ireactions wrote:In addition, I think Seth MacFarlane would need to hire a writing staff and do outlines for other screenwriters to produce teleplays which MacFarlane would then revise.
Grizzlor wrote:There was a writing team, including Brannon Braga & Andre Bormanis
This is correct. I mistakenly repeated Adrianne Palicki referring to "Seth" taking a long time to write Season 3 as a fact when it was in fact a generalization. The Season 3 writing staff featured David A. Goodman, Brannon Braga, Andre Bormanis, Cherry Chevapravatdumrong and MacFarlane. Furthermore, it looks like writing on Season 3 began in May 2019. https://www.youtube.com/watch?v=7GusqtdZOGE
In August 2019, four months later, they'd finished... five scripts. Most writing teams for streaming shows would have written 8 - 10 scripts in that same amount of time. https://www.youtube.com/watch?v=YyqstSk … e=youtu.be
Of the 10 episodes, MacFarlane has sole credit for four; Goodman wrote one, Chevapravatdumrong wrote one, and Braga and Bormanis wrote four. MacFarlane also wrote "Sympathy for the Devil" and then a novelization of the unfilmed script. Effectively, of 11 scripts for Season 3, MacFarlane wrote five, or 45.45 percent.
"Shadow Realms" and "Mortality Paradox" strike me as the most unlike MacFarlane. "Shadow Realms" (Braga and Bormanis) is a stock VOYAGER plot of DNA mutating people into monsters and very much of the Brannon Braga handbook. "Mortality Paradox" (Chevapravatdumrong) is a lot of high dollar set pieces and not much sense. David A. Goodman's "From Unknown Graves" has the twisted perspective that I'd expect from him after his FUTURAMA work.
Meanwhile, "Gently Falling Rain", "Midnight Blue" and "Domino" from Braga and Bormanis don't resemble Braga's work and I would hazard a highly uninformed guess that MacFarlane rewrote most of the scenes. It would seem to me, although I could be wrong, that MacFarlane was writing five scripts and rewriting every scene of at least three. That strikes me as way too much for the showrunner if he's also the lead actor.
A lot of this seems to be MacFarlane insisting on having all scripts ready before filming so that he didn't have to do any on-set rewriting alongside acting.
Then there's the production schedule: six to seven weeks to film each episode -- and that was before pandemic restrictions slowed things down. Again, while I really enjoyed Season 3, I'm not sure this show needed seven weeks per episode. I'm not sure what that was about. https://youtu.be/qlqpogkCp3I?si=FkTUetUoNg5w0bjN
I recognize that THE ORVILLE is more effects-heavy than a cop show episode filmed in a week, but is THE ORVILLE really six to seven times more complicated than a cop show?
I'm not sure what the reason is for why filming would have taken a year and a half for 11 episodes even without COVID. It's something I should ask about when I find some time for it.
I think if there is to be a Season 4, it might be necessary for MacFarlane to delegate his showrunner duties to a trusted subordinate who can match MacFarlane's style and sensibilities, who can shepherd scripts to completion that MacFarlane can easily do a quick polish on, whom MacFarlane can trust to be the on-set writer to do revisions during filming... and THE ORVILLE's episodes need to be filmed in 2 - 3 weeks per episode at most.
I'm not sure if the results would be the same as Seasons 1 - 3, but the way in which Seasons 1 - 3 were made seems unsustainable.