rights holder is the same across both properties and they decide whether or not to use the IP they own and they will probably look at it as a proxy.  Also, I would imagine they decided to move first with QL because frankly, QL's brand hadn't been sullied by lower budget seasons etc but I am sure they considered using them both.  So if they don't like the business outcome with QL then they will probably be less interested in using the SLIDERS title gain and more focus on new properties.

QL's success can only help sliders and a lack of success will only hurt it.  Will it ending at 3 seasons be considered a success by universal?  I don't know because it's live viewing on NBC has been I think just  OK and it's mostly been renewed because it was doing relatively well in streaming delayed viewing among the younger demo but at the same time, they've lost a lot of money on streaming and just because it has attracted some viewership, I am sure it's made back the budget and more yet.    I'm also a bit worried if viewers are losing interest over time, as their seemed to be less chatter late with s2 but I guess we will see.

I also want QL to succeed just because there's not a lot on tv I feel is worthy of bothering with anymore.  I felt like the same with NBC"s Timeless as I do now with QL.

There hasn't been much talk on Quantum Leap season 2 but apparently it's been airing new episodes in Q4 of last year and now apparently Season 3 is coming soon.

Has anyone kept up with s2?  I hope that the ratings are good enough in S3 for it to continue.  Whatever little hope sliders has may be somewhat tied to that.  If they get 4 seasons out of quantum leap, they may be willing to move onto sliders (probably rebooting but you never know if they do a next-gen approach) once leap concludes its run.

Gil's death was shocking and disappointing.  He left a positive impression on everyone.

Jim_Hall wrote:
RussianCabbie_Lotteryfan wrote:

https://podcasts.google.com/feed/aHR0cH … U5Nw?ep=14


https://sadhillmedia.com/filmformally/s3e01

This was an interesting podcast for pneumatic, ireactions and jim_hall to check out.  It's about film preservation.  It was quite interesting.

He said some companies staple the film splices together. Unreal. I'm not too afraid about Sliders' storage as long as it's not in a humid area. But leave it to Universal though, lol. I think Criterion restored badly damaged negatives from the 30s. I recently bought the MacGyver blu-ray set and it has a few to several clips in each episode where it's SD. And those clips also appear, in my opinion, to have some AI enhancements. So I'm not sure as to why this is, if they're damaged or lost. Some one had said they used tape for a clip in one of the theme intros. Apparently it was never shown in the episode, but they just used it as a promo if you wanna call it that for the theme. Although I can't vouch for the reasons in the episodes. I'm only on season 2 right now and there has to have been at least 50+ scenes in SD.

That's interesting SD scenes are making it into these releases.   I am sure some fans complain but in the end making something that patched up is better than nothing at all.

Peacock has had a number of SLIDERS articles in recent months as they are clearly trying to support the team at Peacock  and drive interest.  It has been great to see.
https://www.syfy.com/syfy-wire/the-time … nt-know-it

Pretty scary thing they talked about on the podcast was that film prints (or was it negatives?  I think prints) start getting "vinegar syndrome" after 15 years and by 30-to-40 years they all have it.   The film goes from blue, the greenish to yellow.  Yellow becomes unsalveagable, at blue you can deal with it but have to move and with greenish you better freeze it at 32 degrees and act fast.   The chemicals in the film over time continually interact.  He said most studios do a pretty good job at preserving their stuff but it's expensive and not all.   I guess the lesson is that the shelf life is not eternal.

Wouldn't be great if we could somehow convince universal to scan the negative?

Given most of these streamers are losing money and libraries become more important, they could invest in their library.

It would cost $15-20k per episode, perhaps a little less.  Sliders might be generating $100-200k a year for universal right now, so it certainly would be a bit challenging.  But damn, I would love to see S1 as it was shot.   Maybe the time is right to push for this.   I don't  know if Peacock even will exist in 3-5 years, or if Universal will have to merge with another companies (rumor is, these talks are being stalled until post 2024 election, as right now the current adminstration is very anti monopoly and mergers are seen as a challenge to pull off).

As far as the upscale experiments, I have some old editing software.   I can try some experiments to see if I can get a timeline going where I can edit the wide and close shots over the holidays.   Personally, I prefer the upscales because while consistently is nice, when I am sitting about 14 feet away from a tv, i'd rather than close ups look better and deal with some of the issues with the wider shots (which aren't quite as noticeable when you are further back).  But I get anyone who desires consistency.

The podcast I pointed to was very interesting.   They actually talked about removing grain because they said you almost have to because of the amount of noise. They actually also I think sometimes remove grain completely and then reapply a grain layer (but it's not simulated grain).  Maybe it is isolated from the original negative.  They also talked about how they can't do global settings on content but have to make changes individually for shots, whether it be coloring, grain, whatever.  Of course, these are professionals doing jobs for studios and content owners so they are gonna have to be perfectionists.  It was just interesting learning the art of what goes into it and they talked about how a lot of the original directors and cinematographers will actually try to correct things they didnt like about the original (deviating from the idea of a true preservation which fans may expect).

Some. More interesting notes: they try to spend not more than 100 hrs on the video end of a job but sometimes it takes 1000a of hours.  Apocalypse Now they spent  2700 hrs on because it has so many frames and they needed all of them for the various cuts.  Plus it was a all time great film so it was gonna get more focus As far as the audio part he said a good clean up could be done in as little as half a day.  He also said many ultra hd releases by studios are essentially updated blurays because I guess a lot of how they were made with the effects and everything were in 2k or something.  He referenced Blade Runner 2049 and Mad Max Fury Road as examples.

QuinnSlidr wrote:
RussianCabbie_Lotteryfan wrote:

https://podcasts.google.com/feed/aHR0cH … U5Nw?ep=14


https://sadhillmedia.com/filmformally/s3e01

This was an interesting podcast for pneumatic, ireactions and jim_hall to check out.  It's about film preservation.  It was quite interesting.

I'll check it out as well. Thank you for sharing, RCLF!

No problem!

https://podcasts.google.com/feed/aHR0cH … U5Nw?ep=14


https://sadhillmedia.com/filmformally/s3e01

This was an interesting podcast for pneumatic, ireactions and jim_hall to check out.  It's about film preservation.  It was quite interesting.

RussianCabbie_Lotteryfan wrote:

Tracy hasn't appeared at his regular weekly appearance on the awake nation show for some time now (idk -- six weeks, two months?).  I have concerns.  It's not like he "departed" the show.  Obviously, he has had some health issues over the years.

I'm still worried about this.

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(701 replies, posted in Sliders Bboard)

Slider_Quinn21 wrote:

I had a free weekend for Starz, and I took advantage of that to watch John Wick 4.  But prior to that, I needed to rewatch the first three movies.  John Wick, for an original movie that is very straightforward and simple, has some of the most complex and fascinating world building that I'm aware of.  It's cartoonish and silly, but it's really interesting.

And what I like about it is that it's clearly a set of movies made by stunt guys that want to showcase some of the cool ideas they've had in the past.  The fights, while cartoonish, are choreographed in such a fun way.  And even though the movies start with John being a very vulnerable and human (and by the end, he's invincible), it still feels real (for the most part).  And because it was so stunt-focused, I think they could've gone the Fast and Furious route and just had John fight a brother out for revenge each movie, I think it's pretty cool that they decided to go with this outrageously complicated world.

And while I had to abandon everything else I was watching to watch these four movies over the holiday weekend, it was a lot of fun.  Keanu is great, the supporting characters are great, and the world is just a lot of fun to explore.

Anyone else like these movies?

I've been confused by their success frankly lol

Sliders should have came back as a Thanksgiving special.  Sigh.

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(195 replies, posted in Sliders Bboard)

Grizzlor wrote:

Actor Peter Spellos, who played Jimmy Fountain in Eggheads, has died.  He played the bookie/gangster in that show, and was immortalized by being chosen for a two page "interview" in Brad Linaweaver's episode guide.

https://www.dailymail.co.uk/tvshowbiz/a … ancer.html

For posterity here's Peter's interview from the Linaweaver book....

https://i.postimg.cc/WzdKcV8x/IMG-170050833244-F-2.jpg

that's very cool with the book.

he was excellent in Eggheads.  Quite memorable.  RIP.

Tracy hasn't appeared at his regular weekly appearance on the awake nation show for some time now (idk -- six weeks, two months?).  I have concerns.  It's not like he "departed" the show.  Obviously, he has had some health issues over the years.

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(59 replies, posted in Sliders Bboard)

Grizzlor wrote:

so they'll be merging Hulu and Disney +?

i think  this is up in the air still

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(752 replies, posted in Sliders Bboard)

ireactions wrote:

Bit late, but PRODIGY has been picked up by Netflix which will stream the first season and then, in 2024, the second season.

https://www.hollywoodreporter.com/tv/tv … 235615236/

I didn't watch the show but this is great to see. 

Paramount Plus just wasn't going to succeed as a platform for kids. 

netflix must be to tv for the younger generation as what kleenex is to us for tissues.

Paramount Plus just didn't register nor count to them.  And the costs to make it so are just too great.

It's good to see that a viable show didn't die just because the platform wasn't right for it.  It's a similar idea with Girls5Eva moving from peacock to netflix.  New half hour comedies really weren't working well enough on peacock.

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It's kinda idiotic to me why people would question wearing a mask in a crowd at a hockey game. 

https://www.dailywire.com/news/actor-wi … ll-a-thing

It's not like he was wearing it outdoors.  Some people don't care if they don't get sick but some people do.  If you do, then the time to still mask is in a large crowd.

I've heard of people getting sick after attending sporting events.  I don't know really to what degree sporting events are places where transmission would be high because arenas/domes have huge ceilings and stadiums are open air.  They are not small enclosed spaces.  But if you are sitting next to the wrong person for 2 hours, well that might be an issue.

Anyway, it's weird that will wheaton had to explain himself but I do give him credit for the grace at which he answered this when the conversation shouldn't still be having to be had.  And that's not to say one shouldn't respect those who do the opposite. Live and let live, make choices right for you.  Anyway, I admire the way Wheaton handled this.  He's a good guy.

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That really sucks to hear TF.

Public Safety is the most undervalued asset of local government.  It's one of the core functions.

I am sure the governor is so divorced from the vital work, he shouldn't be making an efficiency optimization like that as he disrupts your work and seems to be draining the institutional knowledge around it.   Another sign of the dysfunction of the current times. Sigh.

History Channel had a Day in America: JFK Assassination three-part documentary.

I believe they may have cleaned up some of the archival footage.

It made me consider an interesting question: 

Should historical archival footage be enchanced via A.I. like topaz so we can more vividly re-witness the events in a more powerful way, to more viscerally see the images, or does the algorithms ultimately insert false images into the history books if it becomes what is used moving forward.  The inserted pixels etc become fact. 

This is a question with upgrading even tv shows with color changes, pixels, etc but it becomes even more salient with historical archival.

lol

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(701 replies, posted in Sliders Bboard)

November 5, 1955!  That was the day Doc invented time travel.

"I remember it vividly. I was standing on the edge of my toilet hanging a clock, the porcelain was wet, I slipped, hit my head on the sink, and when I came to, I had a revelation!"

Happy November 5!

This is why I am always pro "the more IP, the better" (generally speaking, if a universe is really suffering from a lack of new on-going content). 

If there are misfires, some of it can usually be chalked up to making the numbers work.   I don't expect studios or distributors to take big bets to hope it reaches some breakout status or at least passes some critical threshold where more consumers discover it.   I think they need to do the best they can, while making reasonable bets and sometimes making sacrifices.   

For example, I would take a poor SLIDERS story narrated by any of the original four main actors and be happy just to have any of them doing the character again.  I'd still see it as a net gain.

I do think there can be a point of over-saturation though.  I can see a fan not being happy with a new introduction if they feel like they've already had their "fill" from other works and any new addition should only come into the picture if it won't dilute or harm the universe.

I can also see how it can be a bit disappointing to have something that doesn't hold up or you can't re-engage with because it just becomes bothersome to tolerate.

I'll always though have sympathy for the budgetary constraints in these situations because I think a lot of times we don't get new works from old properties because distributors or studios don't want to spend any money at all.

ireactions wrote:

I've been enjoying the multiple revivals of BUFFY THE VAMPIRE SLAYER, all set after the original TV show, all focusing on characters who aren't Buffy, all set in alternate continuities to each other. There's novel series SLAYER and CHOSEN by Kiersten White and the novel series IN EVERY GENERATION and ONE GIRL IN ALL THE WORLD by Kendare Blake as well as the Amazon Audible drama SLAYERS: A BUFFYVERSE STORY written by Amber Benson (!) with Christopher Golden and featuring James Marsters as Spike, Charisma Carpenter as Cordelia (!), Amber Benson as Tara, and Emma Caulfield as Anya (!). All three are separate stories that don't tie into each other. And while the Kiersten White series ties into the Dark Horse SEASON 8 comic books, the others choose their own path.

I'm especially astonished by the Audile because I honestly thought Amber Benson, Charisma Carpenter and Emma Caulfield were absolutely fed up with BUFFY THE VAMPIRE SLAYER. Also, their characters are all dead. But it turns out they're only fed up with it if Joss Whedon is involved, and they are happy to return if Amber Benson writes a story to bring them back.

I'll have more to say on all this later, but to bring BUFFY back as as spin-off media that focuses on new characters or supporting characters, and to give each product its own continuity.. well, that's intriguing.

Very interesting to hear they got an audible orignal!

It's frustrating that -- post series -- SLIDERS has not gotten any additional material introduced.  Not even in novel form.   They haven't given us jack sh!t.   Tracy writing sliders novels would be a dream!  If he were up to it.

Former FOX and NBC executive on reboots:

https://podcasts.apple.com/us/podcast/t … 0633336542

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(701 replies, posted in Sliders Bboard)

First episode of Netflix's Blue Eye Samurai is free on youtube https://www.youtube.com/watch?v=Cm73ma6Ibcs

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interestingly enough, the twitter account deleted the tweet and didn't repost.  maybe sucked into the Bermuda Triangle.

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https://twitter.com/thexfiles/status/17 … 2143474852
Coming July 30th from #1 New York Times bestselling author Claudia Gray…
The X-Files: Perihelion extends Scully and Mulder's story beyond season 11.

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THE LOST ROOM is on vudu, streaming free.  Might be free elsewhere.  I havent seen it but know ireactions is a fan.

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@ireactions -- was it the trek documentary "The Captains" where Stewart began crying over how he treated his ex-wife?

There was a lot of emotional issues there.

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(701 replies, posted in Sliders Bboard)

ireactions wrote:

This sounds fun! I don't think I have watched BACK TO THE FUTURE in ages. Did the theatrical screening use a cut with the TO BE CONTINUED wording at the end of the film? Or did it show as it did in theatres without the explicit promise of a sequel?

I didn't see the TO BE CONTINUED, and I looked for it..

was that a gag on the home video release?  Or was it originally in theaters for part i?

How are people feeling about Quantum Leap so far this season?

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(701 replies, posted in Sliders Bboard)

I saw Back to the Future last night via Fathom Events.  There is another date on Wed. Oct. 25.

It was my first time seeing it in theaters (part I that is).

It was spectacular.  I definitely felt like I was watching something that I hadn't *quite* seen before in a way.  It just altered the experience.

It was also really great to see a diverse audience age wise.  There were 8 year olds who were super into it and grey hair folks as well.   It really is a timeless piece of work and masterfully written, shot and acted.

If you can make it to an Oct. 25 screening and like the film, I suggest it.

Also the image looked great and whatever they did in the last blu-ray release on the picture, I dont think was used for this screening.

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(447 replies, posted in Sliders Bboard)

Volume II of Paul Terry's book is available for pre-order.

https://www.abramsbooks.com/product/x-f … 419771392/

code XFILES30 to receive 30% off.

Now only if we had something like this for SLIDERS.

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(701 replies, posted in Sliders Bboard)

Best Buy wont be selling physical media

https://twitter.com/thedigitalbits/stat … 4381002903

https://www.mediaplaynews.com/wheres-the-love/

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(3,564 replies, posted in Sliders Bboard)

ireactions wrote:

I still long for the return of burner netbooks. It will never happen, the profit margin is too low.

the simple solution is refurbished laptops.  They tend to have issues, but usually not major ones, and are much cheaper.

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ireactions wrote:

I myself was particularly obsessed with netbooks.

They were not a terrible idea, even Wade would've approved.

Today's laptop is a hybrid netbook any how when you compare percentage of data stored locally vs the cloud.

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ireactions wrote:
TemporalFlux wrote:

Really, the only reason anything has value is because enough people believe it has value.  It’s all based on confidence.

Gold has value because it’s rare, it’s pretty and it’s physical - things that made it a symbol of power.  In the modern age, it also has usefulness in the physical ability to make technology work.

Paper money (like the US Dollar) had value initially because people had faith that the US government had enough gold (i.e. Fort Knox) to back up the dollar’s value.  In modern times, the dollar was unpegged from gold and took on a floating value.  But again, that value is backed by the full faith and credit of the US government (realistically based on perception of military might, industrial complex, alliances, etc).  Basically, the world believes the US is “good for it” (a belief that is eroding).

And now we have Bitcoin.  Can it have value?  Certainly - if enough people believe it does.  My concern is that I can’t see what’s backing it up.  All it seems to be is an exercise in how much electricity you can pump through a computer to do useless work.

I think people are more drawn to the idea of Bitcoin being a one world currency that governments can’t devalue through their action or inaction.  The worth of Bitcoin seems to be more as an aspirational philosophy; and that’s just not enough for me to believe in as a way to buy and sell goods and services.  I believe the value of Bitcoin is something as whimsical as the hippie movement (which largely faded from history and lost most of what faith it had).


Developments keep proving TF right on this. Cryptocurrency has proven to be useless, has no value backing it up, and it is also a massive scam.
https://slate.com/technology/2023/10/sb … cards.html

What's nuts is... as an investment instrument...(which it is not touted to be, it's supposed to be a currency used for everyday transactions)... if you held bitcoin before the pandemic and still hold it now, you'd still have a 10x return on the investment. 

The hype period is over but the market still values it as a potential future currency, otherwise the price would still not be so high (even if it's half of the peak).

The idea of giving people power especially in third world countries to not be reliant on the currency of potentially corrupt govts is a powerful one.  But too many people got involved in bitcoin simply as an investor and a lot of those who came in during the hype have exited now.   A lot of big companies exploited retail investors, people lost their shirt.   Even though crypto is supposed to be about removing influence by govt, the flipside of the lack of regulation was wealthy people getting more wealthy from it and consumers being manipulated by pyramid schemes.


For the life of me, trends like nfts, web 3, obscure cryptocoins.... they seem so full of hot air.  I don't know how people get so excited over such crap.  There seems to be more important things to help humanity but we have very bright people who get consumed and apply their talents toward this stuff.  Can't people smell bullshit?

It's odd but it is premium access to view on Peacock -- yet on NBC app, S2E1 is free. 

There was a fair amount of promotion for the premiere, but I suspect it was on channels you dont really watch.  Like, aimed at the network tv viewer.

Decent ratings?

https://tvline.com/ratings/quantum-leap … 235055066/

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tom2point0 wrote:
RussianCabbie_Lotteryfan wrote:

This is great Tom!

Yeah we feel honored to be able to get in early. Hopefully the powers that be like our stuff enough to keep us on the screener list.

you are cory are great, always.

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This is great Tom!

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Back to the Future is back in theaters Oct. 21, one night only:

https://www.fathomevents.com/events/Bac … Future-Day

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hate to see this
https://www.mediaplaynews.com/some-targ … footprint/

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ireactions wrote:

Recently, I got a knock on my door and a nice person handed me my wallet. He said he'd found it at the grocery store and located my address from my driver's license.

I thanked him for his kindness and honesty, gave him the $40 in cash thawt was in my wallet, wished him a safe drive home, called the bank and cancelled every credit card number and debit card number in the wallet just in case he'd photographed the card details.

It's been a bit of a rough week. Replacement cards didn't arrive for a week. Some monthly bills could self-update to the new card number for payment, but some couldn't and I didn't have the replacement card in hand to provide the new numbers, so I had to send cheques or go to the bank.

My phone's tap to pay function immediately updated to the replacement number (which I could not see), so I had to ask friends to bring a credit card on outings to pay for parking because many parking machines don't accept tap to pay.

When paying off my credit card bill, I forgot to update the old card number and sent money for a non-existent bill while the actual bill went unpaid and forgotten until the card company brought it to my attention (and waived the overdue fine).

I still think it's important to carry one payment card even in an age of using a phone to pay because occasionally, I'll need to pay for something above the phone transaction limit. But I should have definitely not been carrying every bank and credit card in one wallet.

Sounds like a pain.

I try to avoid carrying/using debit cards at all costs, as they can get abused with fraud.

One issue about not keeping everything in the wallet is then the difficulty of having a safe space to keep other cards (without losing them as well).  Keeping everything in a wallet is definitely more conveinent.

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What do you guys think?

https://www.cancelledscifi.com/2023/09/ … i-fi-fans/

I've always thought there was some arrogance there not to embrace their brand and air a show that was part of their history in SLIDERS.  It hasnt been in re-runs on the network since like 2008 or something.  If SyFy wants to have a niche, I am sorry, you've got to understand what people will tune into a linear channel for.  Nobody is looking for prestige tv on cable.

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More coverage of Philefest:


The X-Files Chat Room Podcast
https://thexfileschatroompodcast.buzzsp … al-episode
&
https://podcasts.apple.com/us/podcast/p … 0628358985



Scully Nation
https://scullynationpod.buzzsprout.com/ … after-dark

https://podcasts.apple.com/us/podcast/b … 0628420051

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I know what you mean. Let's call them diehard fans sourced from the general audience.  They aren't as concerned about the mythology of the alien invasion.   But they are highly interested and passionate.  The relationship between Mulder &Skully is important to them, Mulder's character is important to them, David Duchovny is important to them, Skully is important to  them, Gillian is important to them, Mitch Pileggi is important to them.   

It seems fan base. 2x more composed of women than sliders remaining fanbase (by percentage) I'd guess. 

Sliders fan base is less "geek" oriented than Trek's.  X files' might be more "geek" oriented than Sliders' but probably closer to Sliders' than Trek's on that scale.  Sliders' remaining fan base loved the characters (and their teamwork). X Files is closer to that than Trek's which may be more interested in thr mythology/world building.

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Another good podcast covering the PhileFest event in Minneapolis.

https://podcasts.apple.com/us/podcast/1 … 0627997261

This is just a one-episode recap (no interviews or live coverage like the other one).

It's interesting hearing all this stuff, because X-Files and Sliders obviously came around at the same time, under the same network, and both have high brand awareness or familiarity today among the general public who were around back then.

Yet, you listen to these podcasts and the contrast between the SLIDERS fanbase and the X-Files fanbase is so stark.  Like, obviously X-Files was a much bigger property, but they have developed critical mass to have a ton of people travel to the middle of the country, enough tickets told to have a ton of the actors appear, 30 years after the fact.  Multi-day event.  Concert (the singer who did "Why Don;t You Love Me David Duchovony).  The creator present.  All 30 years later.

Now you think about SLIDERS.  A SLIDERS specific/only event would have trouble drawing many people just for the event.  Could you get 30?  40?  I don't know.   So there's just a huge difference.  X Files may have been 2x as popular as SLIDERS when it originally aired but the cohesion in the fanbase (still sticking together) feels 10x what SLIDERS has now.

I didn't realize there was that level of gap.

What worries me to some degree is, as wonderful as everything we'd have from SLIDERS has been, of course I want more.  And, it worries me that JRD and folks like Tracy may not be around forever.  At a certain point, any sort of event, even if it was an online reunion panel, may not be possible.  The years keep on slipping buy.   With X-FIles, the creatives behind it get to all come back together, and celebrate together.  Same with the fans.  Philefest gave everyone that wonderful feeling.  With SLIDERS, I dont know if Tracy has even seen Jerry in 25 years, or if Sabrina has seen any of the others in god knows how long, or if the core folks have been together.   Yet they had something so special originally.  And the actors' chemistry was special because how they got along.  And the fanbase drove so many resuscitations of the show.  The fanbase was special and hasnt had much to congregate around.   So it feels like people deserve this reunion but may never get one.  We may leave it at where it was in the 90s, and that's a shame.

SLIDERS, thankfully, is still not off the map.  It didnt come and go like most shows.  It still survives.  It still is on a premium streaming distributor.  Most shows disappear forever or go to second, or third tier platforms.  SLIDERS lasting  impact is not thing, it is something people still dip back into even if it's a niche.

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A bunch of interviews by the X-Cast team from PhileFest.

https://www.spreaker.com/show/the-x-cas … es-podcast

I must say, looking back at your S2 up-res samples, season 2 really was quite an impressive leap (looking like blu-ray compared to what is on streaming).  And definitely on a higher level than s1.

It would be great if eventually with the advent of future technology, A.I. will be able to build out the rest of a 4:3 frame to go to 16:9.   It seems plausible this will eventually happen and I wonder if software companies like Topaz will see enough of a market/demand to introduce a feature like that. 

Right now though many of the seasons are resilient enough to withstand zooming/cropping to 16:9.  The image is clean enough, even if the cinematography gets affected a bit.

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Vinyl records made a big comeback.

Maybe that will happen with home media.

What is nuts is that DVD is still a chunkable size of the market (actually the most popular format but the rest is split between either blu-ray or 4k/ultra hd

It's disappointing how packaging and extras on many of these movies have declined as home media sales have declined.

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ireactions wrote:

The absurd "Doomcock" made a splash claiming he'd learned from test screenings that DIAL OF DESTINY would erase Harrison Ford and replace him with Phoebe Waller-Bridge who would take over the franchise. Since that was very much not the story of DIAL OF DESTINY, it's time to put a pin in "Doomcock" and treat his 'news' as precisely what it is: inflammatory lies made up to get short-term attention for web traffic and ads and crowdfunding. And we should not be linking to misinformation or referring to it as a "report".

Again: he calls himself "Doomcock". He presents himself to the world as "Doomcock".


I was not familiar with the account, but if there's something I post that you don't think should be on here, always feel free to delete the post.   It won't bother me if you do so if you don't think it adds value.

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ireactions wrote:

I'm going to ask you not to share any more links to misinformation in this forum.

That YouTube channel is for a notoriously unreliable fraud with the asinine moniker of "Doomcock". This phony, in recent false news, gave a completely untrue summary of INDIANA JONES AND THE DIAL OF DESTINY where he claimed Harrison Ford's Indy would be erased from history and replaced by Phoebe Waller-Bridge's character. This person couldn't be trust to give a weather report, never mind STAR TREK news.

Furthermore, any news of franchise directions right now is obviously false because of that minor event you might know of called the writers' strike. Regardless, if you're trusting in a news source named "Doomcock", you need a different news source and to reconsider whether or not you have a firm grasp on reality.

I have no idea what you are thinking posting this link here. I don't know if it's related to that vague post of vagueness you put in the political thread. But this is not a place for fake news and fraudulent reports and misinformation.

A pop culture commentator I follow, who is a big trek fan, said it echoed how he felt.  It had to do with Star Trek, and so I shared it here for people who follow star trek in case they might be interested.  It really wasn't much more complicated than that.  As for the veracity of the report, I don't know if it's true or not.  Studios are still operating internally, and I am pretty sure they could engage with producers.   Regardless, it was posted here because it was what I thought people with an opinion on trek may or may not find interesting as far as the kurztman debate and how Paramount is handling the trek franchise.

As far as my post in the politics thread you referenced, it had nothing to do with that, and though it might have felt vague, it was not intended to be that.  It was an observation I felt like sharing, summed up.  Brief yes, but not meant to be vague or meaning more than what it said.

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Just came across this.  Might be interesting for some trek fans here.


https://www.youtube.com/watch?v=dmCua8w0tBc

I just watched a season 5 episode and actually was surprised.  Though that season has always looked good on DVD whereas s2 not so much, on xoom, the episode I watched (the one on the aircraft carrier or battleship) was closer to s2 quality on the same service than I expected.  Not 1 to 1 but still gap wasn't as significant as dvds.